Aug. 2017 三十

John Tilbury and Philip Thomas playing Morton Feldman's 1957 work 'Two Pianos'. From the double CD of Feldman works for multiple pianos: 'Two Pianos and other pieces 1953-1969' on Another Timbre.

Morton Feldman - Two Pianos

All the best State Azure tracks in one essential mix.

State Azure Mix

Out of nowhere, You soon realize that the ground is actually a fraud. The ground is a cloud. The city is actually floating by powerful rockets that lift the city above the ground. A sign of the future.

Floating Islands (Feat. Jupiter)

Espen Eriksen Trio - Gravity

Probably my personal favorite Braindance track. Wrote this early 2014 when I was busy hooking up my current synth studio. The strings that enter 3/4 of the way through get me every time : > 

Grab the EP this track is from via ~ https://marlyluske.bandcamp.com/album/vacation-in-torquay

Grab the files

Park It

IT WILL BE FOREVER
26 May 2017
www.sunglitters.com


Traveling sideways in time, Sun Glitters’ It Will Be Forever is a cinematic cruise that illustrates a retro-future landscape of wildlife. Brimming with its own synthetic nature, the album’s foundations of heavy bass, complemented and contradicted by electronica melodies, carve a panoramic view as he journeys between apprehensive, haunting tension and bright, revelatory scenery. 

Victor spent his formative years as a teen in the 1980s, naturally gravitating to the luminous synth sounds characteristic of that time. Now, with a copy of the Drive OST under his arm and witnessing his own children’s inquisitive nature about the world, Victor found himself drawing inspiration from within–opening the door to nostalgia and taking a trip down a memory lane paved by dreams drawn on an Atari ST. 

The result is It Will Be Forever, a love letter to a time of not so distant past–or perhaps so far in the future that it defies imagination–and a contemplative soundtrack that acknowledges the paths leading to this point, both personally and communally. Painting a vivid Tech Noir world layer-by-layer, It Will Be Forever reflects the cautious anticipation many of us feel today in the digital age: a sense of something bigger looming. Spanning 11 tracks, the album depicts a version of the seven stages of grief, with the conclusion being the most poignant as it closes with a wonder and zest for life that the author hopes to impart on us.

It Will Be Forever

WHERE THE END BEGINS

文王操 成公亮 唐琴秋籟

Order Page: https://seabuckthorn.bandcamp.com/album/turns
Subscription Series Page: http://losttribesound.com/declineseries
Subscribe on Bandcamp: http://smarturl.it/declineseriesbc

After 2016’s well-received EP,  'I Could See The Smoke', experimental guitarist Andy Cartwright (aka Seabuckthorn) returns with his new full-length album 'Turns', releasing April 21st on vinyl, CD and digital with Lost Tribe Sound.  Cartwright immediately caught our attention with his commanding full-length album 'They Haunted Most Thickly' in 2015. With 'Turns', Cartwright further solidifies his anomalous position within the genres solo guitar music, American primitive, and modern classical. 

The vinyl and CD edition arrive in the ever stunning physically and sonically minded fashion that LTS has become known for. 'Turns' takes form with a lush 180 gram audiophile grade vinyl housed in a heavyweight reverse printed jacket (limited to 500). The lacquer process vinyl edition was masterfully cut by Paul Gold at Salt Mastering in NY. Each edition comes with a Bandcamp download coupon. Plus, 'Turns' introduces a new handcrafted panoramic CD design (limited to 150 editions). 

'Turns' is an album wrought with vertical forms, heavily cinematic in design and scope.  It’s an album built from the earth. With eyes closed, one can easily imagine heavy rusted spires rising and collapsing upon themselves, only to be rebuilt from the rubble in the same instant, ever clawing towards the sky, with the rumblings of massive tectonic plates shifting below.  That said, 'Turns' is far more of a cerebral experience than its predecessors. transitioning seamlessly between hypnotic long-form pieces, minimal harp-like ballads and the primal stomping world-builders that have become Seabuckthorn’s calling card. 

Cartwright wields his minimal, yet powerful arsenal in new and intriguing ways throughout 'Turns', comprised of various twelve string guitars, a well worn resonator guitar and heavy waves of lumbering percussion. Plus, for the first time ever, Cartwright invites an outside player, composer and fellow friend of rustic orchestration, William Ryan Fritch to play double bass on three of the songs. In addition, LTS is honored to have worked with visual artist Gregory Euclide (Bon Iver, Lubomyr Melnyk) on the incredible original cover artwork for 'Turns', and sound engineer James Plotkin who handled the mastering.

Turns

Occurring Water

Buy Album

Seabuckthorn - Occurring Water (from Turns)

Loreve - The Universe

Almosts

Taken from the debut EP 'Epilogue' out June 2nd

Listen/stream/buy here http://phonofile.link/epilogue-josin

Epilogue

The One (Epilogue)

Greg Fox - Catching An L

Learn more at RVNG: http://smarturl.it/rvngnl38-rvng
Add to your collection at Bandcamp: http://smarturl.it/rvngnl38-bcamp
Download + stream everywhere else here: http://smarturl.it/rvngnl38-digi

©2017 RVNG Intl. / igetrvng.com

The Gradual Progression (RVNGNL38 - 320 Promo)

Greg Fox - Catching An L

The original track is taken from new album 'Every Valley'. Available to buy from here: https://publicservicebroadcasting.net

They Gave Me A Lamp (Plaid Remix)

Tompkins Square is very proud to announce the signing of Welsh multi-instrumentalist, Gwenifer Raymond. Hailing from Cardiff and now residing in Brighton in the South of England, Raymond began playing guitar at the age of 8. 

Her debut album, You Never Were Much of a Dancer, is out on Tompkins Square in early 2018.

Sometimes There's Blood

My contribution to the fabulous Earthlings II compilation, released on the 21st June 2018 by Pyramid Transmissions.  This is a charity compilation with all proceeds going to World Animal Protection.

Spindle is a brand new track which we've played live a couple of times.  It's us going back into the old school, breaks lead electronica sound  which we've dabbled in from time to time, but still keeping a sense of melody and space.

Please support the charity and the artists on the album through the Buy Now link below.  It's 79 truly outstanding tracks of electro, idm, techno and acid and is a must buy for anyone into electronica from the old school.  And for a very worthy cause as well.

Credits:
Written and produced by Andrew Dobson.

Thanks to Dom Graveson as always and to ADJ for inviting us to contribute.

EARTHLINGS 2

Spindle

Buy now for charity!

In this sound walk, the accordionist, composer, and one-third of exploratory folk band Lau brings together field recordings, spoken word and the trumpet and tenor horn of Laura Jurd. “I’d been getting up earlier and earlier and enjoying that special period when it feels like there are very few people awake", he says. 

"I recorded a few walks at sunrise, one with my daughter, and the snippets of conversation that got caught became the starting point. I’d been yearning for ensemble music and I’d been very keen to find a project to do with Laura for a while – and the sound of the sun makes me think of brass”. 

Accordion, keyboards, words and ambient sound recordings by Martin Green
Trumpet and tenor horn, improvisation by Laura Jurd 
Narration by Edie Green 
Mixed by Calum Malcolm 
Additional engineering by Cameron Malcolm
Brass arrangements by Benjamin Woodgates

Martin Green: A Place of Crisps and Pianos

The One (Epilogue)

JOSIN

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