A groove as warm and earthy as sunlit sand,
where afro-tinged rhythms meet sizzling hi-hats
and brass lines swirl like a breeze with attitude.
Cool and confident, the mix moves slow but never still –
playful, poetic, and made to dance barefoot on kitchen tables.

Fragments of whispered desire shimmer through the air,
a sensual murmur speaking in riddles.
Then suddenly – cheeky and deep – the vibe smirks,
half-lidded and knowing.

As the journey softens,
a voice reminds us the play goes on –
and this mix?
It leaves its verse glowing gently,
like the last light of day.
Connect with the artist: @disfunctional_disco

Slomosensual 84 by Disfunctional_Disco

Poizon Ivy Opening Set - Focus | London -  04/04/2025

Ali Alo,

"Today, I’m thrilled to introduce you to a truly unique artist. Not only is she Italian, but her delicate touch and emotional approach to music create a universe that’s entirely her own.
@diereva has crafted this set full of inspiration last summer and it has been evolving since then. On this occasion she played after a performance by her friend Mele Ferrarini who then joined her live with improvised readings taken from Arthur Cravan.— and it feels so good..."

Recorded on April 5, 2025 at The Boxing Gallery / Fondazione Arthur Cravan in Milan.”

To discover a lil more about her we had a quick chit chat ...
Enjoy as much as i did and wish you all the best ...

✘ So tell me what was your first track you fell in love with during your childhood?
I don't think I remember the first one, but I'm sure it's something by the Beatles, maybe Here There and Everywhere.

✘ maybe could you tell us how did you get into the music cooking pot ?
My first approach to music came at the age of 4 when I started playing the violin. I don't remember how aware I was of it; it had been an imposition, like many things parents impose on their children during childhood, and that's why it felt natural to me. However, I liked it.
When I reached adolescence, personal desires began to assert themselves, and alongside the violin, I picked up the bass guitar (to the great disapproval of my classical teachers) so I could play the music I listened to — mainly Pink Floyd and psychedelic rock from the '60s and '70s.
With the bass, I found an attitude that suited me much more than the violin: not being the leading voice, but instead stepping back and listening to what was being created.
This inclination toward listening rather than performing is what, at 40 years old, ultimately drew me to electronic music.
I have now been composing and producing downtempo electronic music for 4 years (and lately, with intentions that are starting to go further…).
Through this, I've rediscovered the sounds of the music I have always loved — psychedelic music of the '60s and '70s. And I had largely ignored everything produced from the '80s onwards, at least until 2016, when artists like Oceanvs Orientalis, Dandara, and then Arutani, Avem and Ninze showed me that with electronics, you can travel through time and space.
Electronic music gave me the chance to create by following pure instinct, without having to compromise with the needs of other musicians. Instead, I seek dialogue with machines, which often take over the more repetitive aspects of playing an instrument, allowing me to focus much more on sound than on execution.

✘ ... and the last track you digged?
Track ….let me think about it. As musicians/producers Shimon/Farida Bady and Deep Andy intrigue and stimulate me a lot.
But the one I listen to the most at the moment is a soul group, the Thee Sacred Soul.

Cover image: Boxing match of Arthur Cravan and Jack Johnson, Barcelona, 23 April 1916 by Mengyin Wang

Inspired by Diereva

HOUSY JOSY5 05 2025

🇵🇸 Free Palestine in the language of Alienz 🇵🇸

Hey freaks !
Here a set that i love so much, cause of the nrgies inside, & cause it was the last one made on my old material.. i like it too much & i hope you will love it as well

this is the tracks list :

1. @razohara, FEATHERED SUN, @j-ok-e, @iannisritter, @ricoloop - Limestone(Original Mix)
2. @apaj_duc - All the Way
3. @ddoollpphh - True Hallucinations [absolut relativ]
4. Upstairs P - Grem Freche (Pt. 1) [Pinchy & Friends]
5. 2Pac; Makaveli - Tattoo Tearz
6. @Yeahman • ORSSO - Baixi-Baixi (ft. Aluna Project)
7. @los-cabra, Max Joni & MUKKIMIAU - Mitj Mitj
8. Work It (@mrux EDIT)
9. @mrux – Oh Boy (Original Mix)
10. @marthavanstraaten - Ayu (Edit)
11. @yusufthelemone – Boy
12. @niju-1 - Lose Control
13. @mrux – Someone Else (Original Mix)
14. Hermanski - Lorbeerblatt (Original Mix)  @kollektiv-liebe
15. @soblemusic - It Was (Manoj Puri Remix)
16. @max-tenrom – Hijaz (SEVN CA Remix)

groovy josy springy 25

The rāga saga acts as a cultural collectiva of our favourite artists from all across, Each raga is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "color the mind" and affect the emotions of the audience and this journey (raga) comes in from the expansive being of @cosma_wav this Italian artist, based in Berlin who also spins a monthly Resident @BloopLondon with "Cosmic Frequencies"

Follow Cosma!

rāga 290 • Cosma • Keep moving

Unser erstes B2B-Set – und für mich das erste B2B überhaupt. 
Es hat richtig Spass gemacht! 
Vielen Dank an all die grossartigen Tänzer*innen und für die vielen netten Komplimente – ihr wart mega! ❤️

PS:
Sorry for the slightly too quiet transitions — it was really loud that evening and sounded different 😄

Loux & Slex @ Pride After Party | 21.06.25

Chrysalis (Long play)

Buy on bandcamp

Issa Sacha - Chrysalis (Long play)

Beatport

PREMIERE: Lost in the wabi - B.I.R.DD (Ar) (Original Mix) [For Senses]

01 REC-2025-09-20 re cover up

born in the fabulous year of 1972 in south west of france.
Passionated by all sounds since child (always berlin in first ! kraftwerk , nitzer ebb...& also london or paris or US house & rap) 
I became a vinyles dj in 1992 in nature , forests, private parties. Educated by Dj Nerate (UK) from famous Spiral Tribe team, i'm  proud to have been a part of these first influences @ early times of techno movement in france with very small audience (but high quality^^^ones  at the beginning , playing house, hardhouse, techno, hard techno, trance , psytrance... sharing the sound in thailand koh phan gan (92 to 95) & goa beaches (92 to 97) , jungle or breakbeat, during 10 years
After a break of 20 years..I came back on the desks , that time on digital materials from summer 2022 & at 50 years old..(!!) 
I like to improvise with all the avalanche of new stuff that i hunt & receive  each day from some precious friends.
Downtempo or midtempo (even high tempo), house, slowhouse, deephouse, hip house, electronic , deep beats,psytrance or chillhouse & even sometimes with melodic or else .
My singularity is to play without headphones most of time (it guaranty for me the essence of the energy of improvisation..)
My eclectic knowledge & my singular way to mix make my personnality , groovy & Deep most of time.
Resident of @planetibiza , I'm always opened & enjoying to make podcasts for some  labels like @octorecords @vodoom @templeofthedown @slomosensual @hekske&magicwishtapes @downtempobaby @artydal @秋分🌾 Autumn Equinox or friends' pages ..

stay tuned !

HOUSY JOSY5 05 2025

Josy5