Grupo Transcendental
Disco - Ensaio no Terreiro do Bogum
Musica - Ogunté
Composição - Vinicius Freitas
Arranjos - Vinicius Freitas
Vinicius Freitas - Saxofones
Mateus Aleluia - Trompetes
Jota Anderson - Contrabaixo
Marcio Pereira - Violões
Luizinho do Jêje - Percussão
Gilvã - Percussão
Reinaldo Boaventura - Percussão, bateria

Ogunté -  Ensaio no Terreiro do Bogum

05 Brazuca Black Man

08 Na Sua

10 Toda Saída

Gravado na tour Ambiente Bem Brasileiro verão de 2015 no Pelourinho - Salvador Bahia - Brasil

Na Baixa dos Sapateiros -Ambiete Brasileiro

Homenagem ao Frevo Baiano

Brazilsão

Canto de Ossanha

Composer: Jota Anderson/Vinicius Freitas
Musica trilha sonora do documentário Preservar Igarassu - IPHAN - Pernambuco - Brazil

Album

Pedra Furada

Grupo Transcendental:

Vinícius Freitas - Saxofones
Mateus Aleluia - Trompetes
Jota Anderson - Contra - Baixo
Marcio Pereira - Violões
Gilvã Oliveira - Percussão
Luizinho do Jêje - Percussão
Kainão do Jêje - Percussão

1 AWO DOS DEUSES - Transcendental

With more than 20 years of career, Jota Anderson is one of the most outstanding bass players in the music scene. Graduated in Music at the Federal University of Bahia - UFBA, he began his studies as a self-taught and soon became master of other artists such as Bimba and Frank Negrao. Technician trained in the Modern Music Nucleus in Elementary Theory of Music and Contemporary Functional Harmony with Maestro Ubiratan Marques, Acoustic Bass with Professor Ângelo Santiago and Practice in conjunction with Mou Brasil, Jota Anderson acts as Music Director, Producer, Arranger and Composer.
After playing for decades like sideman of great names of Bahian and national music as Sandra De Sá, Elba Ramalho, Chico César, Armandinho, Dodô e Osmar, Márcia Short, Alex Góes, among others, the musician decided to migrate to the center of the stage and to command his own projects like the Ambiente Brasileiro and the Grupo Transcendental, both fruits of his research in Brazilian music and instrumental compositions. But he also accompanies great artists with his double bass, such as Gaby Guedes, Gustavo Didalva, Peu Meurray and others with whom he maintains an international career.
In the Musical Direction signed the shows Nobre Balanço de Dão, Fobiscuna of the Ambiente Brasileiro, and the tours of Tânia Luz, Wil Carvalho and Márcia Short. But the biggest highlight was due to Band 30/60 and his "Dança do Esquisito" which led the musician to a season in São Paulo and presentations on various radio and TV stations.
Composer with songs recorded by names as Saulo Fernandes, Harmonia do Samba, Tomate, Dão, Amanda Santiago, Alexandre Peixe and other fellow artists. As a music producer, he is responsible for the Origins CD of Grupo Gêge Nagô for Conexão Vivo, the international CD of Princess La Tremenda, the DVD Transcendental - live and for the soundtracks of documentaries "Preservar Igarassu" and "Viva São João!", and the Didatic Concerts of the Grupo Transcendental  in Salvador, Recôncavo da Bahia and SESC São Paulo, the Concert in the Churches Project  and the launch of the CD Quintais of the Clécia Queiroz at the Castro Alves Theater.
But it is in education that Jota Anderson is accomplished today. Teacher of Double bass, popular guitar and harmony, the instrumentalist has already passed through non-governmental institutions and taught hundreds of Salvador's needy children. Today he coordinates a Music Education project that combines popular formation with sustainability. And he says: "Musical education is the hope of our struggle for quality music."

Ogunté - Ensaio no Terreiro do Bogum

Jota Anderson

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