"not infinite, but quite a few is a long sequence of sounds which all have a volume.
many little things keep happening, which is a like how in life, often many little things keep happening.
but usually things happen in a different way in regards to shape, size and latitude.
it is like a musical buffet due to the fact that it might give you food poisoning. please refrain from eating the cutlery."

10 - Tilde - Not Infinite, But Quite A Few

If you're in Thailand and are into this kind of music HMU

"Journals Mk 1" out September 29th
https://linktr.ee/journalscollective
https://journalscollective.bandcamp.com/

This is an experimental electronic music project performed and produced by Saif. He has been creating music since the age of 16.   with various instruments and methods – mainly focusing on playing guitar and using multi-track analogue equipment for recording and production. 

His approach to music is a daringly beautiful combination of atmospheric music with emphasis on rhythms, variety of tone and the layering of electronic textures over a more traditional approach. 
Saif describes his song writing method as being vertical "I add layers and subtract others over shifting and interlocking rhythmic parts. The main theme of the track is always there in one form or another. it's usually the first idea I start with. everything around it is a result of that first spark" 

Welcome to my “musical” diary…. A Sonic sketch book of feelings and impressions.

One!

PVAB (Peter Victor Alexander Boonstra) is an electronic music composer for film and animation, with a focus on immersive, emotionally rich scores that blend modern electronic textures with cinematic storytelling. In addition to his work as a composer, PVAB also offers full Dolby Atmos mixing capabilities, bringing a cutting-edge spatial audio dimension to his projects.

Specializing in hybrid electronic soundtracks, PVAB crafts music that moves beyond stereo into fully immersive environments—enhancing depth, directionality, and emotional impact. His Dolby Atmos mixes allow directors and animators to deliver their stories in true three-dimensional sound, whether for cinema, streaming platforms, or VR/AR experiences.

Working from a state-of-the-art Atmos- studio, PVAB not only composes original music but also mixes complete spatial soundtracks tailored to each visual narrative. His experience spans short films, animated series, and independent features, with a particular sensitivity to how sound supports and elevates storytelling in animation and experimental formats.

With a collaborative and detail-oriented approach, PVAB helps filmmakers push creative boundaries—combining electronic composition, spatial sound design, and Dolby Atmos mixing to create immersive audiovisual experiences that resonate deeply with audiences.

i like robots, i make robot music, i make robot art.
19

I compose... and I design. That's about it.

I only repost things I have contributed to.