11th WALTZ OF WAX

Homemade VIDEO, shot on summer 2021 tour: https://youtu.be/Cb2j3lcyiZs

Streaming platforms: https://ffm.to/ze2gpp0

London-based 7-piece Cable Street Collective’s latest single, ‘The Wolf’, is an upbeat banger guaranteed “to make you dance your beep off”. 

The track, which features their signature combination of thumping dance rhythms, African-influenced guitars and an addictive chorus, was written during lockdown, with demos flying back and forth over Zoom calls – and an early version of the band playing it “together” appeared online in March 2021, with each member recording their parts from home. 

Despite the knock-on effects of lockdowns on the live music sector, Cable Street Collective road tested The Wolf extensively this summer, playing at Latitude, among others, on a 17-date summer festival tour. The band recently announced a further UK tour for February 2022.


While the music of The Wolf is upbeat, the lyrics deal with darker themes. “It’s about subconsciously seeking out toxic relationships as a means of self-flagellation,” explains singer Fiona Jane. “That absurdity, when you’re most comfortable in relationships that are bad for you, is fascinating.”

The Wolf

Ophen

This is a personal review of the year 2021 - consisting of twelve short musical sections, one per month. The sections were each cut from a RabMusicLab track released in the corresponding month. The tracks were chosen upon their personal or musical importance.

The picture is intended to show a symbol for the passage of time:
It is inspired by the "chronopteric birds" featured in the series of graphic novels "Azimut" by Wilfrid Lupano and Jean-Baptiste Andreae. According to the publisher this is an "incredible Terry Gilliam-esque fantasy tale" and has Time as one of its main subjects.
The photograph shows one of the metal water-spouting birds in the garden of Schwetzingen palace which remind me of these time-related animals in the graphic novel.

The list of tracks:
https://soundcloud.com/rabmusiclab/machinery
https://soundcloud.com/rabmusiclab/le-brouillard-du-desespoir
https://soundcloud.com/rabmusiclab/evening-contemplation
https://soundcloud.com/rabmusiclab/strange-weather
https://soundcloud.com/rabmusiclab/lost-and-found-feat-yaccn
https://soundcloud.com/rabmusiclab/pre-set-in-the-bay-of-plenty
https://soundcloud.com/rabmusiclab/the-devils-harp-of-glass
https://soundcloud.com/rabmusiclab/wilde-rosmarie
https://soundcloud.com/rabmusiclab/three-fifths-remain
https://soundcloud.com/rabmusiclab/vatn-is-vatn
https://soundcloud.com/rabmusiclab/bedtime-for-musical-bots
https://soundcloud.com/rabmusiclab/between-waves-and-stars

This track is following the Disquiet Junto Project 0522.

More on this 522nd weekly Disquiet Junto project – Just Backdated (The Assignment: Create a sonic diary of the past year with a dozen (or more) super-brief segments) – at: https://disquiet.com/0522/

More on the Disquiet Junto at: https://disquiet.com/junto/

Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co 1: https://llllllll.co/t/disquiet-junto-project-0522-just-backdated/

There’s also a Disquiet Junto Slack. Send your email address to marc@disquiet.com for Slack inclusion.

Sonic Diary 2021 (Disquiet0522)

This track was created for the Naviar Haiku group.
420 week haiku
https://www.naviarrecords.com/2022/01/19/naviarhaiku420-adorned-with-raindrops/

2022-01-20

Princess Azealia ( Naviarhaiku 420 )

Listing Queasy [disquiet 0526] with Moray Newlands
This track is part of the second step of Disquiet Junto 0526: Magic Number (2 of 3)

The Assignment: Record the second third of an asynchronous trio.
This week you’ll be adding music to a pre-existing track, which you will source from the previous week’s Junto project (disquiet.com/0525). Note that you aren’t creating a duet — you’re creating the second third of what will eventually be a trio. 
This track adds a quintet of loosely time guitar parts to Moray Newlands track Roughly in C.
https://soundcloud.com/moraynewlands/roughly-in-c-disquiet0525 
There is also a shimmer reverb applied to get the two parts a little more gelled. The aim was to build on the vibe of the detuned violins.

More on this 526th weekly Disquiet Junto project – Magic Number (2 of 3) (The Assignment: Record the second third of an asynchronous trio) – at: https://disquiet.com/0526/
More on the Disquiet Junto at: https://disquiet.com/junto/ 1
Subscribe to project announcements here: https://tinyletter.com/disquiet-junto/
Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0526-magic-number-2-of-3/

Listing Queasy [disquiet 0526] with Moray Newlands

LDR88vtv

Tpc244

MZRPKLPS - Dragnet

Created using Virtual ANS and normalized in Audacity for Disquiet Junto 0554, Cage Chord. Any piece submitted was intended to be loopable.

Used pulses in close drone, not only according to chord notes, but in upper registers, within notes to play with additive heterodying/intermodulation, as notes were synthetic, not inherently full of overtones etc. Also to take some cue from the chromatically adjacent notes in the chord notes.

None of it done with fine resolution to encourage any idiomatic lo-fi glitchyness in the program.

More on this 554th weekly Disquiet Junto project — Cage Chord (The Assignment: Riff on a chord by John Cage) — at: https://disquiet.com/0554/

Thanks to Tobias Reber and Musikfestival Bern for collaboration on this project. More on the festival at:

https://www.musikfestivalbern.ch/
https://www.instagram.com/musikfestival_bern
https://www.facebook.com/musikfestivalbern

End Hold

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