DEERHUNTER - VHS DREAM

bowery electric - Without Stopping

Taken from Androgynous Mind's 'Nightstalker' EP released by Faux Discx on 9th December 2013, available on 7" (limited to 300) and digital download.

WE MAXED OUT THE DOWNLOADS! DOWNLOAD THIS SONG IMMEDIATELY BY PRE-ORDERING NOW:

http://fauxdiscx.bandcamp.com/album/nightstalker

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Androgynous Mind is a new project from former Women guitarist-vocalist Patrick Flegel, and whilst only five songs are on the Nightstalker EP, just hearing him with a guitar should be enough to get fans of his former work excited. 

Flegel is joined by Morgan Cook, who plays things straight and primal against his dissonance and squall, that is when she isn't wailing along with him, like on the opening pair of tantrums that sound like some lost Harry Pussy recording session. It's over in a blink before segueing into “Knock On My Door,” a spectrally understated pop gem worth playing bleary-eyed at four in the morning. “Knock” revels in Flegel’s distinctive guitar presence, working shapely lattices of notes into descending sheets of melody in a manner both lulling and forceful, but you remember that from 'Public Strain', right?

Post-punk guitar intricacies rarely mesh with pop hooks so masterfully, yet Flegel has proven himself many times to be staggeringly adept at both. With Androgynous Mind he and Cook have striped their ideas to the bone, revealing   a thing both harsh and beautiful, direct and engaging.

ANDROGYNOUS MIND – Knock On My Door

I'm in this night, of purple fright 
Social enclosed, with no ones phone 
I cramp my face, and spill my drink 
The violet boy, is the missing thing…I'm here 

I cry on my my bike, I'm feared I'm cleared 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple'' 

My mind's a dream, coz you ain't near 
''I'm sorry babe, I ain't near'' 
My heart is tight, makes my blood go wild 
''I'm sorry babe, I am feared'' 
My eyes are queer, they keep pumping tears 
''I'm sorry babe, please don't tear'' 
A lion's game, still I love you but…I'm here 

I cry on my my bike, I'm feared I'm cleared 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple'' 
I cry, when I'm looking through the glass it's weird 
''I feel nerves are shaking'' 
Your heart's here, but your lips are so far away 
''I'm losing my purple''

Crying In The Discotheque

Produced by Michael Tenzer

Melodies for "Huge Moves" and "Little Claws" co-written by Chloe Lundgren and Michael Tenzer

Melody for "Composure" written by Chloe Lundgren

Vocals - Chloe Lundgren
Synths/Bass/Drum Machine - Michael Tenzer

Cover art/composition by Caitlin Klask and Michael Tenzer

Huge Moves

From the album "Dromomania", out October 2, 2015 on Joyful Noise Recordings.

Order direct: http://www.joyfulnoiserecordings.com/products/dromomania

Helvetia - A Dot Running for the Dust

You ain't the same as you were before (Sped up) prod. Qazers

Rough demo

Let's get away with murder for the second time
In all my life I never knew how not to tell a lie
She's only doing this so we can understand
That everything is coming up roses, because

She's got all of the stars she keeps them inside little lockets
They lullaby and dream away held safe within her pockets
A gentle hand comes from the sky down here and it reminds me
Of all the times I tried to run but now I now I can't help

Slowly

La la la la slowly falling into
La la la la slowly falling, falling into
La la la la slowly falling into
La la la la slowly falling into one with you

Falling Slowly- DEMO 3

Taken from 'It's Immaterial' LP by Black Marble, out October 14, 2016.

Order at The Ghostly Store: http://www.theghostlystore.com/products/black-marble-its-immaterial
Or at the retailer of your choice: https://Ghostly.lnk.to/black-marble

It's Immaterial

Black Marble - Iron Lung

"Shake The Shackles" is Crystal Stilts' first release since "Love Is A Wave" and is a great snapshot of where the band is now and a taster for their forthcoming second album, due early 2011. Driven by echoed guitar strum and droning keys, it's a dexterous update of 60s garage pop that places it alongside late 80s Paisley Underground heroes like Green On Red and later Dream Syndicate, but the song itself is totally timeless, and impossible to place anywhere but firmly in Crystal Stilts' own unique style.