www.edition-impronta.com
www.tanaquartet.fr

"Diario Ellittico" (2020-21)

B - b - a (2020/21);Bläschen - beengt - worauf hoffst du
für amplifiziertes Ensemble
Ensemble KNM Berlin

3 sprachliche Materialien liegen dem Stück zugrunde. Ihr klanglicher, struktureller und außermusikalischer Inhalt hat meine Komposition angeregt. Diese 3 Pole auszuloten, sie auf Überschneidungen und Verwandtschaften zu untersuchen und davon ausgehend eine Musik zu entwickeln stand im Zentrum meines Schreibens. Das Ausgangsmaterial selbst verschwindet im Lauf der Arbeit in die Unkenntlichkeit.

B - b - a (2020/21) für amplifiziertes Ensemble

An Impression Of Kampung Life

Duo for soprano voice and soprano saxophone, from the poem "Sous la nuit " by Alejandra Pizarnik (Argentina, 1936-1972)

Work created at Delian Academy for New Music between the 12th and 17th of June in Mykonos Greece. Composed by Jorge Vazquez Salvagno, performed by Kanae Mizobuchi (soprano voice) and Bera Romairone (soprano saxophone).


Sous la nuit 

Los ausentes soplan grismente y la noche es densa. 
La noche tiene el color de los párpados del muerto.

Huyo toda la noche, encauzo la persecución y la fuga, canto un
canto para mis males, pájaros negros sobre mortajas negras.

Grito mentalmente, me confino, me alejo de la mano crispada, 
no quiero saber otra cosa que este clamor, este resolar en la noche, 
esta errancia, este no hallarse.

Toda la noche hago la noche.

Toda la noche me abandonas lentamente como el agua cae
lentamente. Toda la noche escribo para buscar a quien me busca.

Palabra por palabra yo escribo la noche.

De "Textos de sombra y últimos poemas" 1982

Tu M’abandonnes Lentement by Jorge Vazquez Salvagno

Performance by Longleash trio
Recording by Chris Kincaid

score video: https://www.youtube.com/watch?v=yqTRB0bQjQw&t=541s

PROGRAM NOTE
Pietà was written during the Spring and Summer of 2017 for Pala Garcia, John Popham and Renate Rohlfing for the Loretto Festival 2017.

Our father who art in heaven,
Hallowed be thy name.
Thy kingdom come. 
Thy will be done
On earth as it is in heaven.
Give us this day our daily bread,
…

Pour the unhappiness out
From your too bitter heart,
Which grieving will not sweeten.

Poison grows in this dark.
It is in the water of tears
Its black blooms rise.
…

“…I’m tired now.
Sometimes I talk too much. That’s happiness.”
…

Give us this day our daily bread…

(Fragments from: Lord’s Prayer – English vernacular version, Another Weeping Woman – Wallace Stevens, Three Views of a Mother – John Ciardi)

Pietà (piano trio)

未知的專輯 (22-Jun-17 04:19:39 PM)

Kampung and the City

Cinq centimètres par seconde
Jean-Patrick Besingrand: composer
Ensemble Intercolor
Aleksandra Denisenia cymbalum
Camille Nancy violon
Helena Sousa Estévez accordéon
Yui Sakagoshi saxophone
Sara Taboada clarinette

Cinq centimètres par seconde

Jennifer Sternick-violin
Cecilia Caughman-cello
Sarah Steranka-flutes
Emily Cook-clarinets
Anna Elder-soprano voice

Be New Too-Ramin Akhavijou

Perished Sun for 8 Instruments and Wind Orchestra (2019)  - conducted by Hardy Li

oktopus (2019/20) 
für ensemble
Ensemble Adapter

Cinq centimètres par seconde

Jean-Patrick Besingrand

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