Recording of a live-concert at Punktfestival 2008/Norway with Eivind Aarset, Rune Arnesen, Tim Harries

Untitled Part II

XXIII FRANKFURT GERMANY
https://soundcloud.com/untrust-1
Contact:
futuremusic.aaron@gmail.com

Poetry Sound Cloud 


THE ROSE SONGTEXT
Some say love, it is a river
That drowns the tender reed
Some say love, it is a razor
That leaves your soul to bleed
Some say love, it is a hunger
An endless aching need
I say love, it is a flower
And you, its only seed


It′s the heart, afraid of breaking
That never learns to dance
It's the dream, afraid of waking
That never takes the chance
It′s the one who won't be taken
Who cannot seem to give
And the soul, afraid of dying

That never learns to live

When the night has been too lonely
And the road has been too long
And you think that love is only
For the lucky and the strong
Just remember in the winter
Far beneath the bitter snows
Lies the seed that with the sun's love
In the spring becomes the rose

Status : In Scheidung ...before beeing verliebt verlobt verheiratet ....after watching Skyrim X Rolegame ....Gott ist Tod Nietschzes usw Leon Werth ...

Le petit Prince ? Oh Leon Werth oh Leon Werth ....i feel guilty !

If i will be not killed - here my view for the future 
::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::
discographie  
["noticed before its over "] 

YouRporn : https://youtu.be/lKfkd5nnweg

past :
- [ N++] The Silent Voice / PS4 Game 
- GMND014 
- IIVII
- Recycled plastics ----  Zzzzra rmx
- future abduction / utch rec.
- art-zero [ 12inch  - Antagonisten ] 
- trucs et astuces
- kosmonetlabel
- moisture podcast
- echogarden 
- deep in dub 
- load & clear [ cover art ]

Thoughts about music zb 

https://www.deutschlandfunk.de/die-dunkle-seite-der-musik-100.html


Clair de lune oder Clair de la luna ?

Im Mondschein,
mein Freund Pierrot,
leih mir deine Feder,
um eine Nachricht zu schreiben.
Meine Kerze ist aus,
ich habe kein Feuer mehr.
Öffne mir deine Tür,
um der Liebe Gottes willen.

2.

Im Mondschein
antwortete Pierrot:
Ich habe keine Feder,
ich bin in meinem Bett.
Geh zur Nachbarin,
ich glaube, sie ist da,
denn in ihrer Küche
schlägt man den Feueranzünder.

3.

Im Mondschein
klopft der liebenswürdige Lubin
bei der Brünetten.
Sie antwortet sofort:
Wer klopft so?
Er sagte seinerseits:
Öffnen Sie Ihre Tür
für den Liebesgott!

4.

Im Mondschein,
da sieht man nur wenig.
Man suchte die Feder,
man suchte das Feuer.
Bei dieser Suche
fand man, ich weiß nicht was.
Aber ich weiß, dass die Tür
sich hinter ihnen schloss...

j peter schwalm, born 1970, founded the experimental jazz band slop shop in 1993 before establishing the record label poets club records whose releases include slop shop "makrodelia I", "makrodelia II" and "interpretations" including remixes by jimi tenor, sensorama and brian eno. other recordings include "music for onmyio-ji" together with brian eno (jvc japan, 2000) and "musikain" (musikain records, 2006). peter has enjoyed a long collaboration with the producer brian eno. their many projects together include performances of peter&#180;s former project "slop shop" (also with holger czukay) in bonn, germany, 1998; the album "drawn from life" (virgin uk/astralwerks usa, 2001); a sound installation, 4D music, in the crater of a volcano in lanzarote, (2001); the soundtrack for nicholas winding refn&#180;s film noir "fear x" (2003); and two tracks for brian eno&#180;s new album "another day on earth" (2005). other work includes original music for: "the disneykiller" (state theatre, darmstadt 1995); the ballet "impaired ground" (state theatre, stuttgart,1999); "don&#180;t look now" (lyric hammersmith/sheffield theatres 2007) and numerous television documentaries (arte/spanish/catalan tv). he has toured extensively in portugal, spain, italy and japan and recently completed a remix of "tristan and isolde" by richard wagner (gateway4music, 2006). peter is also a guest lecturer at guildhall school of music and drama. ------- brian eno about playing with j. peter schwalm: when we first played, it was an immediately comfortable and synthetic playing relationship. My biggest problem with improvising with people generally is that they retreat into a safe place too quickly for me, and he didn't do that. Sometimes we would get into rather a strange musical place, some emotion that hadn't really been felt before. -------brian eno about j. peter schwalm&#180;s music: "sometimes you hear something and think: "now this is how the modern world feels to me". peter's music is like that, capturing excitement and speed and ambiguity and even wistfulness and melancholy ...a complex emotional palette which feels to me like real life." ..

My voice tries to find wind to touch her hearing

Ambient | Minimalism | Aleatoric


Dreamer

Untitled Part II

J. Peter Schwalm