If the Hanson brothers played Dungeons & Dragons through fuzz pedals they would be The Wyrms.

Life is short, and Nathan Oliver is not going to spend it waiting.

After 15 years and three albums of brilliantly crooked rock, this onetime bedroom project of band namesake Nathan Oliver has quietly grown into one of the best kept secrets of the North Carolina music scene. And now with their fourth album, Thank You For Your Generosity, the Chapel Hill three-piece has returned with a journey through grief that is by turns contemplative, explosive and — because it’s still a Nathan Oliver record — fun as hell. As with prior outings, Thank You showcases Oliver’s catchy, pop-forward songcraft in the vein of Alvvays and The Love Language, though cut from a slightly more ragged cloth. Still present are his irresistible shout-along choruses and burrow-in-your-brain guitar hooks (Exhibit A: “Everybody’s Swimming”) set against the stop-start dynamics of influences like The Pixies and Enon.

But this album is something more.

Oliver began writing what would become Thank You after the death of his brother in late 2017. The pain, confusion and embrace of his brother’s optimistic spirit gave shape to this collection — the title of which is both a play on the formalities of grief and a genuine expression of thanks.  It opens with "Generous Seas,” a piece of instrumental scene-setting: waves of guitar washing over you in reverse, ringing in your ears, conjuring a state of rumination. Fade into “Isle of Youth,” a searching swirl punctuated by sharp melodic bursts.  Emerging from that place is “Everybody’s Swimming ,” a classic Nathan Oliver stomp that breaks into an exuberant pogo-stick chorus.

The album’s centerpiece, “Even If You Go,” is an aching letter across time, culminating in a stripped-down final verse that stops everything and lands in the gut. It’s a timeless song that feels like it’s always existed (attn: TV music programmers).

Bookending that song are “Air Control” and “Stand In Line,” two off-kilter rockers bursting with loopy hooks and acid humor.  And then comes the album’s climax, the tense, tortured “Runaway.” You might say it sounds a bit like The Strokes playing tug-of-war with Unwound — though any comparison fails to capture the song’s unique power, how it maps so closely to a feeling of desperate panic.

The denouement, “A Tangent In Time,” is more peaceful, though unresolved. 
Something of a cosmic dial tone carries you through its swaying “whoas,” marking a gentle goodbye to a past that’s never quite over.  

If Thank You sounds more organic and cohesive than past Nathan Oliver releases, that’s by design. Unlike Oliver’s usual practice of crafting in private and bringing to the band, the songs on Thank You were fleshed out and fine-tuned over months of rehearsal with band members Joe Caparo (bass, guitar, pianet) and Brad Porter (drums, percussion). Their chemistry predates Caparo and Porter’s addition to the Nathan Oliver lineup: The two have backed songwriter Brett Harris and played together in Some Army; and Caparo has played with Nathan Oliver since 2017, way back when live shows were a thing.

Recording began in October of last year at Mitch Easter’s Fidelitorium in Kernersville, N.C., with Missy Thangs (Reese McHenry, Wye Oak, Ex Hex, H.C. McEntire) in the engineer’s seat, and continued with additional tracking at Thread Audio in Raleigh. While touring is off the table at the moment, before long (2021?!) Nathan Oliver will return to the same stages they’ve shared with Neil Halstead, Bombadil and Des Ark.

I am an explorer and a craftsman of many different musical styles and genres.I grew up in a small town where I developed an intense love for rhythm.

I've written, recorded and performed music for over twenty years. During this time I've had the pleasure of working with  many great artists.

I love listening to and discovering music. 

I sometimes wear my heart on my sleeve.

Discography

Jennyanykind : Big John's
Jennyanykind : Money Can't Buy Mojo
King Tears : Down In Luck EP
King Tears : Rope Chair Needle
King Tears: Get Saved vol. 1
Milton Mapes : The Blacklight Trap
Milton Mapes : B-sides
Milton Mapes : Hear Music Compilation
Milton Mapes : Starbuck's Compilation
F4Fake : Socialize
F4Fake : F4Fake
Bill Baird : Candlelit Television Eyes
Sunset: The Glowing City
Athens v Sparta: History of the Peloponnesian War

Press

"Cliff Brown Jr.'s Soul Searching. Philosophical inquiries in the form of spacey, complex pop from this Austin, Texas multi-instrumentalist" 
- Dave Heaton, Erasing Clouds

"Best Kept Secret No Longer. Sketches of everyday life depicted by minimal folk-pop arrangements that are sometimes slightly countrified, sometimes subtly psych-tinged. Heartfelt and moving, this is pure poetry." 
- Alessandro Crestani, Best Kept Secret

"Cliff Brown Jr. transcends any type of modern music""This humble release makes the most of its medium, offering a stunning round of slack-jawed numbers that swirl grooves with carefully planned eccentricities into a cohesive production."
 - Andrew Magilow, Splendid Ezine

"Staring at the Sun. A superb collection of songs from the amazing Austin, Texas songster"
- Kim Harten, Bliss Aquamarine

Guitar, paint and lover of tater tots......a lot of times I bring some friends along with me

Rogue Band of Youth is the collective output of Jimmy P, Chloe G, Triple D, and Yak. With the live and studio support of a rotating cast of area musicians they craft mercurial music that is by turns summery, somber, controlled, and... then they got really obsessed with monsters and myths and their music took a turn for the chaotic. 

Essentially this is a band of recovering folkaholics who just figured out that fuzz pedals are really quite cool. But here are some quotes from really nice people about what we used to sound like.

"For what you could call folk-rock, this isn't calm or soothing. At moments, it's frankly anxious and frazzled. But Rogue Band of Youth pulls that off without necessarily getting loud, adding another surprise element of tension to these tunes." -INDY WEEK, Corbie Hill 

"...with pastoral vibes and enough angles to keep things interesting, Rogue Band of Youth should be on your to-hear list." Independent Clauses

"This focused trio of Carrboro based musicians have been writing songs together since 2012, but even the impressive work on their previous EPs can't compare to the deft songwriting on display on Rogue Band of Youth. Tracks are contextualized with subtle field recordings that give an air of a warm southern days, tight harmonies give way to powerful melodies that soar atop a bed of delicate acoustic instrumentation." The Bottom String, Grant Golden

Here's a quote from various audience members from our recent shows.

"Whoa. Rad." - Various audience members

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