Ryan Dank/Toke Ekelund

Residing in Copenhagen and with more than 14 years of experience as a professional Dj, Ryan Dank is a passionate and driving force of the Copenhagen club scene. Aside from being a dedicated music lover and record collector, Ryan is also a producer, who has been featured on collaborative white label projects as well as independent releases. He has mainly released music under his alias Toke Ekelund, but is primarily focused on his Dj project Ryan Dank, which mostly revolves around Deep- and Funk driven House music, with a twist of Minimal, Acid and Electro.
 
With past residencies at the best clubs in Copenhagen like the infamous, now closed, Dunkel, Jolene, Werkstatt and Culturebox, as well as having played various festivals, and cities across Europe, Ryan has been around the block. This journey has led him to play alongside some of the world's most renowned DJ's in House music, including names like Hunee, Leon Vynehall, Move D, Jimpster, Cinthie, The Revenge, Black Loops and more.
 
He has a strong vision and attitude towards music, which is his gateway to mediate energy from behind the booth. With a background as a drummer his approach as a DJ is well-founded in the understanding of rhythm and groove, which truly shows through his energetic and playful sets. Through his craft he seeks to create a common-ground for his crowd and lives for the special bonds and memories created on the dancefloor.
 
Over the years, Ryan has been a part of various DYI- and club concepts, hosting a long string of parties throughout Copenhagen, with the Danish DJ-collectives Lovestomp, and BGM8S Collective. Nowadays he's a part of the resident DJ roster at Funk Majeure, being a radio host and booker for Radio Arena, as well as working as artist care at Culture Box.

Contact: ryandankmusic@gmail.com

DJ/Producer 

Co-work sometimes with: 

Bjarno (former Djuma Soundsystem), Swan and the Lake & Frederik Langkilde.

Labels: Music For Dreams, Music For Clubs, 
Booking:
Mads Dalholt 26358707
dalholt_3@hotmail.com or madsdalholt@gmail.com

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Australian DJ chasing that American dream.

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Bookings 
Guven.Yilmaz@mushroomgroup.com [AUS/ NZ]
Rob@spinartistagency.com [North America]
Management 
Tom@latenitebusiness.com

Direct Contact: 
Ben@BNSN.com.au

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GENERAL INQUIRIES:
Juliane Hormann
mail: office@mousse-t.com

BOOKING:
Entity Music Agency
Andy Raeside
andy.raeside@entityma.com

jiyun kim (formerly iamkimkong) is a Berlin-based DJ known for her sleek, soulful, and high-energy house sets. With roots in R&B and hip-hop, her sound blends rhythmic depth with refined selection and flow. Starting out as a hip-hop/R&B resident at Prince Charles (2016–2019), she later immersed herself in the city’s underground scene, evolving into house music.

She regularly plays key Berlin venues like Tresor, Paloma Bar, Sisyphos, and HÖR, with international appearances at Gabriela, Signal, and The Lot in New York. jiyun continues to captivate crowds with her genre-fluid energy and intuitive musicality.

Glitterbox/Mighty Wonky Disco
Dj/Producer... Obsessed with disco. 

Sign Up - https://signup.ymlp.com/xgeuysmhgmgub

bookings:  ali@warmagency.com
RA: https://www.residentadvisor.net/dj/demuja

www.facebook.com/iamdemuja
www.demuja.com

FLOORPAN "THE MASTER'S PLAN" (CLASSIC MUSIC):
https://cmc.lnk.to/cmcd141d

Before I got into this music I wanted to be an originator ; I wanted to be original".
Founding member of the legendary group Underground Resistance as a 'Minister Of Information' with ‘Mad’ Mike Banks & Jeff Mills, his seminal works on Jeff Mill's Axis and his very own M-Plant imprint paved the way for a wave of stripped-down dancefloor minimalism that directed much of techno's path throughout the late Nineties.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. 

"Growing up in Detroit, I grew up with Motown in the house - a lot of Motown and Philadelphia soul, artists like Marvin Gaye of course and Curtis Mayfield. I remember Isaac Hayes, the soundtrack from ‘Shaft’ had come out. My father was a jazz musician; he played piano, trumpet and drums. My mother was in an R’n’B group.
We listened to a lot of Motown - in fact, my grandfather’s first cousin is Berry Gordy.
"I was influenced by my father - I wanted to play trumpet like he did."
Robert's father tragically died when he was just 6. The photo of Robert siting down holding a trumpet is his fathers.
"I had to beg my grandmother to let me borrow the trumpet to take a picture with it"

In the early 90's he began to concentrate on his own production 'Vision EP', the 'Riot EP' and X-102 were big stepping-stones for him as they were the first releases he worked 100% on his own. The X-101 to X-102, were Waveform Transmission projects with Mills for Tresor. He slowly progressed to work more and more on his own, but collaberated on some of the first Axis releases with label owner Jeff Mills as H&M (Hood & Mills) with ‘Tranquilizer EP’ and ‘Drama’.

He soon decided it was time for him to start his own label to focus on what was in his soul musically. M-Plant started in ’94. I had developed this “grey area” sound - what I mean by that is that in Detroit, even when the sun is out, there’s something in the atmosphere. I don’t know if its pollution or whatever, but the sky has that grey haze over it. It’s got to be something from the industrial factories there. I’d never really heard a sound like that before and it came from a Roland Juno - it was a chord sound that really went along with my depiction of what Detroit was at that time. A lot of buildings were abandoned and there was a lot of lifelessness in the city, especially downtown. The M-Plant, in minimalism, kind of reflected that. I remember thinking of Detroit like a museum. You know, like a work of art standing still, suspended in time. There wasn’t a whole lot of activity going on.

Releasing singles such as "Internal Empire,", “The Protein Valve” "Music Data," and "Moveable Parts", "The Pace", more recently "Range", "Alpha" and that isn't even touching his other monikers Floorplan, Monobox, The Vision, etc.
"M-Plant is what I've always wanted to hear: the basic stripped down, raw sound. Just drums, basslines and funky grooves and only what's essential. Only what is essential to make people move. I started to look at it as a science, the art of making people move their butts, speaking to their heart, mind and soul. “It's a heart-felt rhythmic techno sound. M-Plant is just M. minimal. “

Although his desire to remain underground has been replaced by an urge to reach a wider audience, mainly via his housier, disco, gospel moniker Floorplan with his daughter Lyric Hood,   Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends.

jank. is following