Name: (no)-Input/1 by Jukka-Pekka Kervinen
Duration: 5 min 18 s
Description: experimental/free improvisation with no-input mixer.

Pilu is Indian evergreen raga, which uses all the chromatic notes, which all the notes have visitation rights. Pilu raga is performed late afternoon before sunset.

Mishra is a word from Sanskrit that means mixed, which allows tremendous scope for the artist to bring in melodic lines from other ragas. Mishra Pilu raga is full of devotion and piety by expressing the mesmerizing mix of emotions, which are an eternal source for human emotions: joy and sadness, longing, tenderness.

My intention was to create slow motion changes, which on the one hand are based on very strict patterns, and on the other hand – can hardly be noticeable.  

Pre-recorded electronic material is recorded
 by Emma Jane Lloyd. 

The work was commissioned by the “The Night With…” with support from Creative Scotland and PRS foundation in 2021/2022.

The work was performed by Emma Jane Lloyd (violin) at Summerhall, Newington, in Edinburgh on 4 April, 2022.

The work is dedicated to Emma Jane Lloyd.

Mishra Pilu

experimental/free improvisation with no-input mixer.

(no)-Input/1

auch das geschah

This is an exercise in Musique Concrète, with all sonic material sourced from a single recording of a piece of tissue paper and its immediate environment. Through various processes of editing, speed manipulation, and volume shaping, the inherently fragile nature of the paper unexpectedly morphed into a cold, mechanical sound world.

All sounds were sculpted from this single recording. No synthesizers or external effects were used.

Music and Photo by Shih-Lin Hung（洪世霖）

這是一首具象音樂（Musique Concrète）的練習作品，其全部聲音素材，皆源自於一段衛生紙與當下環境音的錄音。透過剪輯、速度與音量各種處理，意外地使得自身帶有脆弱性的衛生紙蛻變為冰冷的機械聲響。

所有聲音均由這份原始錄音雕塑而成。未使用任何合成器或外加效果器。

Music and Photo by Shih-Lin Hung（洪世霖）

Étude concrète n°1

Please listen with headphones
Electroacoustic music  September 2025

About the Dawn – Brooks Grow Loud

the ritual

Acousmatique.

Musique & Photo : Shih-Lin Hung（洪世霖）



Étude concrète n°2 [2025-09-10]

Live recording of my set at StromWandlungSchall IV / Altes Schlachthaus Mosbach.

An improvisation on Paetzold contrabass recorder, processed by a Pure Data patch, together with a pre-recording of Ciat-Lonbarde Peterlin, table top guitar, samples of bells, and processed voice.

The piece is intended as a walk through a landscape of sounds, reflecting on the different meanings of "Wandlung" (transition/transformation/transfiguration/transsubstantiation).

Huge thanks to Thomas Breuer @vactrolog for organizing this fantastic event which showed the wealth of positions in electronic music!

Mosbacher Wandlung (Glückskeks) [Live at StromWandlungSchall IV]

After some party called High Speed, three DJs from the event came to the conclusion that even more speed was needed. This high-energy and constantly evolving mix was recorded as what could be called Afters with More Speed. @Marumiini @Narkomaahine

Buckle up and reach for the lasers!

High Speed Afters With More Speed

Microfauna II is part of a collection of instrumental, fixed media, and open score compositions I have produced for the interdisciplinary Moss Worlds project (University of Manchester) - a research project bringing together artists, botanists, literature scholars, geographers, and poets to explore the affective, botanical, and political aspects of urban mosses in Manchester. Each work attempts a refraction of an aspect of moss ecology, moss imaginaries, or human-moss relations. *** Taking as its starting point the rich variety of microfauna which make their home within and around moss communities, Microfauna II imagines a world of water, zipping and darting, whirling and clumping, zooming in (and out), flagella, cilia, chloroplasts, translucency, nematodes, tardigrades, and rotifers. It was composed using a technique of collaged free improvisations using field recordings, contact-mic’d mosses, acoustic instruments and electronics, processed through a series of semi-autonomous granulators in Max MSP.

microfauna II

L’atlas n°2 “Labyrinthe Souriant”(2025)
Composition acousmatique d'après la partition graphique de Ju-An Hsieh

Composition acousmatique : Shih-Lin Hung (洪世霖)  
Partition graphique: Ju-An Hsieh（謝茹安）

L’atlas n°2 “Labyrinthe Souriant”

Finnish composer, producer, writer and visual artist, focused mainly to algorithmic processes, computer-assisted composition, and various other methods based on cybernetics, chaotic dynamics and stochastic systems, among others. Most programs written by author, various languages. 

Studied musicology at University of Helsinki, computing at OU, Milton Keynes, private studies in composition. Musical genres, from avant-garde/postminimal chamber music to minimal techno, wonky/noskool, IDM, electronica, ambient, experimental. 

(no)-Input/1

Jukka-Pekka Kervinen

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