Reuben’s folk rock refuses to be put in a box. Brash guitar play reminiscent of punk paying homage to jazz, poetic lyrics rising and falling with discordant angst, and foot tapping rhythms that captivate and endure.

Please Email : reubenlovettmusic@outlook.com

https://www.youtube.com/watch?v=zIYKcEKPTXE
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https://reubenlovettmusic.bandcamp.com/releases

Old page for The Herbaliser.
We broke up in 2021
Jake's new music is here:
https://soundcloud.com/jake_wherry

Get all Mocky records here:
https://linktr.ee/heavysheet

Used to do Blue Sky Black Death as Young God.

Boards of Canada is a Scottish electronic music duo comprised of brothers Mike Sandison (b. 1 June 1970) and Marcus Eoin (b. 21 July 1971). 

They have released a number of works, most notably Music Has the Right to Children and Geogaddi, with little advertising and few interviews. Their sound has frequently made reference to sounds of the 1970s and the 1980s. It recalls, amongst other things, the warm, scratchy, artificial sounds of 1970s television, and indeed, band members Michael and Marcus admit to being inspired by the documentary films of the National Film Board of Canada, from which the group's name comes.

"As a child, I grew up sitting in front of a computer by myself. That is where I learnt about music; playing video games and watching endless reruns of cartoons and American TV shows. Television gave me shelter when I was alone, nursed me with Hollywood’s mythologies. It guided me through nameless countries; with it I brought down colossuses and climbed mountains. I preached its beliefs. But when I grew up, all my heroes died. 

Today, I still come to mourn in deserted movie theatres. There, lights flash before my eyes. But I don’t feel anything in face of the latest blockbusters and their visual explosions, these chaotic clusters where Mechas and Kaijus pile up in between fights under the rain, tsunamis and apocalyptic scenes… Yet I feel numb, except for the roaring sub-basses that fill the void of cinemas. My music is for those who, like me, have grown up amongst the ruins of blockbusters. For them my bass trembles and my synths screech. 

But I know that beyond this digital coldness lie other horizons, other possibilities."

Danger


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