Steve Reich - Music For Mallet Instruments Voices And Organ - 432 Hz Healing Frequency

A remix commissioned by The Jerusalem Season of Culture back in 2013 to celebrate the extraordinary life and work of Emahoy Tsege Mariam Gebru

Emahoy Tsege Mariam Gebru - The Song of Abayi (NDV Remix)[2013]

ISRC code: GBDCA0300280
Composer: Max Richter
Album: The Blue Notebooks
Track: Horizon Variations

Artist: Max Richter

If you want more information about this track please e-mail sync@decca.com 
Please quote GBDCA0300280 in the subject line.


Richter: The Blue Notebooks, Horizon Variations

ISRC code: GBDCA0300282
Composer: Max Richter
Album: The Blue Notebooks
Track: Iconography

Artist: Max Richter

If you want more information about this track please e-mail sync@decca.com 
Please quote GBDCA0300282 in the subject line.


Richter: The Blue Notebooks, Iconography

ISRC code: GBDCA0300286
Composer: Max Richter
Album: The Blue Notebooks
Track: Organum

Artist: Max Richter

If you want more information about this track please e-mail sync@decca.com 
Please quote GBDCA0300286 in the subject line.


Richter: The Blue Notebooks, Organum

As a translater, Reading , spreading the beatiful peom
from Ki Hyung Do who passed away in 1989.
The translation is super week, so please just listen and feel.
But the way to describe and the point of view to see the world from Ki Hyung Do 
are wonderful and marvelous. 

My project started from the misinterpretation.
It was great pleasure to spread his poem by my own way.

Whole based sound from "Alva Noto & Sakamoto"
original sound can listen 
" http://www.youtube.com/playlist?list=PL_6ItpqrcCkpCfxKTHZR-RYFkcmvFDAbN "

그 날(that day / base sound : Alva Noto & Ryuichi Sakamoto - Uoon I )

autechre yulquen

24-03-2020

a masterpiece of chilly gonzales the musical genius...

chilly gonzales - gentle threat by Süley Akkas

Conceived as spring condescended to a stupefied gaze with blossoms and the faint spoor of romance, these tracks pair well with the decadence of a cosmopolis as experienced by one who sniffs and sighs among its evacuated parks and ominous groceries.  Listen closely and you will hear the ambience of quarantine: the guttural peal of motorcycles departing Greenpoint like Sodom, part Dürer, part Terminator; the flatulence of a garbage truck lurching up the street; tires rolling out rain slicked streets like sourdough starters in the phantasmagoria of instagram...the nose of an epigone picking up the trail, a path that leads through the immensity of leisure directly into the abyss

All Alone (Mal Waldron)

polyrhythmic jam based on a phrase taken from the piece of steve reich "piano phase". synthesizer played two identical mono channels controlled by cirklon hardware sequencer. aux event "rep*n by lenght" and note delay controlled in real time.

"Piano Phase" (Jurek Przezdziecki reinvented jam)

Jerzy Przezdziecki was born in Warsaw, Poland in 1973. At the age of 10, as a result of his early, classical fascination with Chopin, Beethoven and Bach, he started his piano lessons. At that time he totally felt in love with music. As the years went by, his passion was getting stronger and stronger. Studying at the Warsaw College of Art he had the first opportunity to hear some electronic - mostly new beat and industrial – music. Front 242, Psychic TV, Throbbing Gristle, SPK and Coil changed Jurek’s attitude for the music forever. It was no longer enough to listen. He wanted to create. No matter what music genre he’s currently in, there’s always one goal: originality.

"Piano Phase" (Jurek Przezdziecki reinvented jam)

jprzezdziecki