Minimalist drums through ValhallaFutureVerb™, with the Echo section being used to create a pseudo spring reverb. Fuzz guitars (D*A*M Meathead on the left, Basic Audio Scarab Deluxe on the right) processed through FutureVerb, using the ReverseOctUp echo mode to create a shimmered reverb sound. The shimmered reverb is processed by AutoPan in Live, generating a synth-esque trance gate sound.

Bass Revolution IV

Gibson J-45 (Rosewood) through Peluso P24 microphone, with Valhalla FutureVerb used to add reverb.

Acoustic Guitar and FutureVerb

L’histoire de [DG07] est née de la collaboration entre deux artistes : Andrea Giuliani, déjà reconnu sur la scène minimal, et Antonio Lombardo, un artiste émergent très prometteur. Conçu spécialement pour nous, cet EP explore à la fois les sonorités d’une minimal club et celles d’une dark minimal deep, offrant une expérience immersive et contrastée. À cela s’ajoutent deux remixes bien distincts signés Adam Ortiz et Henry Mood, tous deux originaires de Chicago.

Andrea Giuliani est un DJ et producteur italien né en 1986, reconnu dans la scène underground pour son mélange unique de minimal, house, deep tech et techno. Son style éclectique oscille entre des ambiances sombres, mentales et introspectives, et d’autres plus intenses et entraînantes, toujours guidées par une rythmique imprévisible. Au fil des années, Giuliani s’est produit dans des clubs et festivals à travers l’Italie, l’Europe et les Amériques, animé par le désir profond de partager l’essence de son univers sonore avec le monde.

Né et élevé à Chicago, Antonio Lombardo est un DJ et producteur émergent dont le parcours a commencé dès son plus jeune âge. Guidé par une volonté constante d’évolution et de maturité, son son et ses sélections musicales témoignent d’une grande finesse artistique. Le voir jouer en live est une expérience à part entière : ses sets sont entièrement improvisés, créés sur le moment pour faire vibrer le dancefloor. De la House à la Disco, en passant par la Minimal et la Techno, sa musique dépasse les frontières des genres. Gardez un œil sur ce talent prometteur et ce qu’il nous réserve prochainement.

Disponible sur Bandcamp 🔊
Lien dans la bio 🔗

Master par Dimmed Sounds
Art work par ebs.projects.studio

-------------------------------------------------------------------------------

The story of [DG07] was born from the collaboration between two artists: Andrea Giuliani, already well established on the minimal scene, and Antonio Lombardo, a very promising emerging artist. Created especially for us, this EP explores both minimal club and dark minimal deep sounds, offering an immersive and contrasting experience.
Complementing the originals are two distinctive remixes by Adam Ortiz and Henry Mood, both hailing from Chicago.

Andrea Giuliani is an Italian DJ and producer born in 1986, known in the underground scene for his distinctive minimal, house, deep tech and techno sound. His eclectic style is often dark, mental, and introspective, yet at other times driving and intense but always guided by an unpredictable groove. He has performed at clubs and festivals throughout Italy, Europe, and America, driven by a desire to share the essence of his sound with the world.

Born and raised in Chicago, Antonio Lombardo is an upcoming dj and producer. Starting his craft at an early age, Antonio has stayed consistent towards evolution and maturity with his sound and dj selections. Seeing him live is an experience like no other. Curating improvised dj sets live on the spot that keep the floor moving. House, Disco, Minimal, and Techno are all the menu with Antonio. Keep an eye out for what he has in store next.

Available on Bandcamp 🔊
Link in our bio 🔗

Mastered by Dimmed Sounds
Art work by ebs.projects.studio

Andrea Giuliani & Antonio Lombardo - Need Some Help (Henry Moody remix)

MMC November 2025. Wonky funky synth-pop made with FL Studio.

Lopsie-Daisy

My first performance at Boston Modular since the meetups moved to synthCube in Waltham, MA.

Kick/snare are from a Plaits clone; hihats are distorted noise.
Bass is PGH Waveforms -> MA35; disting mk3 provides tape echo with feedback filtered by PGH Filter.
Korg SQ- 1 sequences the bass and clocks Batumi, which triggers the hi-hats and subdivides the tempo for triggering Plaits and toggling between kick and snare.

Boston Modular November 2025

Before there was English, or Latin, or Czech, or Hindi, there was a language that they all have in common, which we call Proto-Indo-European. Linguists have long been fascinated by the quest to get a glimpse into what Proto-Indo-European must have looked like through careful comparisons between languages we do have records for, and this very old topic is still undergoing new discoveries. 

In this episode, your host Gretchen McCulloch gets enthusiastic about the process of figuring out Proto-Indo-European with Dr. Danny Bate, public linguist, host of the podcast A Language I Love Is..., and author of the book Why Q Needs U. We talk about why figuring out the word order of a 5000-year-old language is harder than figuring out the sounds, and a great pop linguistics/history book we've both been reading that combines recent advances in linguistic, archaeological, and genetic evidence to reexamine where these ancient Proto-Indo-European folks lived: Proto by Laura Spinney. We also talk about Danny's own recent book on the history of the alphabet, featuring fun facts about C, double letters, and izzard!  

Click here for a link to this episode in your podcast player of choice: https://pod.link/1186056137/episode/dGFnOnNvdW5kY2xvdWQsMjAxMDp0cmFja3MvMjIxNjI5NzcyMA
Read the transcript here: https://lingthusiasm.com/post/800779835062484992/transcript-episode-110-danny-interview

Announcements:
In this month’s bonus episode we get enthusiastic about celebratory days, years, decades, and more with some relationship to linguistics! We recently learned that people in the UK have been celebrating National Linguistics Day on November 26th and many lingcommers are excited about the idea of taking those celebrations international: World Linguistics Day, anyone? What we learned putting this episode together is that celebratory days take off when groups of people decide to make them happen so…let's see how many different locations around the world we can wish each other Happy World Linguistics Day from this year!

Join us on Patreon now to get access to this and 100+ other bonus episodes. You’ll also get access to the Lingthusiasm Discord server where you can chat with other language nerds: https://www.patreon.com/posts/142860621

For links to things mentioned in this episode: https://lingthusiasm.com/post/800779694367703040/lingthusiasm-episode-110-the-history-of-the

110: The history of the history of Indo-European - Interview with Danny Bate

Composed for Forever Wonder Colour, a one screen time manipulation Sokoban puzzle game. Discover the secret of the 'Wonder Colour' to leave the cave. It was made for the Thinky Puzzle Games Confounding Calendar 2025 Gamejam.

Play free in browser: https://patashu.itch.io/forever-wonder-colour

Made using 0cc-Famitracker 0.3.15.3: https://github.com/HertzDevil/0CC-FamiTracker

Watch on Youtube: https://youtu.be/jEhVOg1LrHk

Download .0cc: https://drive.google.com/file/d/1XICU7gVgjgtDOvw4449EERDZQjzivNPO/view?usp=sharing

Download .nsf: https://drive.google.com/file/d/1LOGY-s5347_uttIlf_m8DHbo-LwCTGUr/view?usp=sharing

This song is Creative Commons licensed - you may use it for anything you wish with attribution.

Eternal Edifice

MMC December 2025. A bit Bejeweled-like melodic electronic ambient. Made with FL Studio. Plugins used: PhasePlant, Kepler, Kepler Exo, FLEX, MauSynth, Visco, Topos and Sytrus.

Crystal Lattice

My first time performing live with my Roland T-8.

Boston Modular December 2025 Performance

Some snippets from my December 2025 album "The Last Starjammer" releasing on Bandcamp and streaming outlets on December 15th 2025. Here's a taste!

https://music.lukestark.com

Get your copy Bandcamp

Excerpts from The Last Starjammer

Did something a bit more experimental -- wrote a computer program to generate notes from the Fibonacci sequence (adding in a few rules to add accidentals to the otherwise C-major scale, and to add divisions and sections to the piece), and interpreted it on the piano.

I accidentally repeated some of the sequence a couple of times, and the recording level was a bit low, but otherwise, I think it came out well.

Fibonacci 1

J.P. Tuttle