---best 2019---

FF9 - Back 2 Melbourne

DAAYYUUMM

Dat Phire - found December 2019

send4me

purchase

YODAK BELLOW

yooo so i ain't uploaded in like 3 weeks ago. was gonna wait till october, but fuck it.

gonna start uploading 2 weeks minimum now. uploading everyday be long af and i need to have more unreleased.

anyways hope you enjoy this edit.

oouuuhhhh (stuntin' on em niggas)

PEOPLE CHANGE(Prod.ETHEREAL)

FEED THE WORLD

Did a house song with the homie @jarradcleofe!
Art by @dakfu

FREE DOWNLOAD

Bad Tings w/ 𝖏𝖆𝖗𝖗𝖆𝖉𝖈𝖑𝖊𝖔𝖋𝖊

SUBSCRIBE INSTAVAMP  
https://www.instagram.com/yungvamp13/?hl=nl

SMOKING ON THESE WOODS GOT ME HIGHER THEN A BIH

THE FALL

HOME(Ft.SKY & CHOICE BISON)

MAKE PAPER(CHOP TREES)

Not Just Anybody

*^_^* longtime *^_^* ft. OB

Buy After The Journey Samplepack [Samples+Massive Presets] here: payhip.com/b/p5LBk
____________________________
zodivk's flip
 https://soundcloud.com/zodivk/earfquake
@zodivk
Artwork by the incredible Dimitris Petselis
Tyler <3

zodivk - earfquake (+) (aprovoli remix)

thank you for 10K followers! i appreciate you all so much! here's a gem that i said i was never gonna drop :)

featured on soulection show #406.

leave me tf alone! (flipp)

Stream/DL the album ---> http://hyperurl.co/Kumail_Yasmin

Yasmin was always meant to be the birth of a new sound for Kumail. After spending his formative years delving into textural lo-fi electronica and textural ambient music, he went searching for a new sound more in-tune with his older, more mature, and more thoughtful self. What began as a study of modern soul music – drawing heavily from R&B, jazz and hip-hop – eventually sprawled to include flavours from across the world and time. 80’s Japanese funk, crackling gospel, shiny disco, cutting-edge LA beat music and the omnipresence of Dilla, all leave their faint but indelible mark. 

But deep within, Yasmin is a gritty world in which not much is going right. That world borders on real-life struggles with sleeplessness and anxiety, and being cooped up in a room in Bombay, India, which is where (and how) most of this album came to life. Countless nights spent making music to distract from a lack of inner calm and rest. 

Despite deliberately steering clear from sampling for his career thus far, a day spent digging in Istanbul ended up inspiring much of the album – not only did that day yield a discovery of Pierre Akendengue’s ‘Olatano, w'intye so du s' Afrika' (a sample of which appears on ‘Obota’) but also a range of 80’s soul records that transformed Kumail into a student for the next two years. With a renewed focus on musicality, practising playing the piano, learning new songs and improving production skills, Yasmin evolved into a 30 minute mood-board of lush voicings and explorations beyond just beat-making. The ensuing recording sessions featured a line-up of both all-star local session musicians as well as invited collaborators - Sid Vashi and Pink Siifu both deliver memorable features. Despite vocal performances eventually making their way onto nearly all songs on the record, Yasmin was never meant to feature Kumail’s singing. With or without vocals, Yasmin’s triumph is that it is nevertheless unmistakably the sound of Kumail finding his voice." 
credits

Stream/DL

Kumail - Yasmin (Sampler)

Peter Major a.k.a. Opolopo is an extraordinary producer that barely puts a foot wrong.  With releases on prestigious labels such as Quantize Recordings, Z Records, Papa Records and Local Talk - yes, he was responsible for our third release back in 2011, 'The Grit' - and ever since we've been waiting for his return.

No matter if you choose the Bouncy Mix or the original of Lamprey Love Opolopo has done what he does best and offers house brilliance.

More OPOLOPO
@opolopo
www.facebook.com/opoloposweden
www.mixcloud.com/opolopo/
instagram.com/opoloposweden/
www.youtube.com/user/opoloposweden

big scorpion why are we on earth?

J.ROBB

big scorpion *why are we on earth?*

J.ROBB

big scorpion why are we on earth?