He the Rastafari Cowboy; modern Johnny Apleseed.

Rastafari Cowboy

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Hershey band JR WOLF has a varied style that is not to be defined by listening to a single song. Their self-made full length debut studio album sounds like a personal mixtape, with styles varied yet cohesive. Frontman Jason Wolfe classifies the sound as ‘alternafolk jamrock’. It is designed to be straight-forward, honest and simple, yet there is something enticingly complex about this debut effort when viewed from a wholistic level.

The album’s tracks guide you through an intricately designed journey as notions of genre blur into the periphery. The arrangement starts out sounding like a rowdy electric American blues rock band and by the fourth song, cellos are the focal point. Later, there is a powerful and eerie instrumental waltz which showcases a scorching finger tapping metal style guitar performance. Other songs have distinct stylings ranging anywhere from samba reggae to traditional roots country. The overall effect is a continually welcome surprise of assorted familiarities.
 Often, the sound is likened to groups of the late 60s / early 70s such as Led Zeppelin or the Grateful Dead, but with a modern style similar to Sublime or the White Stripes. JR WOLF brings this reigned eclecticism to their live shows, delighting audiences through welcome surprise.
 2014 has been a productive year for the group with over 30 shows on the schedule. They have played from Philadelphia to Pittsburgh, including opening performances for Frankie Ballard at the Chameleon Club in Lancaster and the Harrisburg Senators at Metro Bank Park.  

Rastafari Cowboy

Jr Wolf