Laura Balboa is a radio producer and independent researcher that investigates experimental sound with a gender perspective in Mexico and its connection with Latin America. She has worked as a multidisciplinary artist and designer for the Mexican electronic and sound art scenes and she is now part of Radio Nopal with her radio show called Bulla, featuring the work of women and non binary sound producers. Based in Sweden, she is also a designer working in Research & Development at Arduino, the innovation and open source technology company. 
https://soundcloud.com/jjjolll
https://laurabalboa.com
https://www.instagram.com/bullaradio
https://www.mixcloud.com/radionopal/playlists/bulla/

TRACKLIST: 
1. Espectra Negra - Thysia (2020, Urban Arts Berlin Label) / 00:00
2. Leena Lee - Transubstantiation (2020) / 02:30
3. Piaka Roela - Días todavía (2021, Oris Label) / 06:47
4. Lucrecia Dalt - Disuelta (2020, RVNG Label) / 10:16
5. Camille Mandoki - LOW (2013) / 13:05 
6. Molamol - (In)habitable (2021) / 16:18
7. Alexandra Cárdenas - ZeeZicht (2017) 22:04
8. ZGAMU - De minibus bonorum et malorum (2021, We Only Share Label) / 25:52
9. LDY OSC - Nenechant (2018, The Bunker NY Label) / 27:44
10. Gudrun Gut + Mabe Fratti - Aufregend (2021, Umor Rex Label) / 33:53
11. Smurphy - SHIVA TEXMEX (2015) / 38:08
12. Tatiana Heuman - Akane (2018, Astro Nautico Label) 42:28
13. Debit - untitled (2019) / 45:15
14. NEUROKILL - EN LA NOCHE (2021) / 48:57

f:p podcast episode 96_Laura Balboa

FESTIVAL DE MÚSICA REVOLUCIONARIA 2011
Angelica Castello, Isabelle Duthoit, Juanjose Rivas  at Rhiz, Wien 2011

Angelica Castello, Isabelle Duthoit, Juanjose Rivas  at Rhiz, Wien 2011

Festival Arte Acción
Zitkala Sa, Raven Chanon  	
"A Cheryl L’Hirondelle" 
Aleida Pérez (violin)

Zitkala Sa, Raven Chanon -  A Cheryl L’Hirondelle (November 2022). Aleida (vl)

Mix of three excerpts from our upcoming 3LP/2CD archive of Else Marie Pade's electronic work.

Else Marie Pade Electronic Works- Excerpt Mix

Y nos fuimos hasta los Valles Interandinos de Cochabamba, Bolivia, para entrevistar a nuestro gran amigo Manrico Montero 

Manrico Montero Calzadíaz es un investigador independiente multidisciplinario que trabaja en los campos de la Bioacústica, Biosemiótica y Ecología del Paisaje Sonoro, especializado en el tema de la Comunicación Animal y los sistemas semióticos en la naturaleza. Su trabajo con Aves Neotropicales por toda latinoamérica lo ha llevado desde los Bosques de Niebla y la selva Maya en México, hasta los andes tropicales y los ecosistemas altoandinos y patagónicos en sudamérica, realizando también documentación de Mamíferos, Anfibios e Insectos, estudiando sus distintos tipos de sistemas de comunicación acústica.

MANRICO MONTERO habla desde Capinota (Cochabamba)

17º48’N 
JuanjoseRivas
Track incluido en la recopilación X años de Ruido Horrible

17º48’N  Juanjose Rivas

"In the first introductory listen from the upcoming LP This, WEEED pull back the curtain to reveal the first 5 minutes of the 14 minute track “Haze II” (single version) that allows the listener to stand as the dweller on the threshold to a mystical & radiating new dimension. From a chorus of droning sustains & introductory chords, “Haze II” breaks through the thin of the air in a frenzy formation of doom-laden guitars that extend upwards like sky-scraping trees that grow vertically upward with an almost unnatural velocity. Joining the Important imprint that is home to contemporary heroes/luminaries like Acid Mothers Temple, the Bainbridge Island band has elevated their own approaches from the archaic & esoteric up towards heightened degrees of illumination like guitar-gilded towers that can almost touch the outer layers of the sun. Like Icaraus taking a rocket-accelerated elevator to the solar sphere surface; WEEED provides just a taste of what’s next in store from a group that is developing the doom/stoner-core narrative into the next chapters & sequels of pure illumination." Impose

THIS

WEEED Haze II From THIS LP - Available June 3, 2018 - Available now

The Altar +++++

The girls are picking flowers
Dangling at the sides of their hands

Somewhere else someone else feels worse
Forget that the sun is in the universe
Somewhere else someone else feels worse
A life of compassion feels so rehearsed
Somewhere else someone else feels worse
Forget to remember your own worth
Somewhere else someone else feels worse
All your regret cannot be reversed
All your regret cannot be reversed
All your regret cannot be reversed

The Altar (Ruined By Yves Tumor)

Pre-order available now. Ltd. 500 copies.

Cotton Casino delivers vocals on the melancholy space-blues ripper comprising side A on the Acid Mothers Temple's new Halleluja Mystic Garden.  Every time Makoto gives us new masters to release I think "This is one of  the best Acid Mothers Temple records I've ever heard!"  and this one is no exception. Halleluja Mystic Garden contains two long sides of blissed out, super tight AMT jams that somehow stretch into the future while staying strongly rooted in the group's celebrated psychedelic history. Hallelujah!,  another essential AMT classic.

Acid Mothers Temple - Cometary Orbital Drive - from Hallelujah Mystical Garden Pt 1 LP

- Laurent Estoppey (CH) Saxofon y electrónica
- Carlos Alegre (MX) Violin
- Juanjosé Rivas (MX) electrónica.

ABISMO_01
"Uno no puede evitar un precipicio que no ve".
Conciertos de improvisación y experimentación sonora basados en las estrategias del coyote y el correcaminos.
Grabado en Bandini Espacio Cultural
CDMX JUNIO 2018

Abismo 01 - Juanjosé Rivas, Carlos Alegre, Laurent Estoppey.

X: Xerografiar
Acción sonora

Xerografiar: Sistema de reproducción que, por medios fotoeléctricos, permite obtener en seco y sin contacto copias de un texto, una imagen o incluso una partitura.

ACCION: Sesión de xerografía corporal colectiva para construir una pieza sonora que a manera de partitura será escrita e interpretada en vivo.

La partitura permanecerá en formato original disponible para su reproducción xerográfica y/o consulta en la biblioteca Musical Herder.

X: Xerografiar

Circuit bending, glitch, sampling, white noise, hardward hacking, and sound waste which are handled with a methodology of his own; without taking away from the improvisation as a main source, he resorts to the action in order to create sound. Soundscapes overflowing with a dense mass of maniacs, shiny, gaudy, depressive and euphoric sounds; Bucolic, abysmal and mined roads spaces, landscapes create an ominous sound universe that recalls the failure of the future.

Juanjose has collaborated with musicians and sound artists like: Elliott Sharp, Zeena Parkins, Ikue Mori, Joker Nies, Bloodyminded, Angelica Castello, Burkhard Stlang, Dan Deacon, Drew Daniels, Manrico Montero, Rogelio Sosa, Arthur Henry Fork, Mario de Vega, Remi Alvarez, Fernando Vigueras, Tuna Pase, Tiffany Defoe, Andrea Neumann, Wobbly, Shayna Dunkelman, Gary Smith, Billy Roisz, Isabelle duthoit, Chris Cogburn, amog others.

Angelica Castello, Isabelle Duthoit, Juanjose Rivas at Rhiz, Wien 2011

JRZ

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