Having found, to my recent surprise, that tunes on my Soundcloud page have now had over 5000 plays, I thought I would see which of the tracks on the page had been played the most....
This, then, is a playlist of the ten most played tracks. There's an interestingly heterogeneous mix of styles in the list from avant electro-acoustic, through free-jazz, to weird folk, EDM and anarcho-syndicalist situationism. I've played on all of the tunes, written or co-written a number of them and mixed and produced or co-produced all of them.

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The top ten plays on Soundcloud

Good

DOOM Mix

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TRUE WIDOW - 'Circumambulation' coming July 23, 2013 (N.America), July 19 (Germany/Benelux), July 22 (UK/World) on CD/LP/DIGITAL

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True Widow - Creeper

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Available now on CD/LP/Deluxe 2xLP/Cassette/Digital via Relapse Records.

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Torche - Minions

Leichtigkeit Des Seins - SDL 3

A small piece of an all-night-long set by 2 of our favorite alchemists Acid Pauli & Spaniol
@acidpauli @s_paniol
https://www.facebook.com/Alkemy-Music-1712441242360063/

Acid Pauli b2b Spaniol @ ALKEMY - Cali, Colombia

TRUE WIDOW - "Entheogen" from the new album 'Avvolgere,' out now on CD/2XLP/DLX 2XLP/Digital.

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AVVOLGERE

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TRUE WIDOW - Entheogen

Seasidetrip 80 | Odyssey on a Submarine | Matthias Kunze

Euer Käpt’n https://soundcloud.com/rolandson sitzt ja lieber auf dem Oberdeck, lauscht den Wellen, schaut den Wolken nach, raucht sein Pfeifchen und nippt hin und wieder an seinem Gin - sprich, solange über ihm noch Luft zum atmen ist, ist alles gut. So unter Wasser, das ist ja nicht so sein Ding, doch irgendwie führt uns die 80ste Reise genau dorthin. Nachdem wir mit Daensen den Morgen am Strand verlebten, meinte doch überraschenderweise Leichtmatrose https://soundcloud.com/matthias-kunze, ein Binnenschiffer (aus Halle (Saale) mit Waterkant-Erfahrung (lebt aktuell in Hamburg), das er ein U-Boot gemietet hat und uns unter Wasser gerne ein Ständchen spielen möchte. Die Crew dann gleich so »Aye, das fetzt!«, na und euer Käpt’n, ja der kann ja da nicht vor der crew »Nein.« sagen - wie sehe das denn aus. Also, alle hoppla hopp rein in dieses kleine Ding und los .. das es dabei chaotisch wird, das dürfte ja klar sein - zu wenig Gin, zu viele Männer, zu viel Wasser ober unter neben uns UND kein Platz zum tanzen. Da blieb dann nur der Blick aus dem Bullauge und so zog sie vorbei, die verzaubernde Unterwasserwelt - teils schön aber eben auch unheimlich anzusehen. Denn, Hand hoch, wer von euch hat schonmal ein 12-äugiges Seepferdchen und eine winkende Koralle gesehen? - richtig, keinEr von euch. Trotz der Aufregung versetzte uns Matthias klanglich in Ekstase, bis dann die Sehnsucht nach frischer Luft und bei dem ein oder anderen Seebären das Heimweh einsetzte - oder eher der Busen der Natur nach ihnen rief. Wie auch immer, wir teilen gerne und somit gibt es für euch jetzt die gute Stunde Unterwassermusik, welche treffend »odyssey on a submarine« getauft worden war - erinnert aber irgendwie auch immer an so vier Pilzköppe .. mhhhhh … 

Taucht ab und hört rein, euer grübelnder Käpt’n https://soundcloud.com/rolandson und sein Leichtmatrose wie Unterwasserfan  https://soundcloud.com/matthias-kunze

Info
Interpret: Matthias Kunze
Titel: Seasidetrip 80 | Odyssey on a Submarine
Album: Rolandsons Seasidetrip 2016

Matthias Kunze im web:
soundcloud - www.soundcloud.com/matthias-kunze
facebook - www.facebook.com/MatthiasKunzeSound

Seasidetrip im web:
bandcamp - www.seasidetrip.bandcamp.com/
facebook - www.facebook.com/seasidetrip.series/
soundcloud - www.soundcloud.com/rolandsons-seasidetrip

Matthias Kunze

Seasidetrip 80 | Odyssey on A Submarine | Matthias Kunze

This Set was recorded to show the various and beautiful colors of slow motion music. SlowMotion or Downbeat is not a music that gets divided into genres like deep and tech house just because one is a few BPM faster or a bit more percussive / less melodic than the other. In Slow Motion they can coexist bound together by their free groove and atmosphere.
This is also a little tribute to @lotte-ahoi s sloth disco sets, which heavily inspired me when discovering this kind of electronic music :)
Also a huge thanks to klangextase for giving me the opportunity to record a podcast for their amazing community!

much love Iorie

Tracklist/Facebook

Iorie | Colors Of A Sloth´s Soul | www.klangextase.de

From the upcoming album Number 1 Pop Hit, out April 28.

Purchase at: www.theivoryelephant.bandcamp.com

No. 1 Pop Hit

Live @ Gaia Connection I Lagoinha, Brasil

Title track from our 2012 album 'Bird Haus'.

Bird Haus (2012)

A 1996 side project of Omlo Vent & B So glObal for myself and Ian Staples. As Miramar we released 'Test Tunes', a 4-track 12" single, on Dave Ellesmere's Emergency Broadcast imprint. 

Miramar by Miramar

This is the first track from the new Comus album 'Out Of The Coma', the band's first since 1973. As well as playing percussion, flute, soprano sax and sundry other woodwinds, I also produced the album.

Out Of The Coma by Comus

'The Return' is the third track from the new Comus album, 'Out Of The Coma'. The extraordinary vocal line in this song was developed by my wife, Bobbie Watson. I played the woodwind & percussion, and produced the track.

The Return by Comus

True Widow - Corpse Master

One of three songs by the Oxford-based Anglo-Greek-Polish anarcho-situationist Morton Feldman/Funkadelic mash-up collective, Nonstop Tango...

A ruminative amble through the alphabet, looking for meaning, but seldom finding any.
Words by Miles Doubleday.


The Alphabet Song

'When I was young I struggled to understand how a nation could fall under the spell of Nazism and commit unimaginable atrocities as a consequence. How did one person manage to upend the values of an entire nation? In my lifetime only one person has had such an effect on my own nation. I know the atrocities are not comparable, but nor is the aftermath. Germany has pretty convincingly agreed amongst itself that it stuffed up back there but we sadly remain, as the baton is passed from Major to Blair to Brown to Cameron and Clegg, Thatcher's Britain'. Miles Doubleday

Ding Dong The Witch Is Dead

Jon Seagroatt plays variously bass, flute, soprano & tenor saxes, bass clarinet, percussion, keyboards, electronics and the occasional bit of wobbly trombone with a variety of ensembles and groups that have included Comus, Current 93, Red Square, B So glObal & Circuit.
He also works as a session player, recording engineer and producer. In one or another of the above guises, Jon has toured, recorded and performed in Britain, Europe and the Far East.