orchestral songs

epilogue

https://soundcloud.com/mmanueleed/sets/soundtrack-classical-piano
https://soundcloud.com/mmanueleed/sets/v-a
https://soundcloud.com/mmanueleed/sets/soundtrack-hybrid-eletro
https://soundcloud.com/mmanueleed/sets/electronic-house-trance-goa
https://soundcloud.com/mmanueleed/sets/trap-trap-trap-electro
https://soundcloud.com/mmanueleed/sets/trap-trap-trap-02
https://soundcloud.com/mmanueleed/sets/mix

soundtrack Classical Piano Cinematic Epic Hybrid V.A

ambient

AVAILABLE IN ALL DIGITAL STORES as part of  "REVERIE" The Compilation Album.

Ivan Torrent - "Glimmer of Hope" feat. Aeralie Brighton

MT Hensou Gata 8boshi Gokuseif

Battlefield 3 Solomon Theme - Sound Track

The track "RequieM" from the "Maou Original Soundtrack" album.

Composer: Hiroyuki Sawano
Arranger: Hiroyuki Sawano

All rights go to Hiroyuki Sawano, Legendoor, and any other associated copyright owners.

RequieM

Battlecry - Flight of the Silverbird (TSFH)

For licensing, please contact: info@colossaltrailermusic.com

CRYOGENESIS from Colossal Trailer Music’s album CRYOGENESIS (CTM017)

Composed by Cody Still.

“Sparse atmospheric and ambient opening, building into a heavy hybrid breakdown. Dark and grimy synth laden heroic and triumphant 3rd act chorus with an epic and cinematic horn theme and sinister edgy sound design elements”

Album Cover Art by Ryo Ishido.

Website: http://www.colossaltrailermusic.com
Facebook: http://www.facebook.com/colossaltrailermusic
Twitter: http://www.twitter.com/ColossalTM
Youtube: http://www.youtube.com/c/ColossalTrailerMusic

© 2015 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group, LLC.

Cryogenesis

For licensing, please contact: info@colossaltrailermusic.com

WILL WE EVER DIE from Colossal Trailer Music’s album CRYOGENESIS (CTM017)

Composed by Martin Hasseldam.

“Sparse dark and emotional synth-arp opening, morphing into an ominous heavy impact and distorted guitars section with an aggressive and apocalyptic sinister choir motif and hard-hitting percussion, culminating in a massive orchestral hybrid finale”

Album Cover Art by Ryo Ishido.

Website: http://www.colossaltrailermusic.com
Facebook: http://www.facebook.com/colossaltrailermusic
Twitter: http://www.twitter.com/ColossalTM
Youtube: http://www.youtube.com/c/ColossalTrailerMusic

© 2015 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group, LLC.

Will We Ever Die

The track "TWO-lives" from the "Attack on Titan -Jiyu no Tsubasa- Original sound track" album.

Composer: Hiroyuki Sawano
Arranger: Hiroyuki Sawano

All rights go to Hiroyuki Sawano, Legendoor and any other associated copyright owners.

TWO-lives

Wardruna - Helvegen (Way To Hel) MYSTIBABA BOOTLEG

Oblique DarkWave - Darkness Cloaks

Buy here: http://bit.ly/2mqdowt

This track is much more atmospheric than a lot of my stuff, I hope you guys enjoy it. Some more upbeat music coming soon!

Social Links:
Facebook: https://www.facebook.com/kraleofficial
Twitter: https://twitter.com/krale_official
Youtube: https://www.youtube.com/c/kraleofficial

Original image by Greg Rakozy:  http://bit.ly/1PrpMWQ

Krale - Memoirs of the Forgotten

Original music for Blueshift Kickstarter.

https://www.kickstarter.com/projects/nebulousgames/blueshift-the-game-of-galactic-conquest-for-2-6-pl

B L U E S H I F T - Free Download

Available for licensing on www.audiio.com

This track is also the score for Enrique Pacheco's timelapse film 'Australis'. Check out his film here:
https://vimeo.com/219673273

'Our Memories' - Petteri Sainio (Modern Cinematic)

T H E | F A T E S | A L I G N

Decided to try out some film trailer music.

F I R S T | S T R I K E

N E V E R | G I V E | U P

N O | E X C U S E S

Alrighty, so this piece was written for a client out in Atlanta, Georgia...hopefully their client likes it as well haha! But I wanted to shared this piece because it was truly a fun piece to write!!! Sure I had less than a weekend to write 8 minutes of music. I wrote up a quick 1:30 demo to them and the director liked it but hadn't heard back from their client as for a green light yet but said I should go on anyway. So Friday, Saturday Night (because of work eating up my entire day) and all day Sunday up until about 3 am and even this morning I was writing this piece....The toughest part about this piece was trying to keep the momentum going for 8 minutes long and still retain that feel and style

When I was first approached about the project, I saw the video and instantly thought of two composers - Hans Zimmer's "Time" and "One Simple Idea" from the Inception soundtrack and also Philip Glass' Metamorphosis album. So I went to town with a simple piano segment which then was introduced to the guitars with their repetitive patterns. The strings were going to be a major factor in this piece as well. I also wanted to add in some electronica elements as well but at a minimum so that the listeners could be sucked into with the strings and piano.

Some obstacles along the way aside from trying to keep the momentum going for 8 minutes was the many modulations and key changes to get to a certain key I wanted. There is a 30 second bit found at 6:03 that frustrated me for a good hour on how to land it in a certain key....the key where the guitar and drums come in. That whole modulating segment took a great deal of time because there were many variations to go but none of them went as smooth as the one you hear.

Some other tidbit information to listen for: at 5:12, the guitar segment there.....I didn't realized it at first because I thought it sounded cool, but those three notes that play there are actually similar to the three notes you hear on the Spiderman cartoon theme haha!!! Also at 6:26, that key change from a G major to a B major was an idea that I had hard on a few Danny Elfman soundtracks.

The drumming found at 6:35 was a lot of fun to do! In the film, it's just clips of a time lapse sequence of downtown Atlanta at night....really cool looking, so to give a feeling of excitement and thrill of downtown I decided to try out this Coldplay kind of feel. It wasn't easy as I'm not a drummer by any means, so I had to figure out what a real drummer could do while I performed the recording on the keyboard haha!!! That last segment is also my favourite due to that sense of accomplishment you feel...I dunno if it's the drumming or the strings or what, but somehow it just feels like this motivation to keep doing the best you can.

Anyway, so there you go! Unfortunately due to this project, it will not be a downloadable piece. But feel free to comment or ask or anything!!! Since this is still being under review, there might be changes needed....if anything I'm assuming the last segment where the drums come in at 6:36. So until then, enjoy the piece!!!

Also check out my youtube channel: http://www.youtube.com/user/jscottrakozy

Also check out my blog as well: http://theinsightfulcomposer.blogspot.com/

Also check out my website (in production): http://jscottrakozy.com/

If you want to ask me about my compositions in how I write them or anything, feel free to send me a message via soundcloud, and for any director or producer wanting to contact me to discuss projects, feel free to contact me as well via soundcloud!

Thanks again and hope you enjoy the piece!!!

~ J Scott Rakozy

T I M E | L A P S E

8Dio Hybrid Tools 2 - Imperia

IMPR Art Of Survival

Trust and Betrayal  - In Memories 'A Boy Meets the Man'

Composer for Hogwarts Legacy

For inquiries of licensing or projects, please contact at jscottrakozy@gmail.com


F O L L O W || L I K E || E N J O Y