orchestral songs

New private playlist

selected

Scores

https://soundcloud.com/mmanueleed/sets/soundtrack-classical-piano
https://soundcloud.com/mmanueleed/sets/v-a
https://soundcloud.com/mmanueleed/sets/soundtrack-hybrid-eletro
https://soundcloud.com/mmanueleed/sets/electronic-house-trance-goa
https://soundcloud.com/mmanueleed/sets/trap-trap-trap-electro
https://soundcloud.com/mmanueleed/sets/trap-trap-trap-02
https://soundcloud.com/mmanueleed/sets/mix

soundtrack Classical Piano Cinematic Epic Hybrid V.A

classic1

ambient

AVAILABLE IN ALL DIGITAL STORES as part of  "REVERIE" The Compilation Album.

Ivan Torrent - "Glimmer of Hope" feat. Aeralie Brighton

Here's my contribution to the 'Bleeding Fingers Contest', just thought I might participate for fun. It ended up sounding quite rough and unfinished, but at least it was an interesting experience to work with the stems ;)


Petteri Sainio - 'A New Era' (Bleeding Fingers Contest)

Grosso is the best instrument we have produced to date. Period.

With Grosso, Sonokinetic BV is changing the paradigm for orchestral phrase-based instruments… again! Before our Minimal library, the level of control, whilst retaining the authentic sound that live recordings bring to the party, was unheard of. We have gotten so much positive feedback on Minimal that a ‘sequel’ was unavoidable. Mere sequels is not what we do though at Sonokinetic, so if you look at what Grosso brings to the table, you will see an evolved entity that is a homo-sapiens to Minimal’s homo-erectus. 
We have conceived this instrument from the ground up, using parts of the Minimal engine and reimagining many other things to accommodate for the added flexibility Grosso brings to the table. The main difference, apart from the obviously upbeat nature of the recorded material and the addition of a choir part and a taiko and non-melodic percussion section, is that we split out the orchestral sections into more parts. Strings and choir are split in low - mid - high, woodwinds and brass into low and high, percussion into taiko and more traditional orchestral percussion. All of these elements have been carefully composed to work well with all of the others, resulting in millions of possible combinations of sounds.
The nature and sheer amount of this raw material, and the added flexibility we needed to offer to you in an intuitive way, led us to a completely new interface style, and it made us split up the instrument into different Kontakt .nki’s. Don’t worry though, we have laid out the keyswitches in a way that still makes it possible to play this instrument ‘Minimal-style’ with the whole orchestra on one midi channel.
Grosso is a 12/8 feel library, and we have configured the engine to work in both 4/4 and 12/8 time signatures within your DAW. Though the instrument was conceived with trailer and action styles in mind, the finished product is capable of so much more, limited only by your imagination.
Check out our demo section to hear some of the compositions made by the incredibly talented composers in our beta team, inspired by Grosso. In fact, much of the early feedback we got from these guys included the word ‘inspirational’ as much as the word ‘exceptional’. If there’s ever an instrument that can help you get out of a funk when you need it most, it’s this one. We have even included a randomiser button to provide you with different pattern combinations at the click of a button.
To top off the collection we have added a ‘transition builder’ instrument that is aimed at gluing parts together, and building up towards climaxes. It includes brass and woodwind crescendo chords, and recognises different chord types, like diminished, augmented and dominant 7th. Chords are constructed on the spot from a collection of recorded intervals. This builder instrument also contains percussion and taiko fills, and a fully playable multisampled taiko ensemble patch, both as an ensemble and individual drums. Please look at the video to see its capabilities in action.

We, at Sonokinetic BV, are very proud to introduce GROSSO to you, and can’t wait to hear the amazing things you, our valued customer base, will produce with it.

Sonokinetic has established a name as one of the best value & quality sample producers and with this product we’d like to underline that statement. We stick with our unbeatable pricing module and high quality sampling.

We wish you the best inspiration and creativity


Grosso Demo - Meadows Of Etheldeen - By Piotr Musiał

From "Moon Landing - Apollo Edition"
iTunes: http://smarturl.it/Apollo.iTunes
DVD & CD Bundle: http://smarturl.it/Apollo.Bundle

Moon Landing

When I Find Love Again (Apollo Edition Version)

Available on iTunes

Ola Strandh - Take Back New York

Download: deepelmdigital.com/album/chronicle
itunes.apple.com/us/album/chronicle/id935454503

Lights & Motion - As The World Goes Away
Album: Chronicle (2015)

Released worldwide on Deep Elm Records January 13th

www.facebook.com/lightsandmotion

To license this track, contact:
Deep Elm Music Licensing
www.deepelm.com/licensing
licensing@deepelm.com
(808) 242-6599 HST

Lights & Motion - As The World Goes Away

Battlecry - Flight of the Silverbird (TSFH)

vaknaðu pabbi

For licensing, please contact: info@colossaltrailermusic.com

CRYOGENESIS from Colossal Trailer Music’s album CRYOGENESIS (CTM017)

Composed by Cody Still.

“Sparse atmospheric and ambient opening, building into a heavy hybrid breakdown. Dark and grimy synth laden heroic and triumphant 3rd act chorus with an epic and cinematic horn theme and sinister edgy sound design elements”

Album Cover Art by Ryo Ishido.

Website: http://www.colossaltrailermusic.com
Facebook: http://www.facebook.com/colossaltrailermusic
Twitter: http://www.twitter.com/ColossalTM
Youtube: http://www.youtube.com/c/ColossalTrailerMusic

© 2015 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group, LLC.

Cryogenesis

For licensing, please contact: info@colossaltrailermusic.com

WILL WE EVER DIE from Colossal Trailer Music’s album CRYOGENESIS (CTM017)

Composed by Martin Hasseldam.

“Sparse dark and emotional synth-arp opening, morphing into an ominous heavy impact and distorted guitars section with an aggressive and apocalyptic sinister choir motif and hard-hitting percussion, culminating in a massive orchestral hybrid finale”

Album Cover Art by Ryo Ishido.

Website: http://www.colossaltrailermusic.com
Facebook: http://www.facebook.com/colossaltrailermusic
Twitter: http://www.twitter.com/ColossalTM
Youtube: http://www.youtube.com/c/ColossalTrailerMusic

© 2015 All rights reserved. Colossal Trailer Music is a registered trademark of SPM Music Group, LLC.

Will We Ever Die

Track used in a piece about Fletcher Cleaves, as part of AT&T's "It Can Wait" campaign. Directed by Miles Jay. 

https://www.youtube.com/watch?v=4kBaLbubNd4

Recovery

This piece was written for a project for a new social media app that revolves around offering encouragement, upliftment and other various ways to communicate happiness. The cinematography and directing was of utmost perfection thanks to Cameron Gade and Jared Fadel. On top of that, what really brought the piece together was Zach's amazing guitar skills - Simple yet sonically beautiful. Enjoy and it's available on my band camp page for purchase!

For Zach Sundwall - https://soundcloud.com/zsundwall

04/28/2016

S O U L (feat. Zachary Sundwall)

Wardruna - Helvegen (Way To Hel) MYSTIBABA BOOTLEG

Utopia

Inner Strength

Thunderstep Music - Inner Strength

This collection of piano and strings shorts are dedicated to advertisement agencies, directors, and producers looking for concisely written music created for the sole purpose of sentimental ads. This track not available on Pond5.om. For inquiries of licensing this track or additional edits to any of these scores, please contact.

FOUND

FORWARD | THINKING

This collection of piano and strings shorts are dedicated to advertisement agencies, directors, and producers looking for concisely written music created for the sole purpose of sentimental ads. This track not available on Pond5.com. For inquires of licensing this track or additional edits to any of these sores, please contact.

BE | DIFFERENT

This collection of piano and strings shorts are dedicated to advertisement agencies, directors, and producers looking for concisely written music created for the sole purpose of sentimental ads. This track not available on Pond5.com. For inquiries of licensing this track or additional edits to any of these scores, please contact.

STARS

Train of Thought (For John Farquar-Smith)

iTunes

You will fly (for Professor Brian Cox)

Oblique DarkWave - Darkness Cloaks

I'm working on remastering my soundtrack to Moon Machines
This album  has been requested hundreds of times so... I've decided to do it!
It'll be released in February
This track is about Margaret Hamilton - Nasa's secret weapon. 
She led the development of on-board flight software for NASA's Apollo Moon mission and was awarded the Presidential Medal of Freedom in 2016.

Moon Machines - Margaret Hamilton - by Philip Sheppard

Buy here: http://bit.ly/2mqdowt

This track is much more atmospheric than a lot of my stuff, I hope you guys enjoy it. Some more upbeat music coming soon!

Social Links:
Facebook: https://www.facebook.com/kraleofficial
Twitter: https://twitter.com/krale_official
Youtube: https://www.youtube.com/c/kraleofficial

Original image by Greg Rakozy:  http://bit.ly/1PrpMWQ

Krale - Memoirs of the Forgotten

Available for licensing on www.audiio.com

This track is also the score for Enrique Pacheco's timelapse film 'Australis'. Check out his film here:
https://vimeo.com/219673273

'Our Memories' - Petteri Sainio (Modern Cinematic)

T H E | F A T E S | A L I G N

Decided to try out some film trailer music.

F I R S T | S T R I K E

N E V E R | G I V E | U P

N O | E X C U S E S

Alrighty, so this piece was written for a client out in Atlanta, Georgia...hopefully their client likes it as well haha! But I wanted to shared this piece because it was truly a fun piece to write!!! Sure I had less than a weekend to write 8 minutes of music. I wrote up a quick 1:30 demo to them and the director liked it but hadn't heard back from their client as for a green light yet but said I should go on anyway. So Friday, Saturday Night (because of work eating up my entire day) and all day Sunday up until about 3 am and even this morning I was writing this piece....The toughest part about this piece was trying to keep the momentum going for 8 minutes long and still retain that feel and style

When I was first approached about the project, I saw the video and instantly thought of two composers - Hans Zimmer's "Time" and "One Simple Idea" from the Inception soundtrack and also Philip Glass' Metamorphosis album. So I went to town with a simple piano segment which then was introduced to the guitars with their repetitive patterns. The strings were going to be a major factor in this piece as well. I also wanted to add in some electronica elements as well but at a minimum so that the listeners could be sucked into with the strings and piano.

Some obstacles along the way aside from trying to keep the momentum going for 8 minutes was the many modulations and key changes to get to a certain key I wanted. There is a 30 second bit found at 6:03 that frustrated me for a good hour on how to land it in a certain key....the key where the guitar and drums come in. That whole modulating segment took a great deal of time because there were many variations to go but none of them went as smooth as the one you hear.

Some other tidbit information to listen for: at 5:12, the guitar segment there.....I didn't realized it at first because I thought it sounded cool, but those three notes that play there are actually similar to the three notes you hear on the Spiderman cartoon theme haha!!! Also at 6:26, that key change from a G major to a B major was an idea that I had hard on a few Danny Elfman soundtracks.

The drumming found at 6:35 was a lot of fun to do! In the film, it's just clips of a time lapse sequence of downtown Atlanta at night....really cool looking, so to give a feeling of excitement and thrill of downtown I decided to try out this Coldplay kind of feel. It wasn't easy as I'm not a drummer by any means, so I had to figure out what a real drummer could do while I performed the recording on the keyboard haha!!! That last segment is also my favourite due to that sense of accomplishment you feel...I dunno if it's the drumming or the strings or what, but somehow it just feels like this motivation to keep doing the best you can.

Anyway, so there you go! Unfortunately due to this project, it will not be a downloadable piece. But feel free to comment or ask or anything!!! Since this is still being under review, there might be changes needed....if anything I'm assuming the last segment where the drums come in at 6:36. So until then, enjoy the piece!!!

Also check out my youtube channel: http://www.youtube.com/user/jscottrakozy

Also check out my blog as well: http://theinsightfulcomposer.blogspot.com/

Also check out my website (in production): http://jscottrakozy.com/

If you want to ask me about my compositions in how I write them or anything, feel free to send me a message via soundcloud, and for any director or producer wanting to contact me to discuss projects, feel free to contact me as well via soundcloud!

Thanks again and hope you enjoy the piece!!!

~ J Scott Rakozy

T I M E | L A P S E

8Dio Hybrid Tools 2 - Imperia

Walls Come Down (emotional vers)

IMPR Art Of Survival

Figure 8

Anything Could Happen (Radio 1 Live Lounge Version)

Mega Mash (Jason Mraz vs. Green Day vs. Black Eyed Peas vs. Owl City vs. Maroon 5 vs. Akon vs. A-ha vs. Flo Rida vs. Fall Out Boy vs. Daft Punk vs. Kelly Clarkson vs. My Chemical Romance vs. B.O.B. vs. Mika vs. The Killers)

Cryptogram

Composer for Hogwarts Legacy

For inquiries of licensing or projects, please contact at jscottrakozy@gmail.com


F O L L O W || L I K E || E N J O Y