really enjoying the vibe of this, totally different from how I normally use morphagene in a patch

Eurorack Sketches

first attempt. pocket piano, pitts filter, mfb dlfo, sbg alm(el cap), mt mikrophonie, mt radio music, synthrotek eko, pitts dvca, boomerang iii, tc hall of fame

Untitled

spent the afternoon with a newly acquired piston honda mk1 (which provides 95% of the source sound). mfb dual lfo is doing most of the heavy lifting by scanning both hither and yon on the piston (which is feeding clouds and sampleslicer) as well as modulating the expression control of a strymon el cap via sbg and the start position on the sampleslicer. all of this filtered by pitts and then a tc hall of fame.

Untitled II

a last second recording of something that sounded interesting. all sounds originate from a guitar being processed by a piston honda mk1 + clouds (modulated manually and by an mfb dlfo + a147) and sent to outboard gear. there is also some filtering happening in there as well which is also modulated by the mfb.

Untitled III

this was my first random sequence. 

at the heart of it all is a turing machine (clocked by the sample & hold on the mfb dual lfo) which is feeding a quantized braids in SIX3 mode, which is feeding clouds which is modulated by an a147, mfb dual + super sloth. one of clouds outputs is manually being fed to the cv of the frequency cutoff of a pittsburgh filter via a µAtt. along the way somewhere a clock pings the piston honda (also modulated by a147) via a ladik c214 envelope + pitts vca, which feeds a synthrotek eko. also, a radio music plays a texture behind it all. phew.

untitled IV

this is probably the most complicated patch i've managed to build to date. only had maybe 2 cables left at the end. started out just trying to "ebow" rings w/ an audio rate square wave...then it just snowballed from there.

rings, in chord mode, is the only voice. it's being modulated by a wogglebug, which is being clocked by a 4ms peg (which has some cross modulation happening.) turing machine + ladik q-010 is handling sequencing. a batumi (with a metric ton of cross modulation) and a a-147 are modulating rings, clouds, turing machine, z4000, mmg, peg and a piston honda (which is in the rosie's efx loop in external mode along with an aeverb for some crunch)

untitled V

Fonseca Winds (Lament)

testing out the more, mmm, mellow? side of the non linear circuits 'digital filter simulator' (DFS)

patch notes: a noodle from sheep caught in the morphagene, which is then multed out to clouds in parasite granular (pitched all the way down) as well as the DFS (which is also being hit with purple + white noise mixed at the second input) + polivoks vcf (bandpass out) combo. this duo is crossfaded between each other and then randomly panned in the stereo field along with a second sheep noodle caught in the modcan cv record, quanta noise  and white noise. modulation spread out across the whole mess via 3 channels of random from batumi and maths ch1 through let's splosh (which is also cross modulating batumi and maths for extra weirdness)

last thing to note i suppose, is the DFS is not receiving a clock at its clock input, but rather using the morphagene loop as its clock due to internal normalization (or so says the panel?) the DFS gets more and more sputtery here the closer the rate knob reaches 0

Untitled X

A Field of Social Tension, taken from the forthcoming album Unabled Form by Li Yilei. Pre-order now at https://www.ltrrecords.com/buy/unabled-form-lp

Unabled Form

A Field of Social Tension

Li Yilei - A Field of Social Tension

I've Never Been Able To Wedge My Smiles And My Panic Attacks

Released from AVA (Audio Visuals Atomosphere) in Belgium

Buy link :

AVA : https://audiovisualsatmosphere.bigcartel.com/product/yosuke-tokunaga-13-monotonousness-cs-ava78

.TOST : https://tost.bandcamp.com/album/13-monotonousness

Mono Tonousness

Image from -https://aphelis.net/bruce-davidson-photographs/ - Circus by Bruce Davidson

3Sounds - Сircus 2

“Here's a brand new Ingrown Radio show from our good friend EAR - Echo and Rauschen. Featuring many of my personal favorites such as Soda Lite, Dang Olsen Dream Tape, x.y.r., and Iu  Takahashi.“
https://www.mixcloud.com/AURABOREALIS/echo-and-rauschen-mix/
Raw Ryan / Ingrown Records / Ingrown Radio

https://www.instagram.com/ingrownrecords/
https://ingrown.bandcamp.com/


My shortest Mix so far. An Experiment.
Thx Ryan !

Poems by

Iu Takahashi
Soda Lite
Dang Olsen Dream Tape
Grant Summer
Jason Kolar
Misha Sultan
Low Flung & Will Holden Zaatar
Oliwa
R_R_(Reinis Ramans)
Dagir Du
X.Y.R.
& some Fieldrecordings

Picture by Lotte Lenja
https://www.instagram.com/lotte_l.enya/

AURA BOREALIS #154 ECHO AND RAUSCHEN MIX FOR INGROWN RADIO

a quick test of the nlc dp filter (headphones recommended):

a bunch of chopped up noodles from a doepfer system stuck inside a squid salmple, the mix of which is randomly addressed, reduced, and crushed, then sent to the dpf, and plays alongside a main sine noodle from an a-143-9. the diode half of the dpf has a high-ish q setting (which is kinda tame compared to other filters) and a low cut off, and later is modulated by a low rate of digital noise from the a-117 and a sine lfo from a second a-143-9. the transistor side (which has no input and is internally fed by the diode side via photo-couplers) has a maxed out q  and an even lower cut off, and its cv2 is randomly assigned the 2 oscillators section from the a-117 808 source via a switch, which gives it that wild feedback sound. the output of the dpf is monitored from the sum output, and a tiny bit of reverb is added in ableton.

this filter is very  touchy, and depending on how its built, can have a very narrow range on control (as mine does,) and the transistor ladder only really gets fired up if the diode ladder is hot enough (mine uses MCT9001 photo-couplers,) so you can get all these really interesting 'edge of breakup' sounds, to use the dirt-pedal/guitar amp parlance of the day...and its quite nice if you can dial it in, but it does takes some patience.

it also gets *real* bonkers when you start swapping the q path and monitoring different outputs...but i haven't really figured out how to bend any of that to my will yet...

Untitled XV

from https://oberlin.bandcamp.com/album/live-in-a-corridor

Untitled X

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