back to the (kinda) original sequence, 100% dry panharmonium

TR147 - Keiji Haino & The Hard Rocks - (I Can't Get No) Satisfaction

Ever since it was first created, underground collective Positive Education, having since evolved into a yearly festival, has become the electronic emblem of the French city of Saint-Étienne. Its programming reflects the new alternative electro scene, cutting-edge and innovative, straying away from its dance music heritage.
Tune in for Positive Education every 2nd & 4th Friday of the month, from 19h to 20h [CET] on rinse.fr

Rinse France Podcast

Download

Positive Education invite Catherine Danger - 11 Juin 2021

"HAVUZ I-II" CS - OUT NOW!!!

https://cloud-chamber.bandcamp.com/album/havuz-i-ii

Istanbul based audio/visual artist Koray Kantarcıoğlu releases his first tape output for Cloudchamber after 2016's Loopworks (Initially released as a tape from Wounded Wolf Press in 2016 and later issued as a vinyl from Discrepant Records.). 

Havuz (means pool in Turkish) is a two part piece made up of seamlessly mixed loops. Like his previous work, Koray manipulates samples he dug from Turkish records and tapes to create otherworldy sound textures. 
This time instead of a computer, Koray composed Havuz entirely on a minimal hardware setup with limited processing options. Result is an intimate, lo-fi sounding record. 

Album art is uses the collaborative work of Koray Kantarcıoğlu and Erdem Ergaz called Duopoly (2013), which combines the two different perceptions of form within a schematic arrangement. 

www.koraykantarcioglu.com

Composed by Koray Kantarcıoğlu 
Between 01/2021 - 05/2021 
Artwork: Erdem Ergaz & Koray Kantarcıoğlu - Duopoly (2013) 
Mastering: Ahmet Türk

Havuz I-II

Koray Kantarcıoğlu - Havuz II (edit)

https://open.spotify.com/album/18Wdi9q04IPQxxo1RbqlN5

KARUMA

from KR093:  MimiCof - Distant Symphony
LP / tape / DL out on june 10th 2022

Distant Symphony

MIMICOF - Distant Symphony I (excerpt)

Pour ne pas s'embourber dans un top de fin d'année, on déroule de la bande magnétique pour une sélection de sorties à rembobiner avec un stylo Bic. Au programme : pop lo-fi adolescente, études pour boite à rythme, souvenirs du confinement, folk robotique slovaque, etc.

Tracklist : 

Robotik Folk - Sienpjoviai (LOM, 2022)
Romain De Ferron - Solo una nota (KRAAK records, 2022)
Sean Trelford - Dearest one (Hidden Bay & Field Mates records, 2022)
(Rires) - Fuyez (Scolopendre et Fougères, 2022)
Hablemos del Alma - Tú, mi rosal (Santé Loisirs & Manufacture Errata, 2017)
Nebulo - pavages b (La Républiques des Granges, 2022)
Mélodie Blaison - Col des tempêtes (Grandes Rousse, 2022)
Jean-Baptiste Geoffroy - Unstable I (wabi-sabi tapes, 2022)
Manuel Duval - Les yeux des chats morts brillent-ils dans le noir (Scolopendre et Fougères, 2022)
Nebulo - pavages k (La Républiques des Granges, 2022)
Cam Wicked - Gray feeling (Women who do music, 2019)
Sean Trelford - The mistiness of maytime (Hidden Bay & Field Mates records, 2022)
Tout Bleu - Rucksucre (Zamzamrec, 2021)
Romain De Ferron - Fum (KRAAK records, 2022)

Le Dégel #35 - K7 Only

Sylvia Monnier - "Dennis Hopper"

remixes and interpretations for ooo & MA'AM - /0/

@s_olbricht @ooo_no1 @anna-makay

mastered by Roland Nagy
artwork by Zoltán Márton Nagy

original album: exiles-electronics.bandcamp.com/album/ooo-maam-0

Buy Album

ooo & MA'AM - Gamma Candies (S Olbricht interpretation)

Native Instrument
12" (E244)

https://entracte.co.uk/projects/native-instrument-e244/

Release date: 14 October 2019
•
Native Instrument is the collaborative project of field recordist 
Felicity Mangan and abstract vocalist Stine Janvin Joh. 
Often referred to as insect techno, Native Instrument’s music 
is constructed using electronic and vocal adaptations of wildlife 
audio recordings originating mainly from the Australian and 
North European fauna; mixing the natural rhythms of animal 
calls with digital effects and vocal imitations, Native Instrument 
enlightens a sonic ambiguity between rural nature, electronics, 
and the human voice.

Native Instrument (E244; 2019)

Vodopád

spectral weirdness with the rossum panharmonium (feat. harvesttech)

two oscillators from a piston honda mk3 are sequenced by two tracks of the stillson hammer mk2. piston feeds two vcas onboard the double andore mk1 and are operated by each's respective envelope shape. the mix out from the andore feeds the panharmonium (which receives modulation for bandwidth, and voice count from a kermit mk3, as well as glide amount from a stillson hammer mk1.)

panharm feeds a bastl tromso (modulated by kermit mk3) which in turn feeds a polivoks filter (again modulated by kermit mk3)

polivoks feeds a tyme sefari mk2, which has record and playback vc'd by stillson hammer mk1 triggers, and is pitch shifted (up) via a diy expander from yet another hammer mk1 trigger (hammer is operating in its secondary random mode with a 'stillson nail' at the trigger input) 

the wet/dry out from sefari feeds a doepfer mixer, and the wet-only output feeds a kuzminorgel with low stability dialed, which also feeds another channel of the doepfer mixer, and in turn, an fx aid for a touch of reverb.

the polivoks, tromso and tyme sefari effect amount are not engaged/dialed-in on this demo until the panharmoium is fully wet at 0:20 in. the two sequences cv range and timing are altered slightly throughout by hand.

Untitled XVI

josh_mason

Recent comments

P a b l o

josh_mason

josh_mason

josh_mason

Related tracks