Concept: Create experimental tribal techno percussion/drums/beats composition that sounds a bit like a tribal techno work and suggests this couldn't have been done with a Stylophone Beatbox and a Stylophone Gen X-1 Synthesizer. 

Mastered on September 5, 2025 using Bandlab, mastering preset is Universal, intensity is 50%, input gain is -4.5db. Prior to mastering I redid the Bandlab effects in the mix.

Instruments:  Stylophone Beatbox, Stylophone Gen X-1 Synthesizer. Every strike on the Beatbox was done by hand using the Beatbox stylus. Beatbox was set to #3 sound bank.

Signal Path:  Beabox connected to Gen X-1 Audio-in to Chnl-1 Bastl Dude Mixer then out to USB Audio Adapter mic/line-in then the Adapter to USB on Chromebook to Bandlab DAW. (Mogami cable used from Bastl Dude mixer to USB audio adapter. Livewire cable used for gear connections. Better quality cables made a huge difference in cutting down noise from the Stylophone products and improving the overall sound of the work.

Bandlab effects: 
* Feedback Killer (Amount is 1.7)
* ST Chorus (Depth is 54%, Spread is 50.3%)
* Multi Cab Pro (Cabinet is 2X12 Seattle SP, Mic is BL57, Mic Placement is "On Axis")
* Studio Reverb (Mix is 27%, Size is 25%, Tone is 44%)
* Dimension B Chorus (Preset is 01)
* EQ3-M (3 band EQ with Mid Sweep) (Low is -2.8 dB, Mid is +5.7 dB, Mid Sweep is 1558 Hz, High is +3.6 dB)
* Stereowise (Spread is 5.9, Low is 82%, High is 74%)
* Univerb (Mix is 42%, Type is Rhythm Chamber)
* Gain is +2.3 dB

File Format:  WAV 16-bit, 44.1kHz

Photo: "Brown Wooden Percussion Instruments", CCO License, Pixabay

"Capture the Drums" is copyright by jtechno electronic music. Email for permission to use.

Capture The Drums

June 2025 - Not posting new songs for a bit as I am applying mastering to the current songs here. I am also redoing some of the effects for certain mixes so mastering comes out better. I'll announce when that is complete and return to creating new songs to add. 

I listen to tons of techno, trance and EDM. I grew up tho with 60s and 70s rock and jazz fusion. I took piano for five years. My dad played piano, accordian, xylophone, bongos and little bit of guitar. Mom was an oil and acrylic artist. In college I practiced piano in the listening rooms and hung out in the music degree buildings and went to bunches of concerts in the SF Bay Area. 

In 2018 I landed a writing gig with DJD UK Global Music and wrote 74 listener reviews of songs for their artists. The label owner later retired after a long career in music production and marketing and closed his label.

I released my debut digital album on the DJD UK Global Music label in March 2019 called "Off Grid Analog", 13 tracks, 48:05 minutes of experimental/electronic/noise original music available for just a year on all major online outlets.  It was fun working with a label and to create an album. 

In the past I've created music on a Korg Poly-61, Korg X-50 and an Alesis Micron and mixed on a Mackie 1402-VLZ3 14-channel mixer. Today I've been creating electronic, experimental and noise music with a Teenage Engineering PO-28 Robot Pocket Operator, Stylophone Gen X-1 Analog Synthesizer, Bastl Kastle 1.5 Synth,  Meeblip Geode Synth, Alesis Q25 Controller, Kieth McMillen QuNexus USB MIDI CV Gate Controller, Alesis Micron Synth, Rucci 8-bit Power Synth, Rucci Maximal Drone, Rucci 16-step CV Sequencer,  Moffenzeef Modular MSG II Black, Stylophone Gen R8 Synth, Bastl Dude Mixer, Korg Volca FM Synth, Make Noise O-Coast Synth, Korg Monotron Delay Synth, Korg NTS-1 Synth Benidub Filtro, Arturia Keystep Controller, etc. I got away from melodic pieces to explore music and to dabble in electronic, experimental, noise, drone and experimental techno, ambient, trance styles.

My home studio includes m-Audio BX5 powered monitors and use of Beyerdynamic studio headphones, Sony and Beats phones. I use a Chromebook and the cloud-based in-browser Bandlab DAW and I do my own mastering. I use both a Baslt Dude Mixer and the Behringer Xenyx 1002B 10-chnl mixer. I use Mogami cables, Roland Gold MIDI cable, CV cables, iConnectivity MIDI to USB cable. I use a Boomstick Psychoacoustic DAC for added richness of dynamics. Final signal path output goes through the USB audio adapter into my Chromebook.  I rarely do multitrack preferring a straight signal path from one device to the next till final put goes through a mixer to the audio adapter into the Chromebook. 

I'm active on synth and music groups on Facebook under my name:
John Koudela III.  My music name tho is jtechno on Soundcloud. 

I'm located north of Seattle, WA. Contact me at:  jtechnoelectronicmusic@yahoo.com
All music I create and post are copyright by jtechno electronic music. Email me for permission to use my tracks.