spirit sequence

S P I R I T S E Q U E N C E

GANGSTER

A track from our upcoming album, X, due in mid 2023

The Dream within a Dream

Make Noise 0-Coast patch recorded on Garage Band. The ambient noises are short cuts from the main rhythm and manipulated a bit. All the sounds apart from the cymbals have come from the 0-Coast.

Stereobot

After six years of believing that I was fully done with Burning Man, the stars happened to align this summer when I got a calling to go. 

Back in 2016, I never thought that Burning Man would allow me to press the reset button and relieve myself from many things I was carrying emotionally. Then suddenly when I was out on the playa in my element, I began to feel myself again: connected, worry-free, present. 

Thanks to 11 days of complete disconnection from my computer and phone, I was left at the mercy of nature’s elements which brought me back to a place of peace and serenity.  

It was such a joy to take part in Burning Man’s social experiment, one that unites a community of like minded beings from various backgrounds. 

I loved getting my hands dirty while building the camp, helping out with a friend's art structure and chatting with new and old friends every single day.  This was a whole new experience for me; an experience that filled my heart and inspired me in powerful ways. 

For the first time, I can safely say that I have been transformed by my time on the playa, and for that I feel grateful and humbled. 

Memorable moments like riding solo on my bike, letting go of plans, eating nourishing food, getting totally lost in the city, visiting random camps and more often than not connecting with strangers was pure magic. For me, this is the essence of Burning Man: an experience of contribution, full of serendipity and spontaneity. 
 
Here’s a personal highlight of mine that I’d like to share: 
It’s Friday evening, and I have been chosen to set the mood on the Robot Heart bus (which I must admit was one of my favorite nights out there). Here I am pre-set drinking Sake and sharing stories with my dear friend Benjamin Alexander.  The bus is parked at camp when I jump on top and begin to play for 20 minutes before the wheels start turning. Our drive to the deep playa begins, and with that a brutal dust storm follows.  I was instantly taken back in time to my 2015 Burn when I was fascinated by the fairy-lit bicycles chasing the bus, lighting up the space with an array of moving colors.  Eventually, after an hour of driving around, the wind stops, the dust settles, and the bus finds its parking spot for the night.  I finally remove my dust mask and watch the vast space in front me light up as I finish my set.  An unforgettable moment, visual, crowd…everything was perfect. 
 
To all of you who are reading this who were there dancing and glowing on the playa, I would like to say a huge thank you!  I will cherish that moment for the rest of my life.  You inspired me to smile and shine. 
 
Until next year.
 
Julien aka YokoO xx 
 
FOLLOW YOKOO
soundcloud.com/yokoo 
instagram.com/yokoo_dj/ 
facebook.com/yokoomusic/
yokoo.bandcamp.com/ 
youtube.com/user/YokoODj 
https://djyokoo.com/ 

Photo Credit:
John Dill

YokoO - Robot Heart - Burning Man 2022

L.A. We are techno ? Full Album 
Symphonie de machines analogiques
 
FULL album disponible sur Spotify 

Site officiel : https://www.cyrillepoquet.fr/
Abonnez-vous à la chaîne Youtube officielle : https://www.youtube.com/@cyrillepoquettechno
Réseaux sociaux: https://linktr.ee/cyrillepoquet
@cyrillepoquettechno 
 
AUTEUR COMPOSITEUR :  Cyrille Poquet 
PRODUCTION : Wesh Wesh Production
MASTERING : Bernie grundman Mastering  
ENREGISTRÉ à Los Angeles 

℗ 2011 CYRILLE POQUET
℗ 2023 CYRILLE POQUET Re Post

L.A. Full Album

Concept:  Create a brazenly hardcore eclectic experimental techno work (without percussion) connecting the Bastl Kastle 1.5 synth to the mixer on the Make Noise O-Coast synth. 

Mastered on June 23, 2025 using Bandlab mastering, mastering preset is Tape, intensity is 50 percent, input gain is -4.5. Prior to mastering the effects including gain were re-adjusted on the original mix and a feedback killer effect was added and the Teclab BA-2A compression was removed. 

Signal path:  Kastle to O-Coast to Bastl Dude mixer to USB Audio Adapter to Chromebook to guitar input on Bandlab. 

O-Coast patches:  
Clock to Time
Kastle out to mixer chnl 2 input
PGM A on
PGM B on (arp)
RED light by CV to Multiply
Gate by MIDI B to Slope
Mixer out to Dynmc
Saw to Balance
1/Oct to Decay
EOC by Time to Overtone

Kastle Patches:
OSC out to Waveshape
Waveshape to Stepped
I turned Waveshape throughout the work

Bandlab Effects: 
Gain, 7-band EQ, Gain Automation, BL-1176 Compressor, Dimension B Chorus Preset 01, Stereowise, Feedback Killer.

120bpm (obviously running much faster), 4/4 timing
WAV format 16-bit, 44.1kHz

Photo:  Gas Mask in Nightclub by ἐμμανυελ 
Pexels License

"Eclectic Techno" copyright by jtechno electronic music. Ask for permission to use.

Eclectic Techno

Resueño would like to offer this captivating mix crafted by  @naturritu  with some of the tracks of our Cacao Dance Compilation. May this beautiful fusion of tracks transport you to a world of pure musical bliss, where each and every beat ignites your passion for your inner dance.

Buy tracks: https://resueno.bandcamp.com/album/cacao-dance-resue-o

Track list: 
00:00 - Maywa - Ayni (NATURRITU Remix)
09:00 - Iyakuh & ALUNA - Ceiba
15:12 - Kailash Kokopelli - Cocoa Mamita
18:30 - Marc JB, Nila - Beauty
23:25 - Sariel Orenda - Sueños de Libertad (ft. Yan Dobreva, Young Tree)
29:40 - Bóveda Celeste - Cacao (Sava Borsa ReWork)
34:08 - NAOBA, LUCIANA - Cacaocito
40:05 - Namirí - Colibrío
43:36 - Haptik & EllaVie - Cacao
50:36 - Manifesting - Jakare
55:08 - Marcelo Berges - El Riesgo
58:35 - Mose, MUTA - Mamahey 
1:05:10 - Mushina, Reachel Singh - Warrior (ft. Lua Maria)
1:10:57 - Jai Cuzco - Camino
1:13:40 - Aleceo, Daniil Korolev - Rechka
1:19:00 - Innatú - Tidal Flow (ft. Madeline June)


Artwork: 
@ art.cestral/ @naturritu

Resueño - Cacao Dance (Mix by N A T U R R I T U ) [Organic Downtempo / Folktronica / Chillout]

Mo Salah, an Egyptian DJ based in Sweden. Four years ago, he delved into the world of DJing, mesmerizing crowds with his deep and hypnotic sounds. A rising star in the electronic music scene, Mo Salah's unique blend of cultural influences keeps audiences captivated worldwide.

Follow the artist:
https://linktr.ee/djmosalah

Follow us:
https://soundcloud.com/autumnequinoxlabel
https://www.instagram.com/autumnequinoxlabel/

👉Mo Salah

EQUINOXAST #096 By Mohamed Salah (EGY🇪🇬)

Sasha & Hernan Cattaneo played b2b All Night Long for the first time in the USA on December 2nd, 2023 for us in Denver. We will never be the same after that epic night on the dancefloor. 

Please enjoy & share Part 1 of the set courtesy of the artists @sashaofficial & @hernancattaneo

Sasha b2b Hernan Cattaneo | Live In Denver 12.2.23 - Part 1

This time, we welcome an artist who lives and breathes the craft of DJing—someone who doesn’t just play records but creates a deep, immersive experience with every set. Sean is all about atmosphere, precision, and storytelling through music, shaping hypnotic journeys that pull you in from the very first beat.
With a passion for the deeper shades of deep tech, he’s spent years refining his sound, carefully curating moments that connect with the dancefloor. And while his focus has been on delivering unforgettable sets, his next chapter sees him stepping into the world of production—ready to bring his own creations to life.
Sean delivers an exclusive mix for MUSICUNEED MuNcast—crafted with precision and emotion. Wherever you are, turn it up and let the music draw you in.

Follow & Support:
Soundcloud: https://soundcloud.com/its_sean98

🇭🇺 Sean

#311 Sean

June 2025 - Not posting new songs for a bit as I am applying mastering to the current songs here. I am also redoing some of the effects for certain mixes so mastering comes out better. I'll announce when that is complete and return to creating new songs to add. 

I listen to tons of techno, trance and EDM. I grew up tho with 60s and 70s rock and jazz fusion. I took piano for five years. My dad played piano, accordian, xylophone, bongos and little bit of guitar. Mom was an oil and acrylic artist. In college I practiced piano in the listening rooms and hung out in the music degree buildings and went to bunches of concerts in the SF Bay Area. 

In 2018 I landed a writing gig with DJD UK Global Music and wrote 74 listener reviews of songs for their artists. The label owner later retired after a long career in music production and marketing and closed his label.

I released my debut digital album on the DJD UK Global Music label in March 2019 called "Off Grid Analog", 13 tracks, 48:05 minutes of experimental/electronic/noise original music available for just a year on all major online outlets.  It was fun working with a label and to create an album. 

In the past I've created music on a Korg Poly-61, Korg X-50 and an Alesis Micron and mixed on a Mackie 1402-VLZ3 14-channel mixer. Today I've been creating electronic, experimental and noise music with a Teenage Engineering PO-28 Robot Pocket Operator, Stylophone Gen X-1 Analog Synthesizer, Bastl Kastle 1.5 Synth,  Meeblip Geode Synth, Alesis Q25 Controller, Kieth McMillen QuNexus USB MIDI CV Gate Controller, Alesis Micron Synth, Rucci 8-bit Power Synth, Rucci Maximal Drone, Rucci 16-step CV Sequencer,  Moffenzeef Modular MSG II Black, Stylophone Gen R8 Synth, Bastl Dude Mixer, Korg Volca FM Synth, Make Noise O-Coast Synth, Korg Monotron Delay Synth, Korg NTS-1 Synth Benidub Filtro, Arturia Keystep Controller, etc. I got away from melodic pieces to explore music and to dabble in electronic, experimental, noise, drone and experimental techno, ambient, trance styles.

My home studio includes m-Audio BX5 powered monitors and use of Beyerdynamic studio headphones, Sony and Beats phones. I use a Chromebook and the cloud-based in-browser Bandlab DAW and I do my own mastering. I use both a Baslt Dude Mixer and the Behringer Xenyx 1002B 10-chnl mixer. I use Mogami cables, Roland Gold MIDI cable, CV cables, iConnectivity MIDI to USB cable. I use a Boomstick Psychoacoustic DAC for added richness of dynamics. Final signal path output goes through the USB audio adapter into my Chromebook.  I rarely do multitrack preferring a straight signal path from one device to the next till final put goes through a mixer to the audio adapter into the Chromebook. 

I'm active on synth and music groups on Facebook under my name:
John Koudela III.  My music name tho is jtechno on Soundcloud. 

I'm located north of Seattle, WA. Contact me at:  jtechnoelectronicmusic@yahoo.com
All music I create and post are copyright by jtechno electronic music. Email me for permission to use my tracks.