spirit sequence

S P I R I T S E Q U E N C E

GANGSTER

A track from our upcoming album, X, due in mid 2023

The Dream within a Dream

Make Noise 0-Coast patch recorded on Garage Band. The ambient noises are short cuts from the main rhythm and manipulated a bit. All the sounds apart from the cymbals have come from the 0-Coast.

Stereobot

After six years of believing that I was fully done with Burning Man, the stars happened to align this summer when I got a calling to go. 

Back in 2016, I never thought that Burning Man would allow me to press the reset button and relieve myself from many things I was carrying emotionally. Then suddenly when I was out on the playa in my element, I began to feel myself again: connected, worry-free, present. 

Thanks to 11 days of complete disconnection from my computer and phone, I was left at the mercy of nature’s elements which brought me back to a place of peace and serenity.  

It was such a joy to take part in Burning Man’s social experiment, one that unites a community of like minded beings from various backgrounds. 

I loved getting my hands dirty while building the camp, helping out with a friend's art structure and chatting with new and old friends every single day.  This was a whole new experience for me; an experience that filled my heart and inspired me in powerful ways. 

For the first time, I can safely say that I have been transformed by my time on the playa, and for that I feel grateful and humbled. 

Memorable moments like riding solo on my bike, letting go of plans, eating nourishing food, getting totally lost in the city, visiting random camps and more often than not connecting with strangers was pure magic. For me, this is the essence of Burning Man: an experience of contribution, full of serendipity and spontaneity. 
 
Here’s a personal highlight of mine that I’d like to share: 
It’s Friday evening, and I have been chosen to set the mood on the Robot Heart bus (which I must admit was one of my favorite nights out there). Here I am pre-set drinking Sake and sharing stories with my dear friend Benjamin Alexander.  The bus is parked at camp when I jump on top and begin to play for 20 minutes before the wheels start turning. Our drive to the deep playa begins, and with that a brutal dust storm follows.  I was instantly taken back in time to my 2015 Burn when I was fascinated by the fairy-lit bicycles chasing the bus, lighting up the space with an array of moving colors.  Eventually, after an hour of driving around, the wind stops, the dust settles, and the bus finds its parking spot for the night.  I finally remove my dust mask and watch the vast space in front me light up as I finish my set.  An unforgettable moment, visual, crowd…everything was perfect. 
 
To all of you who are reading this who were there dancing and glowing on the playa, I would like to say a huge thank you!  I will cherish that moment for the rest of my life.  You inspired me to smile and shine. 
 
Until next year.
 
Julien aka YokoO xx 
 
FOLLOW YOKOO
soundcloud.com/yokoo 
instagram.com/yokoo_dj/ 
facebook.com/yokoomusic/
yokoo.bandcamp.com/ 
youtube.com/user/YokoODj 
https://djyokoo.com/ 

Photo Credit:
John Dill

YokoO - Robot Heart - Burning Man 2022

L.A. We are techno ? Full Album 
Symphonie de machines analogiques
 
FULL album disponible sur Spotify 

Site officiel : https://www.cyrillepoquet.fr/
Abonnez-vous à la chaîne Youtube officielle : https://www.youtube.com/@cyrillepoquettechno
Réseaux sociaux: https://linktr.ee/cyrillepoquet
@cyrillepoquettechno 
 
AUTEUR COMPOSITEUR :  Cyrille Poquet 
PRODUCTION : Wesh Wesh Production
MASTERING : Bernie grundman Mastering  
ENREGISTRÉ à Los Angeles 

℗ 2011 CYRILLE POQUET
℗ 2023 CYRILLE POQUET Re Post

L.A. Full Album

To experiment creating a work with a humanized clock controlled 16-step sequencer connected to I/O of Bastl Kastle Synth to create experimental drone techno-like work first at 120-BPM and changed in post processing to stretch it to 140-BPM. The focus was to create mesmerizing sounds one might think they are sensing with their ears while trail running down switchback trails high in the mountains.

Note: Humanized refers to setting the amount of delay randomly applied to clock pulses. I adjusted it to give consistent pulses to effect sounds from the Kastle. 

Signal Path:  Rucci Clock Manipulator clock-out to Rucci 16-Step Sequencer Sync-in. Rucci 16-Step Sequencer CV-out to Bastl Kastle Synthesizer I/O. Kastle out to Rucci 4-chnl Passive Mixer in. Passive Mixer out to USB Audio Adapter Line-in to Chromebook to Bandlab DAW. The sequencer step to step is arranged like switchbacks.

Bastl Kastle patching: I/O L and R out to Waveshape In. 

Bandlab effects: 
Feedback Killer, Gain, EQ3-M, Chorus Ensemble (depth, amount, speed, bass, treble), Univerb - Atrium type (to add reverb and echo off the hard materials often found in an atrium). 

Use Guitar input on Bandlab. 4/4 timing.

File format: WAV 16-bit, 44.1kHz
Photo by Martin Portas, Pexels License. 

Switchbacks is copyright by jtechno. Email for permission to use.

Switchbacks

Mo Salah, an Egyptian DJ based in Sweden. Four years ago, he delved into the world of DJing, mesmerizing crowds with his deep and hypnotic sounds. A rising star in the electronic music scene, Mo Salah's unique blend of cultural influences keeps audiences captivated worldwide.

Follow the artist:
https://linktr.ee/djmosalah

Follow us:
https://soundcloud.com/autumnequinoxlabel
https://www.instagram.com/autumnequinoxlabel/

👉Mo Salah

Melodic Hall Series #046 By Mohamed Salah (EGY🇪🇬)

10. Wake Up

Dear friends. 

Thommie G and Goro teamed up for first time ever B2B session at Klein Berlijn in Utrecht. In an intimate setting, they played a 4-hour set, combining both of their music catalogues into one big crazy adventure. Here's the chance to listen to some of it, a 2-hour ride through a spectrum of sound.

Thommie G  @thomas-gaarthuis
https://www.facebook.com/ThommieGmusic/

Goro @goro-music
https://www.facebook.com/goromusicc/

📷 by Simontrel.com at Dansen onder de Sterren @user-309157796

Goro B2B Thommie G - Klein Berlijn 21.09.2019

order beats / contact / exclusive / custom: xtraordinarxx.x@gmail.com
PROD. XtRaOrDiNaRxx.x 新 ドラゴン ۞
Stems / Fl Studio projects from my tracks / Secret Stuff: https://www.patreon.com/xtraordinarxxx

some beats listed here: https://soundcloud.com/xtra_prod/sets/all-available/s-scyUW4KZHkM

Stream

pre da tor

Currently, I listen to tons of techno, trance and EDM. I grew up tho with 60s and 70s rock and jazz fusion. I took piano for five years. My dad played piano, accordian, xylophone, bongos and little bit of guitar. Mom was an oil and acrylic artist. In college I practiced piano in the listening rooms and hung out in the music degree buildings and went to bunches of concerts in the SF Bay Area. 

In 2018 I landed a writing gig with DJD UK Global Music and wrote 74 listener reviews of songs for their artists. The label owner later retired after a long career in music production and marketing and closed his label.

I released my debut digital album on the DJD UK Global Music label in March 2019 called "Off Grid Analog", 13 tracks, 48:05 minutes of experimental/electronic/noise original music available for just a year on all major online outlets.  It was fun working with a label and to create an album. 

In the past I've created music on a Korg Poly-61, Korg X-50 and an Alesis Micron and mixed on a Mackie 1402-VLZ3 14-channel mixer. Today I've been creating electronic, experimental and noise music with a Teenage Engineering PO-28 Robot Pocket Operator, Stylophone Gen X-1 Analog Synthesizer, Bastl Kastle 1.5 Synth,  Meeblip Geode Synth, Alesis Q25 Controller, Kieth McMillen QuNexus USB MIDI CV Gate Controller, Alesis Micron Synth, Rucci 8-bit Power Synth, Rucci Maximal Drone, Rucci 16-step CV Sequencer,  Moffenzeef Modular MSG II Black, Stylophone Gen R8 Synth, Bastl Dude Mixer, Korg Volca FM Synth, Make Noise O-Coast Synth, Korg Monotron Delay Synth, Korg NTS-1 Synth Benidub Filtro, Arturia Keystep Controller, etc. I got away from melodic pieces to explore music and to dabble in electronic, experimental, noise, drone and experimental techno, ambient, trance styles.

My home studio includes m-Audio BX5 powered monitors and use of Beyerdynamic studio headphones, Sony and Beats phones. I use a Chromebook and the cloud-based in-browser Bandlab DAW and I do my own mastering. I use both a Baslt Dude Mixer and the Behringer Xenyx 1002B 10-chnl mixer. I use Mogami cables, Roland Gold MIDI cable, CV cables, iConnectivity MIDI to USB cable. I use a Boomstick Psychoacoustic DAC for added richness of dynamics. Final signal path output goes through the USB audio adapter into my Chromebook.  I rarely do multitrack preferring a straight signal path from one device to the next till final put goes through a mixer to the audio adapter into the Chromebook. 

I'm active on synth and music groups on Facebook under my name:
John Koudela III.  My music name tho is jtechno on Soundcloud. 

I'm located north of Seattle, WA. Contact me at:  jtechnoelectronicmusic@yahoo.com
All music I create and post are copyright by jtechno electronic music. Email me for permission to use my tracks.

Switchbacks

jtechno

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