"Starting Again": https://ffm.to/startingagain

30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and only a stone’s throw from the Mexican border, the band Big Thief (a.k.a. Adrianne Lenker, Buck Meek, Max Oleartchik, and James Krivchenia) set up their instruments as close together as possible to capture their most important collection of songs yet. The band had only just finished work on their 3rd album, U.F.O.F. -“the celestial twin”- days before in a cabin studio in the woods of Washington State. Now it was time to birth U.F.O.F.’s sister album -“the earth twin”- Two Hands. 

In sharp contrast to the wet environment of the U.F.O.F. session, the southwestern Sonic Ranch studio was chosen for its vast desert location. The 105-degree weather boiled away any clinging memories of the green trees and wet air of the previous session. Two Hands had to be completely different— an album about the Earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. 

Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. “Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says Adrianne. “Musically and lyrically, you can’t break it down much further than this. It’s already bare-bones.” 

Lyrically this can be felt in the poetic blur of the internal and external. These are political songs without political language. They explore the collective wounds of our Earth. Abstractions of the personal hint at war, environmental destruction, and the traumas that fuel it. Lyrics like “And the blood of the man who killed my mother with his hands is in me/ it’s in me/ in my veins” are genuine attempts to point the listener towards the very real dangers that face our mother planet. When Adrianne sings “Please wake up,” she’s talking directly to the audience. “Attention is power,” she says. “I believe you can manifest something on the other side of the world just by using your power well.” 

Engineer Dom Monks and producer Andrew Sarlo, who were both behind U.F.O.F., capture the live energy as instinctually and honestly as possible. Sarlo teamed up with James Krivchenia to mix the album, where they sought to emphasize raw power and direct energy inherent in the takes. The journey of a song from the stage to the record is often a difficult one. Big Thief’s advantage is their bond and loving center as a chosen family. They spend almost 100% of their lives together working towards a sound that they all agree upon. A band with this level of togetherness is increasingly uncommon. If you ask drummer James Krivchenia, bassist Max Oleartchik or guitarist Buck Meek how they write their parts, they will describe—passionately—the experience of hearing Adrianne present a new song, listening intently for hints of parts that already exist in the ether and the undertones to draw out with their respective instruments. It is an honor to give life to these intricacies. 

With raw power and intimacy, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album. While you listen, let your own two hands rest in front of your body with palms facing inward and see what power grows between them.

Montreal indie rockers Half Moon Run (Devon Portielje, Conner Molander, and Dylan Phillips) are best known for their acrobatic, cerebral arrangements and feral three-part harmonies.

http://www.subpop.com/
http://www.bellaunion.com/
For North/South American Bookings: Trey@billions.com
For UK/Europe: Steven@toutpartout.be

https://itunes.apple.com/us/album/bloom/id509665145
https://itunes.apple.com/us/album/teen-dream/id349535407
https://itunes.apple.com/us/album/devotion/id288787188
https://itunes.apple.com/us/album/beach-house/id288870313

Spirit Power: The Best of Johnny Marr out now
https://johnnymarr.lnk.to/SpiritPoweryv

Johnny Marr started his career with The Smiths, beginning an amazing history as one of the most influential songwriters and guitarists in British independent music. His subsequent creative journey has seen him at the heart of The The, Electronic, Modest Mouse and The Cribs, as well as working with The Pretenders, Talking Heads, The Avalanches, and the musician and composer Hans Zimmer - with whom he recorded the score and soundtrack for the most recent James Bond film, No Time To Die, including the title track created with Billie Eilish.
 
Over the course of the last decade, Marr’s solo career has given rise to four UK Top Ten albums - The Messenger (2013), Playland (2014), Call The Comet (2018), Fever Dreams Pts 1-4 (2022), and soon a career-spanning book, Marr’s Guitars. The full measure of this extraordinarily fertile period is captured on his latest offering, Spirit Power: The Best Of Johnny Marr, a major new collection curated by Marr encompassing songs from his first 10 years as a solo artist, a scattering of stand-alone singles and two incendiary new cuts, Somewhere and The Answer. 
 
Spirit Power presents a composite portrait of an artist with no less a complete ideology than the celebrated co-travellers who inspired him along the way. It’s a body of work that mirrors Marr’s unquenchable life force, breadth of musicality, and above all, his love of melody.

@shadowwizardmoneygang13
@wellsfargoreal
@sleepyzone

we are soaring is following