Your Mix 3

Trois points de suspensions…en duo avec Barrueco qui m'a fait l'immense plaisir de chanter ce titre avec moi! 

Je le savais depuis toujours,
La blouse et la trousse de secours
Le concours et toutes ces années sur les bancs de la faculté.

Les gardes au chevet des patients,
Passées trop loin de mes enfants,
A prendre soin des plus souffrants.

Tous ces destins que j’ai croisés,
Que j’ai portés, accompagnés,
Tous ces corps que j’ai soulagés.

Les pleurs des collègues épuisés,
Le courage d’un corps de métier,
Toujours debout bien qu’éprouvé.

Ces souvenirs tous imprégnés,
Là, dans ma blouse immaculée,
Le matin où je l’ai pliée…

J’veux pas rester à la maison,
Amputé(e) de ma vocation,
Pourtant je suis ma conviction, à tort ou à raison,
Trois points de suspension…

J’en ai rêvé depuis tout mioche,
Le camion rouge dans ma caboche,
Je peux vous dire, j’en ai bavé pour devenir Sapeur-Pompier !

L’espoir dans les regards piégés,
Derrière les pare-brise étoilés,
Les débris et la tôle froissée.

Ces mains serrant mes doigts gantés,
Dans l’urgence à me témoigner,
La gratitude du rescapé.

La suie sur les visages fiévreux,
De mes collègues valeureux,
Debout dans leur tenue de feu.

Ces souvenirs étaient gravés,
Au cœur de mon casque doré,
Le matin où je l’ai posé…


J’veux pas rester à la maison,
Amputé(e) de ma vocation,
Pourtant je suis ma conviction, à tort ou à raison,
Trois points de suspension…

Vous croyez que c’est par caprice,
Qu’on fait un tel sacrifice ?
J’ai passé ma vie à servir, saurez-vous vous en souvenir ?

C’était déjà là, dans mon corps,
Avant mes tous premiers accours,
Elle serait là ma liberté, ma force, ma créativité.

De ratures en refrains poignants,
J’ai travaillé passionnément,
Terrassé le découragement.

Chanté mon amour de la vie,
Un peu, beaucoup, à la folie,
A la faveur de mes envies.

J’en ai fait chavirer des cœurs,
Sous les faisceaux des projecteurs,
Et j’ai chanté tout mon bonheur.

Ces applaudissements enflammés,
Ils attendent bien protégés,
Dans les chansons que j’ai rangés…

J’veux pas rester à la maison,
Amputé de ma passion,
Pourtant je suis ma conviction, à tort ou à raison,
J’veux pas rester à la maison,
Amputé(e) de ma vocation,
Pourtant je suis ma conviction, à tort ou à raison,
Trois points de suspension…

Le large

Trois points de suspension... en duo avec Barrueco

Music and vocals by Tanisha Jackland
*Nanobox synth(Lemon Drop)

Little Black Matchstik Girl

No locks of gold she would have worn
Nor fair in skin she would adorn

Every time she rose to speak
No ears to listen how they sleep

No one cared for the girl with naps
How she read you like a map

She had issues with her self
All of them on a dusty shelf

For everyone to judge and see
Her human flaws plauging thee

With no one there to help her plight
Her body began to dim in light

when she died in dark and cold
No one knew her depth in soul

Who was a fire that warmed the old
A golden angel you would behold

"Love hard. Get your heartbroken. Laugh. Cry. Suffer. Explore. Wear your scars with pride. Allow life to teach you in mysterious ways. Risk it all. Put your heart on the line. Fall down. Get back up no matter what..." -Evan Sanders

Little Black Matchstik Girl

I was inspired by a couple of things when I wrote this ambient drone song called Alienation. I had listened to Sylvian's breakup album "Blemish", while I was pondering the lyrics of Pink Floyd's "Time". It lead me to Wrongtool's excellent NODAL library and I laid down 5 tracks of moody bass strings. Every track was then mangled with Moogerfooger effects plugins to add even more grit and noise. I then wrote the lyrics, strongly influenced by said Floyd song and some of my own dark fears and feelings, and had them performed by Solaria (Synthesizer V plugin).

Instruments used:
- WRONGTOOLS NODAL (all music)

Alienation

Paola Madeleine:   Vocals
Ben Juul:                Drums, Mixing & Mastering
Dirk Taubenheim:  Guitars, Bass, E-Bow, Vocs

Anyone who has seen The Chosen might like this song. It is about Maria of Magdala and her first encounter with Jesus. Thanks so much, Paola & Ben!

Demo Songs

Maria of Magdala  ft. PAOLA MADELAINE

Cast of characters:
mistermark--@user-432503709--Mark---Piano, drums, production and composition
Llanpsych--@llanpsych--Tez—electric guitar, production, and mix
Entheogenic Psychonaught (Josh Clary)--@josh-clary-1—four string fretless bass and electric guitar
This is a song that originated with Mark, and existed as a song he wrote on the piano after, like many of us, getting back into playing following an extended hiatus. He sent it to me, who added the fretless bass and some delay-heavy electric guitar. After that, Mark added the catchy, powerful drums and made a couple of key editorial changes. Then we got Tez involved, who added not only the screaming guitar parts in the meat of the song, but also the entire coda at the end. Tez also produced and mixed this for us, expertly. This is the first of hopefully many songs Tez and I do with Mark. We hope you enjoy listening to it as much as we enjoyed making it.

Heavy Steps (with Llanpsych and mistermark)

This song sprung out of a practice session, with the lyrics, especially the first verse, just tumbling out.
It's another love song for my partner.  Can't seem to stop writing them, but that's how much she means to me.  Will be more worried if I stop writing them.  
Hope you enjoy it.

Rapid Rivers (Blazing Across My Mind)

I Got A Bone To Pick With You

Sadness

I feel so lucky that Dave Orestes 1 allowed me to record a rendition of his wonderful song " What Is Rich" ! 

Written by Dave Orestes 1 
https://on.soundcloud.com/JG7gH

Recorded/Mixed: Audacity
Guitar: Cort MR710 LH NS
Mic: Rhode USB Mini
Tam Jennifer: Interpretation, Vocals, Guitar, Mix & Master

Lyrics (Dave Orestes):

What is rich? You're asking me
Rich is so simple, don't you see
It's not what you own but what you do and say
.
What is rich? You're asking me
It's not hard to explain
It's all about what you feel
And not what you touch
Every day
.
Rich is how well you sleep at night and
your thoughts on your own death bed
when you have few regrets
few regrets
.
Rich is passing on
the prospect of hope
so that all have a chance
to prosper and grow
Rich is not how tall 
Your sky scrapers grow
no no no no
.
Or the number of seats
in your stadium row 
It's not how many toys
in the attic you've stowed 
oh no no
that's not it
.
What is rich? You're asking me
Oh it's not hard to explain
It's all about what you feel
Not what you touch every day 
.
Rich is when
All the children are fed
And each of them has 
A warm safe bed
Rich is how 
You care for people 
That, you've never met
.
It's not hard to explain 
It's all about what you feel 
And not what you touch
Every day
.
Doo da doo da doo
Laa la laa la laa
Laa la laa la laa
Laa la laa
La laa la la
.
© Dave Orestes 1, Tam Jennifer Hastings, 2024. All rights reserved.

What Is Rich (with Dave Orestes, 2024)

JTSunrise Rendition of St. James Infirmary

Slow Blues, 60bpm 4/4

[Refrain]

Dm                    A7              Dm
I went down to St. James Infirmary 
Bb7 A7 Bb7 A7 Dm
To see my Baby there
                        Dm                     A7                 Dm
They had Her stretched-out on a marble table 
Bb7    A7 Bb7 A7 Dm
Asleep, so cold, so fair

[Verse]

             Dm                      A7                Dm
Let her go, You let Her go, God you let Her
Bb7    A7 Bb7 A7 Dm 
Wherever You may be
                Dm                                  A7                 Dm
Couldn’t never look this whole-world wide-over
Bb7    A7 Bb7 A7 Dm
Find a girl half as sweet

[Verse]

            Dm                 A7                     Dm
Gonna bury Her in Her strait-laced boots 
             Dm             A7                 Dm
In Her  walk’n coat and Cloche’ hat
          Dm                    A7            Dm
Put a twenty-dollar bill in Her coin-purse 
        Bb7                    A7   Bb7 A7 Dm
So She’ll know She died standin' pat

An American folk song about going to St. James Infirmary to retrieve a deceased lover. The song evolved over time and potentially from British origins in the 1800s, roots can be traced to the early jazz and blues era in New Orleans. Lyrics and melody were adapted and rearranged by numerous artists over centuries and emerged from a blend of folk, blues, and jazz. It’s popularity grew through oral traditions, diverse interpretations, and legendary performances 

Marble tables were practical for hygiene in morgues due to their white, durable, and non-porous characteristics. The thermal mass of a thick marble stone slab table allowed for temperature retention—ideal for icing in warm climates or maintaining an ambient cool surface in morgues which were typically located in medical facility basements

During the late 1800s and early 1900s, fashionable women dressed in tailored jackets, walking coats, and tailored suits. Garments were designed to be fashionable and practical. Popular was the tailor-made suit, which consisted of a matching jacket and skirt. Suits could have varied styles, including fitted jackets with defined waists and skirts. A walking coat was characterized by its length and suitability for outdoor activities. Women's fashion during this period saw a shift towards more tailored and practical clothing

Unlike higher heels of previous decades, shoes in the 1920s often had lower, practical heels to reflect the era’s active style. Boots had lace-up designs, providing a snug fit around the ankle and calf. This style allowed women to participate in energetic social activities. A stif pointed-toe contributed to a sleek and modern look and had defensive advantages. Boots were made of leather or fabric. Suede and patent leather being also popular

A Cloche (“bell” in French) is a bell-shaped fitted hat that became fashionable in the 1920s, complementing shorter hairstyles of the time

"Standing pat", a poker term meaning to keep one's hand as dealt without drawing additional cards, suggests the idea of a person being content and staying true until the end

In 1927 Fess Williams and his Royal Flush Orchestra were first to record the song under: "Gambler's Blues", crediting Carl Moore and Phil Baxter’s “St. James' Infirmary”. The song became more popular after Armstrong's comedic 1928 recording which mocked more emotionally serious versions. By 1930 at least twenty different recordings had been released. The Duke Ellington Orchestra recorded the song multiple times under names like "The Ten Black Berries", "The Harlem Hot Chocolates", and "The Jungle Band”. In 1933, Cab Calloway's version was released in a classic Betty Boop cartoon and his instrumental version featured Calloway's related hit song - Minnie the Moocher. Irving Mills managed both Calloway and Ellington. Mills Music published both artists 

My version of lyrics. Info from the internet

JTS

St. James Infirmary

A little tune - Words&Music by Netta&McGill
Available on Spotify, YouTube, iTunes and other music streaming platforms
-
Hey, my friend
Have a thing to say
To tell you
Been around and learning you

I don't think you know how much you do
Evening comes, you promise light anew

Hey, my friend
Looking out for me
My brother
Surely true, I've needed you

I don't think you know how much you do
Evening comes, you promise light anew

I don't think you know how much you do
Evening comes, you promise light anew

Evening comes, you promise light anew

Light Anew

Purple

Help me see

In a world blurred by noise and distraction, Three Photons offers clarity with "Help Me See"—a soul-searching ballad steeped in analog warmth and emotional depth.

Written by TJG March 2024


Rhythm Guitar: Gibson ES 335
Lead Guitar: Fender Jazzmaster
Guitar Amplifier: Vox AC15….set as clean I can get it. 

Fender pedal board: Line 6 delay; Fender clean boost



Mics: a pair of Royer r10 ribbons on guitars
Mics: AEA R44 vocal 
Mic preamps: API 312
Mixer: API 24 channel summing mixer (8200/7800)
Stereo Bus processing (API EQ and API compressor)
Final mix down to a MARA MCI JH110 1/4inch 2-track at 15 ips using ATR Master Tape.

Basement boiler/heater – adding all kinds of unwanted noise 😉

Someday I will add drums and bass – but wanted to go for this raw guitar/vocal sound for now. 
----------------------------------------------------------------------------

Help me see

I can’t see the stars tonight
Shining down or in your eyes
I can’t see the stars tonight

I can’t find the words tonight
Written down or in my mind
I can’ t find the words tonight

I can’t see the stars tonight
Shining down or in your eyes
I can’t see the stars tonight


Shining down or in your eyes 
I can’t see the stars tonight
Help me see 
Help me see the stars tonight

I could live a simple life
Slow it down or take a flight
I could live a simple life
I could live a simple life

I can’t see the see stars tonight
I can’t find the words tonight
Shining down or in your eyes
Help me see the stars tonight

I can’t find the words tonight
Written down or in my mind
I can’t find the words I like……

Help me see

Another track inspired by the Foundation SciFi books by Isaac Asimov. I love how his books pursue a mystery, only to be replaced by a new one just when you think you've got it... That's life for you. 
The guitar parts were played on a Duesenberg Paloma put through a pitch vibrato, plate reverb, a ping pong delay and a modern amp.

Approaching Gaia

Instrumental composition, guitar, bass by Garddwr Porffor: https://soundcloud.com/garddwrporffor
Vocals, Vocal Composition, Lyrics: Nadia Selvaggi

The Order of Things by Garddwr Porffor & Nadia Selvaggi

#acoustic

Acoustic Guitar. One of my many interpretations of Plush by Stone Temple Pilots

Plush (Ruined By SR & U)

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!

@JTSunrise was born in Chicago, IL (the City of Blues) in 1968. JT grew up on a rural horse farm at Cuba Township near Fox River Grove, along the C&NW tracks, about an hour by train outside the city. Summer nights before the internet were for sleeping outside and watching stars, singing and playing guitar to his girlfriends, and hitching trains from his backyard. Anywhere JT went, he had his acoustic guitar slung around his back. JT also learned bass and banjo, and started a folk band in high school, playing house parties and school concerts and busking the commuter train station in Barrington, IL.

His teenage years took him around the world and to Tempe, AZ in 1987, (age 19) where he lived in the same building (and jammed often) with Spiral Stairs, a seminal guitarist who would later form the band Pavement. JT played acoustic sets at the legendary Sun Club. During this time, Robin Wilson of the Gin Blossoms (JT’s record store clerk friend) did his sound.

Seattle Music Era

Arriving in Seattle in 1992 with his Tempe barista girlfriend PJ (now wife), JT immersed himself in a city alive with music innovation. This was to become known as a time when Seattle bands reshaped the musical landscape. Amidst the scene, JTSunrise carved a niche and performed shows, blending busking music with the amplified Seattle sound, his Tempe-styled lyrical command, and the soul of Chicago street blues.

His performances became the background of Seattle’s music venues, from the intimate setting of **Art Bar** to the historic **OK Hotel**, where grunge legends made history. He captivated audiences at **Sit & Spin**, a venue combining a laundromat with a bar and live music, and found a true home at the **Lake Union Pub**, a legendary punk dive bar that embraced him as their own. Each chord, each lyric, carried the weight of personal experience.

Musical Influences and Style

JTSunrise draws from icons like Bob Dylan, Johnny Cash, and Billy Bragg, alongside bands he admired in Tempe such as Gin Blossoms and Dead Hot Workshop. The bands at the Sun Club and Long Wongs in Tempe, AZ shaped his sound and approach. These influences, coupled with the music scene in 1990s Seattle (including Elise Sauer, Obe-Wan Kenobe, and everyone to ever perform at the Lake Union Pub), molded his blend of folk, punk, country blues, and acoustic pop.

Signature Songs and Contributions

Among his many contributions to the musical landscape, a few songs stand out:
- **"Saint James Infirmary"**: A haunting rendition of the classic ballad.
- **"Biscuit Roller Blues"**: A soulful, gritty track that showcases blues roots.
- **"Kevin Song"**: A heartfelt, melodic piece that resonates deeply with listeners.
- **"Cure For Pain"**: A Morphine song that explores themes of struggle and redemption.
- **"Mama Tried"**: A tribute to Merle Haggard, blending acoustic blues with heartfelt emotion.
- **"O Danny Boy"**: A timeless ballad, rendered with sincerity and grace.
- **"Blue Eyes Cryin' in the Rain"**: A fusion of folk and rock.

Prolific Output

JTSunrise has a substantial discography on SoundCloud, with over 200 tracks available. This includes a mix of original songs, raw covers, and collaborations with other artists. His music spans genres like folk, bluegrass and country blues, cowboy country, and 90s acoustic rock, reflecting his diverse influences.

Commitment to Seattle’s Artistic Community

JTSunrise’s influence extends beyond music. His commitment to authentic Seattle art is evident in his participation and support of local artists and musicians. As of 2024 he remains a licensed Pike Place Market busker, a role that allows him to share handmade music directly with the community any time, creating intimate, memorable experiences for locals and visitors.

Thanks everyone for support! 

Find other Art  and Videos by #JTSUNRISE: IG, YouTube, X, TikTok, BlueSky interweb media @JTSunriseMusic
www.linkedin.com/in/jtsunrise-music-1528072b0

St. James Infirmary

JTSunrise

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