Top 50: Clásica

L'Art de l'Hybridation sonore

L'Art de l'Hybridation Sonore

viyalon

12.10.2013 - Auteur: Bourquin V. - Compositeur: LAGE B. - Mixage et Mastering: Chris T.

SHOOTING STAR (SHELTER)

All Gone (Realization) - Gustavo Santaolalla (from The Last of Us Part II)

Efecto Mozart (Música clásica para bebés) - para dormir y calmar al bebé

All Gone (Seasons) - Gustavo Santaolalla

Efecto Mozart (Música Clasica Para Bebés) - Larga Duracion - Para Dormir Y Calmar Al Bebé #

I took some time away to write a short collection of piano and string pieces named 'Of Sleep and Time'. This is the opening piece.

Of Sleep and Time is available for free download at https://levipatel.bandcamp.com/

I have recently released an alternate version 'As she passes (nocturne)', included on my album A Shifting Lightness https://levipatel.bandcamp.com/album/a-shifting-lightness

Of Sleep and Time

Free Download

As she passes

Marie-Michel Beauparlant, violoncelle 
Patrick Cashin, piano

Brahms - Danse Hongroise N. 1 pour violoncelle et piano

208 The Regulator   Clutch

Saynatasqa (2014), for tanaCello
Composed by Juan Arroyo and played by Jeanne Maisonhaute
photo: Nathalie Gabay

SAYNATASQA (2014), for TanaCello

Bach Suite I Prelude

Mariage

Prélude Bach

Camilo - Favorito (Piano Cover)

Anuel AA, Rvssian, Juice Wrld - No Me Ame (Piano Cover)

Uploading it from Youtube so everyone can enjoy this masterpiece!
I do not claim any credits from the tracks. All credit goes to Gustavo Santaolalla, Mac Quayle and its rightfull owners.

Track list:
00:00:00 The Last of Us Part II
00:02:52 Unbound 
00:04:49 Longing 
00:06:35 Eye for an Eye 
00:09:13 It Can't Last 
00:11:32 The Cycle of Violence 
00:16:38 Reclaimed Memories 
00:18:20 Cordyceps 
00:21:00 Longing (Redemptions) 
00:22:43 Restless Spirits 
00:24:55 Chasing a Rumor 
00:27:50 They're Still Out There
00:31:22 Unbroken 
00:36:01 The Rattlers 
00:39:43 The Obsession 
00:41:05 Soft Descent 
00:42:56 The WLF 
00:46:35 A Wolf's Ghost 
00:49:00 Masks On
00:51:03 It Can't Last (Home)
00:55:32 Inextinguishable Flames
00:56:32 Allowed to be Happy
00:59:20 Collateral
01:01:43 The Cycle Continues
01:05:12 All Gone (The Promise)
01:08:15 Grieving 
01:10:34 The Island
01:14:48 Beyond Desolation

The Last of Us Part 2 (Original Soundtrack) | Full Album

"FORGOTTEN ODES" by @Eternal Eclipse

Juan ARROYO
www.juan-arroyo.com
Photo by Kamir Meridja

Composer in residence at the Center Henri Pousseur (2014), IRCAM (2015), member of the Academy of France in Madrid-Casa de Velazquez (2016/17), composer in residence at the Art Zoyd Music Creation Center, member of the Académie de France in Rome-Villa Médicis for the year 2017/18, he is actually composer in residence at the National Orchestra of Peru.

Juan Arroyo was born in Lima, Peru. He studied composition at the Conservatories of Lima, Bordeaux and at the National Conservatory of Music and Dance in Paris. He deepens his musical knowledge in formations like Voix Nouvelles and the IRCAM. He has been guided by eminent composers such as Brian Ferneyhough, Heinz Holliger, Henri Pousseur, Mauricio Kagel, Michael Levinas, Luis Naón and Stefano Gervasoni.

His music is rewarded with numerous awards such as the prize of the Salabert Foundation (2013) and the prize of the Academy of Fine Arts of France (2015). He receives prestigious commissions from the French Ministry of Culture, Radio France, Centre Henri Pousseur, SACEM, Proxima Centauri and Tana string quartet. His works are performed by eminent musicians such as Ensemble Intercontemporain, L’Itinéraire, Linea, LAPS, L’Arsenale, Regards, Sonido Extremo, Orquesta Nacional de Perú, Vertixe Sonora, Claude Delangle, Jeanne Maisonhaute, Antonio Politano and Maribé Charrier. His music is performed at great festivals such as Ars Musica, Cervantino, La Chaise-Dieu, Ensems and ¡Viva Villa!

His work of composition is articulated around the Magical Sound Realism through the different techniques of sound hybridization. In fact, in 2014, he began a fundamental stage of his artistic work with the construction of new instruments capable of transmuting his sound, the TanaInstruments. This allowed him to hybridize the perceptual indices of sounds in order to reveal their evocative and irrational nature of their substance, sometimes making them enigmatic.

The uniqueness of his work lies in these games of displacement, of movement between a causal listening and a reduced listening, passing through many intermediate states of perception. Juan Arroyo explores these different degrees gradually blurring the sources of sound in the manner of a photographer or cameraman, making us travel from the concrete to the abstract, from materiality to immateriality, playing with the configuration of its objective.