Mais que c'est doux et agréable d'écouter ce morceau ce matin avec mon café ❤️♥️♥️

nice tune and nice singing and a sweet vocql

Wonderful - lovely vocals - lovely melody!!

Phantasmagoria in Two Tim Buckley cover

Silhouette

I LOVE THIS ONE! HOPE Y'ALL DO TOO! HAPPY SUMMER FROM SOUTHEAST TEXAS! MUCH LOVE, HAPPINESS, AND PEACE TO Y'ALL!!

KRAE- 'HUSH' - (KENNA-RAE PRODUCTIONS)

This is a Rolling Stones cover version by Z CAR M - My Philippine music friend Paul Vincent Camoro kindly contributed his vocals to this track.

To learn Keith Richard's guitar riff was a pain in the neck.

However, I think, the final result of this track is acceptable....

YT MUSIC VIDEO CLIP TO THE TRACK HERE >>> https://youtu.be/9VGwoCeTJGU

Can't You Hear Me Knockin' Cover @RollingStones

And here is the unexpected sequel to "A New Beginning", a happy and energetic piece released quite a while ago. Here, I tried something more melodic and happy, following the essence of the first piece. I confess that I didn't find the technique to compose this very difficult, the good old ascending and descending arpeggios were a little easy to apply here. The most challenging thing here was the mixing, the mastering, and the string melody.

A New Beginning: Home

I've got some thoughts, I think they're right
But without proof, I can't sleep tight
In a world of concepts, lost and alone
Chasing truth, needing facts to be shown

I need proof! Show the way
I need proof! Clear as day
I need proof!
Show me the proof!

You say this and that, but can we be sure?
Words without proof, just echo and soar
In the empty chatter, doubts start to show
Give me foundation, a logic to grow

I need proof! No more lies
I need proof! Truth in my eyes
I need proof!
Show me the proof!

In the margins of a book, a riddle was sown
Fermat's last theorem, a mystery unknown
Centuries passed by, with minds put to test
Until Andrew Wiles resolved the quest

I need proof! Show the way
I need proof! Clear as day
I need proof!
Show me the proof!

Seeking answers, day by day,
Facts and figures, lead the way.
Every question, we pursue,
Finding clarity, in the new.
Truth discovered, old and new,
Never stopping, I need proof.
Show me the proof!

I Need Proof

This was inspired by a lucid dream. The first verse is verbatim what happened, but I couldn’t remember the rest when I woke up. So I imagined what I think might have happened, or could have happened, or even should have happened next! 

Big thanks to @APi_ZZ who has magically composed some quite dreamy, trippy and unique-sounding music to accompany the voyage. 

Words and vocals by Annie Dieu-Le-Veut
Copyright © Annie Dieu-Le-Veut, August 2024 

Music and really cool cover art by APi_ZZ 
Copyright © APi_ZZ (Andreas Pirner August 2024) 

WORDS

You found me lying dozing on the Web. 
“Why are you here?” you whispered softly.
“This is what holds it all altogether,” I said
Gesturing to encompass its warp and weft,
“What? All of it,” you said, lying next to me.
I smiled at the warmth of your magnetics,
“Yeah,” I said, “they’ve got this Wyrd thing
“Going on...to help them manage infinity!”


“How to do you know all this stuff?”
You asked, still not really sure of my premise.
After all, I expect you thought it wasn’t very scientific.
“It’s easy, you just follow the River of Words.
“It’s not a waterway that runs to the sea,
“But back to the cosmic ocean of birth.
“The Druids called it the silver river of ‘Awen’.
“Their bards took their inspiration from there.”
“The silver river of Awen!” you laughed 
 “Oh, we should go there now… Come on!”
You grabbed my hands and pulled me up, 
“Sure” I said...and then we just jumped. 

“Hold on,” you said. We gripped tight to our wooden raft.
You were staring down at the river, and said: 
“I could swear I just saw the word ‘magic’ floating past.” 
“Yes, we’re going back to the genesis of that word,”
“So you can get what it means, from its source.”
“Where is that?” you asked. “You’ll see,” I replied.
 “Now watch out. We’re just coming to the giant waterfall 
“That plunges into the abyss of the Age of Enlightenment.” 

 “What the hell was that?” you asked, 
As our raft emerged out into a smooth-flowing creek,
“Don’t worry about it, “ I said. “It was just a device
“To end the Dark Ages. Only it just made things worse.
“They thought that by separating matter and spirit
“They’d get a more true view of reality.
“But, unfortunately, it was quite the reverse.”
“But what started the Dark Ages?” you wondered,
“Oh...that was just the Time Bandits
“Telling us that the Sun orbited around us,
“Screwing up our sky charts and calendars
 “Robbing us of our place in the All That Is.”

The sun was beating down as if it was midday
So we lay back on our raft to soak up the rays.
But then it just got hotter and hotter, until you asked
“Where are we now?” “Ancient Alexandria,” I said

The ‘magic’ word came past again, but now it just said ‘mage’
It floated towards the sandy banks where we saw an old sage,
Seated on a camel, his head wrapped in a purple turban, 
“We must be in the cradle of alchemy because there’s a mage.” 
 “That’s a mage?” you said. “You mean a magician?” 
“Yes, ‘mag’ just meant ‘power’; the ability to rearrange 
“The electro-magnetic warp and weft of, you know, 
“the Web of the Wyrd upon which our reality is staged.” 
“Well, I think it’s all a simulation,” you replied.
“So if you’re talking about that coding...”
“I am,” I smiled, sensing another adventure ahead.
“Then I’m in for the ride!” you said.

Web Of The Wyrd

Para escuchar la versión instrumental  https://soundcloud.com/juan-fco-bueno/nada-importa-ya-ver-texto

Para escuchar la versión original  https://soundcloud.com/juan-fco-bueno/nada-importa-ya-version-original-ver-texto

Nada importa ya

Caminando por la playa
vamos los dos hacia casa
no importa la lluvia que cae
no importa qué pensarán
lo nuestro ya todos lo saben:
te quiero cada día más.

Estribillo

Nada importa ya para los dos
pues no nos influye el qué dirán;
hoy que no es furtivo nuestro amor
sólo queremos vivir en paz. 

-------- 

Nos iremos a otro sitio
para olvidar el vacío
de aquellos que siempre miraron
con ira y con maldad
de aquellos que nunca miraron
con calma y cordialidad.

Estribillo.
Nothing matters anymore

Walking along the beach
We're both heading home
It doesn't matter how much rain falls
It doesn't matter what people think
Everyone knows what's between us:
I love you more and more every day.

Chorus

Nothing matters anymore for the two of us
Because what people say doesn't influence us;
Today, when our love isn't secretive
We just want to live in peace.

--------

We'll go somewhere else
To forget the emptiness
Of those who always looked
With anger and malice
Of those who never looked
With calm and cordiality.

Chorus.

Nada importa ya (Feat. Luana Ruff)

blå drøm

bandcamp

Till The Day We Die

https://myckalmarcovic.bandcamp.com/track/la-mar-e-est-en-noir
Translation above

Sur un magnifique texte de Marie-Françoise Barreau-Delapierre-Loussot à propos du naufrage en 1978 de l'AMOCO Cadiz près de Portsall, en Bretagne. Survenu après ceux du Torrey Canyon (mars 1967), l’Olympic Bravery (janvier 1976), le Boehlen (octobre 1976)

Musique et voix : Myckaël Marcovic
Music and vocals : Myckaël Marcovic

La marée est en noir

La mer cinglait à corps et à cris
Sous un ciel chargé de gribouillis
Toutes les mouettes et les cormorans
Semblaient noyés dans le mauvais temps.

Un pétrolier gouvernail cassé
Impossible de le remorquer
Un rocher éventra ses cloisons
La cargaison largua son poison.

Refrain :
La marée est en noir
Ça coule, ça pue, ça poisse
Bouquet de noce qui ancre sa crasse

Portsall, port digne de ton blason
Ce jour-là, tu portais bien ton nom.
Sombre terminal par accident.
Tombeau des mouettes et des cormorans.

Vomi de marée qui s’amarre
le soleil couchait dans un sang noir.
Une armada de cirés bretons
Ont relevé manches et mentons

(Refrain)

Breizh partageait les larmes de fiel
Des éboueurs peinant sur leur pelle.
Qui serraient les dents se rappelant
Déjà trois marées noires en dix ans  

Malgré les linceuls de cet or noir
Qui se sont gravés dans les mémoires
Les marchés de la consommation
Vont de déraisons en déraisons

(Refrain)

Paroles de Marie-Françoise Barreau-Delapierre et Myckaël Marcovic, 
Musique de Myckaël Marcovic, 05 juillet 2024

Based on a magnificent text by Marie-Françoise Barreau-Delapierre-Loussot on the 1978 sinking of the AMOCO Cadiz near Portsall, Brittany. This followed the sinking of the Torrey Canyon (March 1967), the Olympic Bravery (January 1976) and the Boehlen (October 1976).

The tide is in black

The sea was screaming its head off
Under a doodle-laden sky
All the seagulls and cormorants
Seemed drowned in the bad weather.

A tanker with a broken rudder
Impossible to tow
A rock ripped open its bulkheads
The cargo dropped its poison.

Refrain :
The tide is black
It sinks, it stinks, it poisons
Bouquet de noce qui ancre sa crasse

Portsall, port worthy of your coat of arms
that day, you lived up to your name.
Dark terminal by accident.
Grave of seagulls and cormorants.

Mooring tidal vomit
the sun set in black blood.
an armada of Breton oilskins
rolled up sleeves and chins

(Refrain)

Breizh shared the tears of gall
Of garbage men toiling on their shovels.
Who gritted their teeth remembering
Three black tides in ten years  

Despite the shrouds of this black gold
etched in our memories
Consumer markets
From disappointment to disappointment

(Refrain)

Words by Marie-Françoise Barreau-Delapierre and Myckaël Marcovic, 
Music by Myckaël Marcovic, July 05, 2024

La marée est en noir (Marie-Françoise Barreau-Delapierre-Loussot / Myckaël Marcovic)

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Nada importa ya (Feat. Luana Ruff)

Juan Fco. Bueno

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Trxgger_T

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Myckael Marcovic

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