New Humanity's Face (2023 Original Version)

This song comes from a quiet place in my heart — that feeling of waking up and realizing you’re stuck in the same loop, doing all the things you’re “supposed to,” but feeling invisible in the process. It’s about how life can wear us down with repetition, how smiles can become habits instead of feelings, and how sometimes the smallest hopes — like a sunrise breaking through gray clouds — are the only things that keep us moving forward.

“Gray Skies Bloom” is me finding poetry in loneliness. It’s the soft ache of existing in a noisy world that rarely listens, but still whispering, “you’ll be okay.”


LYRICS:

[Verse 1]
Gray skies spill through window blinds
Coffee cold, I lose my mind
Same street signs, same painted smiles
Walking circles for miles and miles

[Pre-Chorus]
Every face a quiet storm
Every laugh a practiced form

[Chorus]
And I find it kind of strange
How the world forgets my name
Every dream that fades away
Still whispers, “you’ll be okay”
But I’m breaking just the same
In the echoes of the ordinary

[Verse 2]
Old songs hum from passing cars
Paper hearts and dying stars
People talking, no one hears
Trading secrets for souvenirs

[Pre-Chorus]
Every truth a borrowed lie
Every tear a lullaby

[Chorus]
And I find it kind of strange
How the world forgets my name
Every dream that fades away
Still whispers, “you’ll be okay”
But I’m breaking just the same
In the echoes of the ordinary

[Bridge]
Maybe we were born to fade
To dance in light that slowly frays
Maybe hope’s a tired refrain
But I still hum it just the same

[Chorus]
And I find it kind of strange
How the world forgets my name
Every dream that fades away
Still whispers, “you’ll be okay”
But I’m breaking just the same
In the echoes of the ordinary

[Outro]
Softly now, I close my eyes
Gray skies bloom into sunrise
One last breath before I fall
Maybe madness is it all

Gray Skies Bloom

This song, “They All Knew (Trump & Epstein Blues),” is my protest anthem about power, privilege, and silence. I wrote it to expose the web of complicity between Donald Trump, Jeffrey Epstein, and those who enabled their crimes. It’s not just about two men—it’s about the institutions that looked away while young girls were hurt and justice was traded for influence.

I wanted the verses to feel like reading a declassified file—cold facts dripping with truth—while the choruses rise like a collective cry from the survivors. Every “They all knew” is both accusation and lament, a reminder that silence protects the guilty. This one’s for every voice that was ignored, and for the courage it takes to keep telling the truth.


LYRICS:

[Intro]
Melania knows.
Acosta knows.
The victims know.
Palm Beach Police know.
The FBI knows.
They all know.

[Verse 1 – The Introduction]
’99 at the Knicks game lights,
Donald and Melania, date-night smiles so bright.
Epstein in the crowd, Zampolli pulls the strings,
Models, moguls, dirty kings.
“Terrific guy,” Trump laughed on cue,
They drank champagne while the cameras flew.
But behind that flash, the whispers grew,
And the girls who cried — yeah, they knew too.

[Pre-Chorus]
Palm Beach nights, the mansion walls,
Where secrets echo down the halls.
History’s watching, the world in pause,
And justice trembles at the cause.

[Chorus]
They all knew, they all knew,
Trump and Epstein, the chosen few.
Money hides but truth breaks through,
And the lies all fall in view.
They all knew, yeah, they all knew—
Acosta signed, the pain renewed.
They all knew… they all knew.

[Verse 2 – The Deals and Denials]
Maison de l’Amitié, bought in gold,
While Trump’s casino empire sold.
Epstein lost, the friendship broke,
Two devils choking on their smoke.
Acosta’s pen made the nightmare real,
A secret pact, a sweetheart deal.
The girls were silenced, justice too,
And still they smiled for photo shoots.

[Pre-Chorus 2]
Power talks in whispers low,
While victims beg for truth to show.
History’s bleeding through the cracks,
And Epstein laughs—no turning back.

[Chorus 2]
They all knew, they all knew,
Trump and Epstein, the chosen few.
Mar-a-Lago to Fifth Avenue,
They shared a sin the world once knew.
They all knew, yeah, they all knew,
Acosta signed, the pain renewed.
They all knew… they all knew.

[Verse 3 – The Fall]
Stormy storms and Access lies,
“Grab her by the—” on replay twice.
Melania’s gone, that “cooling off” smile,
She knows the secrets stretch for miles.
Then Epstein’s gone, cameras die,
A noose appears beneath the sky.
Maxwell caught, Virginia speaks,
And Trump denies for endless weeks.

[Bridge – The Reckoning]
She warned, “I’m not suicidal,” clear,
Her voice still ringing in our ears.
The pastor falls, the files still sealed,
The cycle spins, the wounds unhealed.
But truth’s a blade—it cuts through spin,
And even kings can’t cage their sins.

[Chorus – Extended Anthem]
They all knew, they all knew,
Trump and Epstein, the chosen few.
Money hides but truth breaks through,
And ghosts still walk Mar-a-Lago’s view.
They all knew, yeah, they all knew,
Melania, Acosta too—
From Palm Beach halls to D.C.’s pews,
They all knew… they all knew.

[Verse 4 – 2025 and Beyond]
Giuffre’s gone, the headlines fade,
The House calls out, subpoenas laid.
Gloria walks, the victims stand,
Demanding truth across the land.
And Trump just laughs, “Old history,”
While bodies fall like prophecy.
But every lie will meet its due,
When justice finds the chosen few.

[Final Chorus]
They all knew, they all knew,
Trump and Epstein, the chosen few.
The girls were children, now they’re gone,
But truth still sings their battle song.
They all knew, yeah, they all knew,
No more secrets left for you—
We won’t forget, we won’t undo,
’Cause we all know…
And now we see it too.

[Outro]
Melania knows.
Acosta knows.
The victims know.
Palm Beach Police know.
The FBI knows.
Trump knew.
Epstein...
They all knew.

They All Knew (Trump & Epstein Blues)

This song is my battle-cry for anyone who’s ever felt pushed to the breaking point but refused to stay down. It’s the sound of chaos swirling around you — sirens, cracked streets, steel skies — and still finding the strength to rise louder, fiercer, and more determined than whatever’s trying to silence you. It’s about surviving the kind of nights that shake your bones and test your spirit, and choosing noise, power, and rebellion over surrender. When I say “louder than doomsday,” I mean letting your voice cut through the wreckage, claiming your space, and proving you’re stronger than the world that tried to crush you. This is for the fighters, the misfits, and the unbreakable ones who scream into the storm and refuse to disappear.


LYRICS:

[Verse 1]
Sirens scream all night
Another fight
Is this the end
I see you bend

[Prechorus]
No surrender
We're a blender
Of noise and fury

[Chorus]
Louder than doomsday
Yeah louder than doomsday
Scream it out
Louder

[Verse 2]
Cracked pavement beneath
Steel teeth
Ripping the sky
Gonna learn to fly

[Prechorus]
No surrender
We're a blender
Of noise and fury

[Chorus]
Louder than doomsday
Yeah louder than doomsday
Scream it out

Louder Than Doomsday

This song is all about celebrating the kind of gratitude that comes from simple joys — the food on the table, the music in the room, the people we love, and the good vibes we create together. It’s that Thanksgiving energy without the pressure: laughing with family, dancing with friends, everyone finding their rhythm and lifting the night a little higher. 

I wrote it to remind us that thankfulness doesn’t have to be serious or quiet — sometimes it’s loud, joyful, silly, and full of groove. It’s about pausing the chaos, skipping the stress, and leaning into the warmth of the moment. This song is my way of sharing that glow with you, and to say that if you’re here with me, vibing along, I’m grateful for you too.


LYRICS:

[Intro]
Ooo-oh, yeah! (woo!)
We’re cookin’ up some gratitude tonight!

[Verse 1]
Got the playlist on repeat,
Turkey’s dancin’ to the beat,
Pumpkin pie is tappin’ feet,
Oh, it’s that thankful heat!

Smiles passin’ ‘round the room,
Laughter lifts the afternoon,
Every flavor, every tune —
Feelin’ blessed, how ‘bout you?

[Pre-Chorus]
We don’t need no fancy crown,
Just good vibes rollin’ all around —
Raise your glass, don’t set it down,
Let’s get thankful now!

[Chorus]
I’m thankful, thankful, baby!
For every little thing you do!
I’m grateful, grateful, crazy —
To spend this groove with you!
Turn the love up louder,
Fill the night with moves —
Yeah, we’re vibin’, thrivin’,
In our Grateful Groove!

[Verse 2]
Mashed potatoes, sweet delight,
Hug your mama extra tight,
Text your friends, “you good tonight?”
Share that thankful light.

No black-Friday stress, no gloom,
Just a love-lit living room,
Everybody finds their tune —
Let’s let joy resume!

[Bridge]
Say “yeah-yeah!” (Yeah-yeah!)
Say “woo-hoo!” (Woo-hoo!)
Say “I’m thankful for this groove!” (I’m thankful for this groove!)
Now shake it like you’re thankful too!

[Chorus 2 / Final]
I’m thankful, thankful, baby!
For every single soul in view!
I’m grateful, grateful, crazy —
My heart’s a feast for two!
Turn the love up louder,
Let the good times prove —
We’re alive, inspired,
In our Grateful Groove!

[Outro]
Yeah-ahh, I’m thankful, baby…
For this groove, and for you.

Grateful Groove

Hank takes the header plugs off and rips up the street on this one. Multi track guitars in unison, huge drums, a killer walking bass line with Hank's double entendre lyrics, by the end of the song we know some of these words might mean something else. Turn it Up is an all out effort and Hank does not disappoint. 

Turn It Up
by Hank Rusch

Turn it, Turn it up
Turn it, Turn it up
Turn the knob all the way to the right
Turn it up babe were gonna rock all night

Well, the drums keep beatin' in my head
and the bass keeps thumpin' like a ton of lead
It's gettin' louder than a house o' chainsaws
Look out!, someone's gonna call the law

C'mon baby want to see you dance
Well, c'mom baby you gotta take a chance
Cause, every eye here is stuck on you
C'mon baby show us what you can do

Oh, Oh, baby get in the groove
Oh, Oh, baby like the way you move
Well, I'm about to blast off like a rocket
Whatever you do, just don't stop it

Baby, you're comin' through the static
Loud and clear so let's get at it

Turn, it up baby...It's gonna, It's gonna be allright
Turn, turn it up baby, we're gonna keep on rockin' tonight
Turn, it up baby, it's gonna be, it's gonna be out of sight
Turn it... ouh!, turn in on, .... turn it, turn it..... Oooooh Look Out!!

Turn it up baby and hold on tight
Cause, I'm gonna take you for the ride of your life
I'm gonna redline the tach, I'm gonna turn in nines
You'll beg me to take you over the finish line

Turn it up, Turn it up baby, Oh! yeah
Turn it up, Turn it up baby, Oh! You got to got to turn it up
Turn it up, Turn it up baby, Oh! You do it so right
Turn, turn. turn it up baby, the way that you do it
It drives me wild

Turn It Up

Turn It Up!

https://soundcloud.com/pop-house-production

Gravity Check is what happens when nostalgia decides to flex.
The beat hit me and instantly pulled me back to that golden 2003 convergence—when Timbaland was bending time, Missy was rewriting rules, Nelly had every summer on lock, and Marcus Houston had every dance floor in motion. It’s that rare frequency where R&B, Hip-Hop, and Pop touched the same sky and made the whole culture move.

And somehow… this beat gave me all of that in the first four seconds.

There’s a certain magic in hearing a sound that feels both familiar and brand-new, especially when most producers today chase trends instead of shaping them.
Pop House Production did the opposite.
HE crafted something that feels cinematic, neon, and undeniably 2000s, but wrapped in a 2025 chrome sheen that only real innovators pull off.
(If you know, you know — and if you don’t, you’re about to.)

“Gravity Check” is rhythm, memory, attitude, and engineering all in one.
A reminder that some of us don’t imitate eras — we resurrect them and upgrade the software.

Enjoy the nostalgia.
Enjoy the glow.   #GravityCheck   #TimbalandVibes
#MissyElliottEnergy
#NellyFlow
#MarcusHoustonVibes
#Early2000sRNB
#ThrowbackEnergy
#HitmakerEra
#CYFR360
#PopHouseProduction
#2000sNostalgia
#2003Vibes
#RNBHipHop
#Y2KVibes
#ClubRNB
#PopHouse
#TrapPop
#NeonAesthetic
#ChromeWave
#BasslineBounce 


GRAVITY CHECK

Fifth track in a suite of tracks inspired by a walk along a wooded river bank in the summer close to where I live. This track explores how the calming sound of the flowing river gives you a chance to contemplate the past. Enjoy. CD

Lyrics by David North:
Peace in my dreams
Sleep at night
Taken away my past for keeps
She went away
Nothing I say
She will never grow old
Story be told

On golden sands I walk upon
Tracks I leave behind
Reflectionsof the life we live
Never to be kind.

On golden sands I walk upon
Tracks I leave behind
The river is the life we live
Never to be kind.

The River is the Life we Live

Tracks I leave behind

This is my idea of a Christmas song :) Love it or hate it. I wish you all a wonderful real Christmas!

XMAS?

All parts by Robert Grigg
Drums By Yamaha Keyboard

One Morning

Para ver el video  https://youtu.be/gzagyN-Xpaw

Para escuchar la versión de estudio  https://soundcloud.com/juan-fco-bueno/necesito-tu-presencia

Para escuchar la versión instrumental https://soundcloud.com/juan-fco-bueno/necesito-tu-presencia-ver-texto

Necesito tu presencia

Ahora que estás a gran distancia
y que mi ser lamenta tu ausencia
es cuando he caído en la cuenta
de lo mucho que me haces falta.

La vida esta vez me ha enseñado
y he de pagar muy caro el ejemplo
que para apreciar lo que tenemos
hace falta que… ¡que lo perdamos!

Estribillo

Por eso mi amor quiero que sepas
que mi vida, si tú no estás cerca, 
no tiene fundamento ni razón
porque necesito tu presencia
para justificar mi existencia
y no sentirme oveja sin pastor.

------------    

Recorro otra vez los mismos sitios
por donde fui feliz de tu mano
pues aunque me produce un gran daño
hace que también sienta un alivio.

La vida esta vez me ha enseñado
y he de pagar muy caro el ejemplo
que para apreciar lo que tenemos
hace falta que… ¡que lo perdamos!

Estribillo

I need your presence

Now that you are far away
and that my being regrets your absence
is when I realized
how much I need you

Life this time has taught me
and I have to pay dearly for the example
that to appreciate what we have
it is necessary that… that we lose it!

Chorus

That's why my love I want you to know
that my life, if you are not around,
it has no foundation or reason
because I need your presence
to justify my existence
and not feel like a sheep without a shepherd.

------------

I go through the same places again
where I was happy with your hand
Well, although it causes me great harm
it makes me feel a relief too.

Life this time has taught me
and I have to pay dearly for the example
that to appreciate what we have
it is necessary that… that we lose it!

Chorus

Necesito Tu Presencia (versión original; ver texto)

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Necesito Tu Presencia (versión original; ver texto)

Juan Fco. Bueno

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