Dazz Deva (voz) y Luis Sanvicente (producción)

Trouble On My Mind (Drunken Logic Cover)

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Drunken Logic - Trouble On My Mind (Drunken Logic Cover)

Para escuchar la versión original https://soundcloud.com/juan-fco-bueno/vente-con-nosotrosversion-original-ver-texto 

Para escuchar la versión instrumental https://soundcloud.com/juan-fco-bueno/vente-con-nosotros-version-instrumental

Vente con nosotros

Me despierta la luz del nuevo día
que a raudales entra en mi habitación
hoy es fiesta, pienso con alegría,
y nos vamos al campo de excursión.

Impaciente preparo mi mochila
y me voy a esperar al autocar:
la mañana nos devuelve a la vida
y la ciudad comienza a despertar.

Estribillo

Vente con nosotros un día al campo
vente con nosotros a disfrutar
de la paz, del sol, de un aire tan sano
que cambia penas por felicidad.

Vente con nosotros, rompe la puerta
donde nos encierran estrés y ansiedad
y serás feliz tumbado en la hierba 
viendo en el cielo a las aves volar.

Vente con nosotros, tú necesitas
olvidar las prisas de la ciudad
sentirte joven cuando acabe el día
reconciliarte con la libertad.

-------

No comprendo cómo puede haber gentes
que destruyen los bosques sin piedad
prenden fuego por sucios intereses
lo que queda aún sin contaminar.

Intentemos que pronto se den cuenta
que en los bosques está la salvación
de un planeta que agoniza y que fuera
lo más hermoso de la creación.

Come with us

The light of the new day wakes me up
that floods into my room
today is a party, I think with joy,
and we go to the field of excursion.

Impatiently I prepare my backpack
and I'm going to wait for the coach:
the morning brings us back to life
and the city begins to wake up.

Chorus

Come with us one day to the country
come with us to enjoy
of peace, of the sun, of such a healthy air
that exchanges sorrows for happiness.

Come with us, break the door
where stress and anxiety lock us up
and you will be happy lying on the grass
watching the birds fly in the sky.

Come with us, you need
forget the rush of the city
feel young when the day is done
reconcile you with freedom.

-------------

I don't understand how there can be people
that destroy the forests without mercy
they set fire for dirty interests
what is still uncontaminated.

Let's try to make them realize soon
that salvation is in the woods
of a planet that is dying and that was
the most beautiful thing in creation.

Chorus

Vente Con Nosotros (Voz Dazz Deva) Ver texto

Ana María fue una persona que sufrió una enfermedad toda su corta vida y que fue un ejemplo para todos, como cuenta la letra de la canción.
Para escuchar la versión con Hugo Iglesias Olmos  https://soundcloud.com/juan-fco-bueno/ana-maria-feat-hugo-iglesias-olmos?si=444fcb32b48842f88055b99d8dff9a05&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Para escuchar la versión instrumental https://soundcloud.com/juan-fco-bueno/ana-maria-version-instrumental
Para escuchar la canción a capela https://soundcloud.com/juan-fco-bueno/ana-maria-ac

ANA MARÍA

No sé bien de dónde podía proceder la luz
y el valor sin miedo que siempre irradiabas tú
aún sabiendo que tu afección no iba bien.

¡Fueron tantos años con esa misma actitud!
la niñez primero, continuó en la juventud 
y en ningún momento la rabia o el desdén.

Estribillo

Te recuerdo Ana María
aferrándote a la vida
a pesar del daño que debiste soportar.

Te recuerdo Ana María
convertida en mi heroína
por vencer en mil batallas a la enfermedad.

-----------

Cuando te decía que compondría la canción
para que la gente supiera toda la emoción
que sentíamos al estar cerca de ti.

Tú me sonreías y, conteniendo el dolor,
con la voz quebrada ponías una condición:
quiero que transmita alegría de inicio a fin.

Estribillo

ANA MARIA

I'm not sure where the light could come from
and the fearless courage that you always radiated
even knowing that your condition was not going well.

So many years with that same attitude!
childhood first, continued into youth
and in no time anger or disdain.

Chorus

I remember you Ana María
holding on to life
Despite the damage you had to endure

I remember you Ana María
become my heroine
for defeating disease in a thousand battles.

---------

When I told you that I would compose the song
so people would know all the excitement
that we felt when we were close to you.

You would smile at me and, containing the pain,
with a broken voice you put a condition:
I want it to transmit joy from beginning to end.

Chorus

Ana María (Ana Mª Arceiz  Bueno, In Memoriam) Modo mixolidio (Voz: Dazz Deva) Ver texto

Para escuchar la versión a capela  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-ac
Para escuchar la versión con MV  https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama
Para escuchar la versión original https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-version-original-ver-texto
Para escuchar la versión instrumental https://soundcloud.com/juan-fco-bueno/al-preguntar-por-mi-mama-version-instrumental

AL PREGUNTAR POR MI MAMÁ

Acostado en su cama
no aparta la mirada
del “señor” que está en la cruz.
¿Quién es él? Solo sabe
que se llevó a su madre
y que se llama Jesús.

Su expresión, que es muy dura,
le roba la dulzura
a su carita infantil
que, a pesar de sus años,
el odio ha dibujado
con un semblante muy hostil.

Señor, al preguntar por mi mamá,
me han dicho que usted se la ha llevado:
que ahora estará en el cielo a su lado
pero que nunca a casa volverá.

Mi mamá era su amiga
pues siempre me decía
que tenía que rezar
y antes de acostarme
y también al levantarme
le tenía que besar.

Pero si ahora no vuelve
yo no sé cómo quiere
que le vuelva a rezar
pues no sé cómo hacerlo
¿no ve que soy muy pequeño
y me tienen que ayudar?

Señor, yo creo que puede aceptar
el trato formal que ahora le propongo:
deje volver a mamá, que estoy solo,
y yo le quito los clavos y se va.

Esperó una respuesta
que nunca le fue hecha
y rendido se  durmió
después que unas lágrimas
regaran sus mejillas 
por la enorme decepción.

When asking about my mom

Lying in his bed
does not look away
of the "lord" who is on the cross.
Who is he? Just know
who took his mother
and who is called Jesus.

His expression, which is very harsh,
steals the sweetness
to his childish face
that, despite his years,
hatred has drawn
with a very hostile demeanor.

Lord, when asking about my mom,
I have been told that you have taken it:
that will now be in heaven by your side
but that he will never return home.

My mom was her friend
well she always told me
I had to pray
and before going to bed
and also when I get up
I had to kiss her.

But if she doesn't come back now
I don't know how you want
pray to her again
well I don't know how to do it
Don't you see that I'm very small
and they have to help me?

Lord I think you can accept
the formal treatment that I now propose:
let mom go back, I'm alone,
and I remove the nails and he goes.

He waited for an answer
that was never made
and surrendered he fell asleep
after a few tears
they water their cheeks
for the huge disappointment.

Al Preguntar Por Mi Mamá (voz Dazz Deva) ver texto

Para escuchar la versión con Sebastian  https://soundcloud.com/juan-fco-bueno/estas-en-tu-sitio-feat-sebastian?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing&si=560e3c95dcb64d0f909123f582d62f0e
Para escuchar la versión original https://soundcloud.com/juan-fco-bueno/estas-en-tu-sitio-version-original-ver-texto
Para escuchar la versión instrumental https://soundcloud.com/juan-fco-bueno/estas-en-tu-sitio-version-instrumental

Dedicada al maestro Jesús Flores, excelente guitarrista mejicano.
/soundcloud.com/jesus-flores-guitarrista

ESTÁS EN TU SITIO

No suenas como yo quiero
y tú sabes bien por qué
no me hablas como yo espero
cuando hundido en mi dolor
voy buscando tu consuelo,
tu presencia, tu calor.

No dejas que yo te abrace
como siempre te abracé
no quieres que me emborrache
con tus notas, tu canción
pues no veo como antes
de tu fuente mi licor.

Quiero que sepas guitarra
que estás en tu sitio:
tu sitio es mi sitio
y en mi sitio tú estás.

Quiero que quieras al piano
como a un buen amigo
pues no es tu enemigo:
sólo viene a ayudar.

Y a ser posible a unirnos
si cabe todavía más:
necesito vuestra ayuda
para mantener mi postura
de honestidad musical.

Me miras con amargura
cada vez que ves volar
sonidos a más altura
que tú los puedes lanzar: 
sientes celos cuando escuchas
elogiar a tu rival.

Quiero que sepas guitarra
que, si él es bravura,
tú eres la ternura 
y los dos sois mi paz.

YOU ARE ON YOUR SITE

You don't sound like i want
and you know well why
you don't talk to me like i hope
when sunk in my pain
I'm looking for your consolation
your presence, your warmth.

You don't let me hug you
as always I hugged you
you don't want me to get drunk
with your notes, your song
Well, I don't see like before
from your source my liquor.

I want you to know guitar
that you are on your site:
your site is my site
and you are in my place.

I want you to want the piano
like a good friend
because he is not your enemy:
he only comes to help.

And if possible to join us
if there is even more:
I need your help
to keep my posture
of musical honesty.

You look at me with bitterness
every time you see fly
sounds higher
that you can launch:
you feel jealous when you listen
praise your rival.

I want you to know guitar
that, if he is bravery,
you are the tenderness
and you are both my peace.

Estas En Tu Sitio (Voz Dazz Deva) Ver texto (Dedicada al maestro Jesús Flores)

Lyrics (Lennon/McCartney)

Hey Jude, don't make it bad.
Take a sad song and make it better.
Remember to let her into your heart,
Then you can start to make it better.

Hey Jude, don't be afraid.
You were made to go out and get her.
The minute you let her under your skin,
Then, you begin to make it better.

And anytime you feel the pain, hey Jude, refrain.
Don't carry the world upon your shoulders.
For well, you know that it's a fool who plays it cool.
By making his world a little colder.

Hey Jude, don't let me down.
You have found her, now go and get her.
Remember to let her into your heart,
Then you can start to make it better.

So let it out and let it in, hey Jude, begin.
You're waiting for someone to perform with.
And don't you know that it's just you, hey Jude, you'll do,
The movement you need is on your shoulder.

Hey Jude, don't make it bad.
Take a sad song and make it better.
Remember to let her under your skin,
Then you'll begin to make it better.

Better better better better better better, oh.
Na na na nananana, nannana, hey Jude...

Hey Jude [The Beatles Cover]

lucky to be 

talking about the cold cold wet winter    		
La Nina is promising to bring us this year   		
You say you don’t like wasting time on such small talk 	
But the weather keeps changing in such big big ways   	
And can you deny the size of those waves  		
Can not deny the size of these waves			

We’re shopping at Big Lots store closing sale
We’re looking for bargains on bargains on bargains
Its so much better than the zoo at the wallyworld
You won’t ever find me there on black Friday
But can you deny the size of those savings
You can not deny the size of those savings

We walked to MacDuff’s for a couple of beers 
We sat in the back while the band set up their gear
We snuck out the side door when they started to play
strolled home hand in hand under the moon in the sky
and can you deny the size of that satellite
I can not deny the size of that satellite
you can not deny
aren’t we 
Aren’t we so lucky to be 

I’m holding you tight under the covers
Here in my arms where you’re cozy and warm
And it doesn’t matter if it’s stormy outside
Here in my arms you can weather the storm
And can you deny the size of my love for you
Can not deny the size of my love for you
You can not deny the size of my love for you

Talking about the cold cold wet weather
La Nina is promising to bring us thing year 
You say you don’t mind the cold dark wet days
As long as together we can weather the storm
And can you deny the size of my love for you
Can not deny the size of my love for you
You can not deny the size of my love for you
You can not deny
Aren’t we 
aren’t we so lucky to be
Yes we’re so lucky to be

Lucky to Be

LoNe WolF - "The Ranger"




Written & Composed By: LoNe WolF


Mixed & Mastered By: LoNe WolF






#scfirst #getmoreplays 












The Ranger [Single]

The Ranger

Scattered

Little Ol Me Remix (Featuring Ruth Reid)

All Music By Me

Green Jello and Animal Control  written by Me and HBIC... Everything else written by just Me

Special Thanks to HBIC, Whitney Porter, Toxic Bros., John Moreland, Joe Marion, Jerk Mama 

Art by kiberstalker (PixaBay)

My Last Day

“Last June” is a heartfelt ballad co-written with my daughter's good friend, Sage. The track captures the tender emotions of a first love and the bittersweet ache of letting go. With nostalgic lyrics and a soft, melancholic melody, the song echoes the simplicity and depth of young affection—anchored in a memory that lingers like a warm summer evening.

Last June

[Intro]
I turned off the noise, let the silence in
Stepped outside and let the real life begin

[Verse 1]
No more headlines shouting through my phone
No more scrolling while I sit alone
I found my smile in a puppy’s face
Chasing tails in the backyard space

[Chorus]
It’s the simple things that make me whole
Like a child’s laugh or a heart-felt goal
Not a screen or a stream, just love on display
Watching the world in a natural way
I feel alive, I feel so free
The simple things mean everything to me

[Verse 2]
We played old board games on the porch that night
Fireflies dancing in soft twilight
Kittens curled up on my open lap
Kids spinning stories, sharing snacks

[Chorus]
It’s the simple things that make me whole
Like a child’s laugh or a heart-felt goal
Not a screen or a stream, just love on display
Watching the world in a natural way
I feel alive, I feel so free
The simple things mean everything to me

[Bridge]
Now I see the blessings in the mess
The messy joy, the sweet unrest
The little hands, the muddy feet
They bring me joy no post could beat

[Chorus]
It’s the simple things that make me whole
Like a child’s laugh or a heart-felt goal
Not a screen or a stream, just love on display
Watching the world in a natural way
I feel alive, I feel so free
The simple things mean everything to me

[Outro]
So I’ll stay here where the real things grow
With wagging tails and hearts that glow
Turn off the noise, and just be me
In the moment, wild and free

The Simple Things

About trying not to complicate or over think things....today it would probably be called "mindfullness" ... although  "carpe diem" says it better :)

For the Moment

Para escuchar la versión original https://soundcloud.com/juan-fco-bueno/a-las-seis-de-la-manana-version-original

Para escuchar la versión instrumental https://soundcloud.com/juan-fco-bueno/a-las-seis-de-la-manana-version-instrumental

Producción: Luis Sanvicente
Voz: Dazz Deva

A ti, que cuando suena el reloj
sientes las garras de la pereza;
que abres las calles igual que yo 
cuando aún vigilan las estrellas.

A ti, que nunca escuché tu voz
aunque te conozco desde siempre;
que te veo con frío y calor 
pero seguimos estando ausentes.

A ti, quiero pedirte un favor:
que me dediques una sonrisa
por la mañana si, en tu opinión,
no tengo que ver al oculista.

Estribillo

A las seis de la mañana
casi no veo corbatas
ni uniformes salvadores
ni cochazos ni sotanas.

A las seis de la mañana
veo sólo a los obreros:
unos marchan y otros vuelven
silenciosos por el sueño.

A las seis de la mañana
¡ay! qué bien se está en la cama
sobre todo cuando tienes
bien cubiertas las espaldas. 

----------------    
	
A ti, que tienes que trabajar
en la rutina, sin motivarte;
que estás sin fuerza para luchar
contra los que quieren explotarte.

A ti, que vives con la ilusión 
de que un día cambiará tu suerte;
que los fines de semana son
los que mantienen viva la fuente.

Estribillo

AT SIX IN THE MORNING

To you, that when the clock rings
you feel the claws of laziness;
that you open the streets just like me
when the stars are still watching.

To you, who never heard your voice
although I've known you forever;
I see you hot and cold
but we are still absent.

I want to ask you a favor:
give me a smile
in the morning yes, in your opinion,
I don't have to see the eye doctor.

CHORUS

At six in the morning
I hardly see ties
nor rescue uniforms
neither cars nor cassocks.

At six in the morning
I see only the workers:
some leave and others return
Silent by sleep

At six in the morning
Oh! how good it is in bed
especially when you have
their backs well covered.

-------------------

To you, you have to work
in the routine, without motivating you;
that you are without strength to fight
against those who want to exploit you.

To you, who live with the illusion
that one day your luck will change;
that weekends are
those who keep the fountain alive.

I want to ask you a favor:
give me a smile
in the morning yes, in your opinion,
I don't have to see the eye doctor.

CHORUS

A LAS 6 DE LA MAÑANA (VOZ DAZZ DEVA) Ver texto

Para escuchar la versión cantada por MV  https://soundcloud.com/juan-fco-bueno/b23848eb-fa1b-436d-8205-eae79673576b
Para escuchar la versión original https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira-version-original-ver-texto
Para escuchar la versión instrumental https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira-version-instrumental
Para escuchar la versión a capela  https://soundcloud.com/juan-fco-bueno/y-me-parece-mentira-ac
Producción: Luis Sanvicente
Voz: Dazz Deva 


 Te veo y no lo puedo creer:
 detengo mis ojos en tu cara
 intentando encontrar la mirada
 que ayer tanto me hizo padecer
 y descubro al instante el presente
 que penetra con fuerza en mi mente
 destrozando tu imagen de ayer.

 Te observo y no consigo entender:
 creía reciente aquel verano
 salpicado de amores tempranos
 teniendo la luna como juez
 y la llama de mis ilusiones
 que forjó mis primeras canciones
 en lo más profundo de mi ser.  

 Comparo, y me parece mentira, 
 la frescura que en estos recuerdos
 aún perdura y la inadvertida
 pero brutal distancia que el tiempo, 
 con su vuelo, ha puesto en nuestras vidas:
 todavía conservo el perfume
 de aquellas mañanas de estío
 y el sabor amargo del desprecio
 socavando el alma de un crío.  

 Recuerdo y soy tu esclavo otra vez:
 navego en los mares de tus ojos
 inundando la noche de gozo
 sembrando esperanza por mi piel
 pero arribo a tu puerto y zozobro
 y mi gozo se torna en sollozo
 al oír que no hay nada que hacer.

 Comparo, y me parece mentira,
 la frescura que en estos recuerdos
 aún perdura y la inadvertida
 pero brutal distancia que el tiempo,
 con su vuelo, ha puesto en nuestras vidas:
 ¿quién no guarda la risa o el llanto
 de aquel primer beso de ensueño?
 risa para el que apuró buen vino
 llanto el que brindó con veneno.

AND IT SEEMS TO LIE

I see you and I can't believe it:
I stop my eyes on your face
trying to find the look
that yesterday made me suffer so much
and instantly discover the present
that penetrates my mind with force
destroying your image of yesterday.

I watch you and I can't understand:
I thought that summer was recent
dotted with early loves
having the moon as judge
and the flame of my illusions
that forged my first songs
in the depths of my being.

I compare, and it seems a lie,
the freshness that in these memories
still lingers and the unnoticed
but brutal distance than time,
with his flight, he has put in our lives:
I still have the perfume
of those summer mornings
and the bitter taste of contempt
undermining the soul of a child.

I remember and I am your slave again:
I sail in the seas of your eyes
flooding the night with joy
sowing hope for my skin
but I arrive at your port and I capsize
and my joy turns to sobs
upon hearing that there is nothing to do.

I compare, and it seems a lie,
the freshness that in these memories
still lingers and the unnoticed
but brutal distance than time,
with his flight, he has put in our lives:
Who does not keep laughing or crying
of that first dream kiss?
laugh for the one who drank good wine
crying the one who toasted with poison.

Y ME PARECE MENTIRA (VOZ DAZZ DEVA) Ver texto

Me llamo Juan Francisco Bueno Olóriz, soy músico, compositor, letrista y toco la guitarra y el piano. Desde niño me ha gustado componer la letra y la música de mis canciones, primero de forma autodidacta y poco a poco de forma profesional, después de mucho esfuerzo y estudio. 

Mi titulación en el Conservatorio Superior de Música de Zaragoza (España) es de profesor superior de Pedagogía Musical. Tengo estudios de armonía, contrapunto, fuga, composición, arreglos musicales y además he sido profesor de Estética, Historia de la Música, de la Cultura y del Arte en los conservatorios de Tudela y Tarazona (España)

Mis canciones las han cantado artistas de la talla de Luana Ruff, Sebastian, Jesús Lainez,  Manuel Palomino, Joelblesseddd,  Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente o Carmen París y trabajo con grandes profesionales como el pianista José María Berdejo, el saxo Maiker Rivero, el guitarrista Nacho Abril, el chelista Pablo Baleta y el ingeniero de sonido Juan Miguel Sánchez en el estudio de grabación SIN/CON/PASIONES.

También he compuesto música para videos y documentales, fugas, invenciones, imitaciones canónicas, música modal etc. 

2014: semifinalista en el International Songwriting Competition (ISC)
2023: Special Prize en el 2nd ISAC International Popular Music Composition Competition
 2023: Gold Prize en el Franz Schubert International Music Competition en la categoría de Composición Original.
2023: Second Prize en el Vivaldi International Music Competition en la categoría de Composición Original.
2023: Absolute First Prize in The Bach International Music Competition en la categoría de Composición Original.
2024: Third Prize at the Dubai ProMusic Competition en la categoría de Música Clásica Original.

My name is Juan Francisco Bueno Olóriz, I am a musician, composer, lyricist and I play the guitar and piano. Since I was a child I have liked to compose the lyrics and music of my songs, first as a self-taught person and little by little as a professional, after a lot of effort and study.

My degree from the Conservatorio Superior de Música de Zaragoza (Spain) is as a higher professor of Musical Pedagogy. I have studied harmony, counterpoint, fugue, composition, musical arrangements and I have also been a professor of Aesthetics, History of Music, Culture and Art at the conservatories of Tudela and Tarazona (Spain)

My songs have been sung by artists such as Luana Ruff, Sebastian, Jesús Lainez, Manuel Palomino, Joelblesseddd, Paco Cuenca, Mara Oldfield, Dazz Deva, Ana López Lorente or Carmen París and I work with great professionals such as the pianist José María Berdejo, the saxophonist Maiker Rivero, the guitarist Nacho Abril, the cellist Pablo Baleta and the sound engineer Juan Miguel Sánchez in the recording studio SIN/CON/PASIONES.

I have also composed music for videos and documentaries, fugues, inventions, canonical imitations, modal music, etc.

2014: Semi-finalist at the International Songwriting Competition (ISC)
2023: Special Prize at the 2nd ISAC International Popular Music Composition Competition
2023: Gold Prize at the Franz Schubert International Music Competition in the Original Composition category.
2023: Second Prize at the Vivaldi International Music Competition in the Original Composition category.
2023: Absolute First Prize in The Bach International Music Competition in the Original Composition category.
2024: Third Prize at the Dubai ProMusic Competition in the Original Classical Music category.

Vente Con Nosotros (Voz Dazz Deva) Ver texto

Juan Fco. Bueno

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