La civilisation de la graine

Enquête Païenne

adieu adieu

(em) back to balance 
a gate in the (c) day

(em) Ten of Swords
at the end of a (c) play

(g) (the) purpose of the (c) cross
(g) (the) pain of our (c) Lord

(g) I don’t know what I’m (c) doing 
or not (bm) doing, of (am7) course

(f) how to get back – (g) back to where? back to where?
(f) how to get back – (g) back to where

thy (c) plaintive (g) anthem (f) fades
(c) adieu (g) adieu (f) adieu
in (c) those next (g) valley (f) glades 
and (c) you and (g) you and (f) you

love to drift
through the clouds

far above
the worlds below

(the) blood of the lamb
(the) promise of the seed 

I don’t know what I’m thinking 
or not thinking, indeed

how to get back – back to where? back to where?
how to get back – back to where

thy plaintive anthem fades
adieu adieu adieu
in those next valley-glades 
and you and you and you

clock the seconds 
afore they go

reconnect 
to the flow

tender is the night 
on a winding mossy way

in love with easeful death 
yet still wanting to stay
how to get back – back to where? back to where?
how to get back – back to where

thy plaintive anthem fades
adieu adieu adieu
in those next valley glades 
and you and you and you

split the heart
of the tree

divided self 
one, two, three

(the) nightingale’s repose 
her last song on the air 

I don’t know why I’m sensing 
but not seeing the rose 

how to get back – back to where? back to where?
how to get back – back to where

thy plaintive anthem fades
adieu adieu adieu
in those next valley glades 
and you and you and you (et vous et vous et vous)

(fade out on adieu adieu adieu x 3)

NB
(uses some lines and variation of lines from Keats's Ode to a Nightingale: 'thy plaintive anthem fades'/ 'adieu adieu'/ 'next valley glades' / 'tender is the night' / 'winding mossy way' / 'in love with easeful death')

TASCAM DR-05

adieu adieu

Passion Classical

Composed 2016 for Good Friday service

It includes i.a. a theme of the song "am Kreuz" "at the cross" by my good  musician friend Sabine Weber 

Passion

The Funky Kaiju

Drum Beat 2

A nocturne that unfolds in a romantic and mysterious atmosphere through the use of melodic variation.

Nocturne In G Sharp Minor

Midnight Ride

Sous la Pluie

"Silk & Synth" is an instrumental expedition mapping the geography of the soul. Hant Studio weaves together the organic warmth of traditional instruments—Handpans, Tablas, and Qanuns—with the cold, hypnotic precision of digital processing and deep sub-bass.

The Journey: The album is structured as a circadian loop, guiding the listener through four distinct states of consciousness:

☀️ The Flow (Day): Vibrant Indian fusion and organic house rhythms to awaken the mind.

im The Mirage (Twilight): Granular textures and warping realities as the sun sets.

🌑 The Void (Night): Dark Arabic ambient and ritualistic drones for deep introspection.

✨ The Return (Dawn): Epic orchestral fusion and crystal chimes signaling a new beginning.

Functional Use: Recorded at a heartbeat tempo (60-75 BPM), this album is an ideal companion for Deep Work, Yoga Flow, Meditation, or introspective travel.

Credits: Produced by Hant Studio. Genre: #EthnoChill #WorldBass #OrganicHouse #Psychill #Downtempo

Morning Algorithm

A brand new improvisation. Quiet and minimalistic. It's pre- Christmas time in Germany. I am slowly getting into a slower mood. Too much work this year. Too many projects and thoughts. Time to unwind. This one might help. Please enjoy! If you want to read more, please follow me on Substack (dot com. 

Improvisation_181225_Keep Moving

Mi primera canción, 1990, interpretada a dúo con mi PC (bajo y percusión) y grabada con el móvil en 2012. Nada de mezclas, masterizado, corta-pegas ni trucos: considérese un directo. Ver también los dos magníficos vídeos promocionales en youtube.
My first song, 1990. Played on duet with my PC (bass & percussion), and recorded on a smartphone in 2012. Nothing about mixing, mastering, copy-pastes, nor tricks, consider it a live piece.
Please try piano version:https://soundcloud.com/esemanolain-ruizzo/que-facil-decir-piano-version
Watch also the two magnificent promotional videoclips on youtube.

Lyrics/Letra:

Qué fácil decir,
no quiero seguir.
Que fácil decir,
no quiero sufrir.

Que fácil decir,
no quiero morir.


Qué fácil hablar, 
hablar sin parar.
Qué fácil pensar:
“Esto no va a más.”

(oh, nena!)
Qué fácil cantar
si no estás aquí.

Qué fácil decir (No quiero sufrir)

We hope you enjoy this instrumental version of our song Rise.  It may surprise you to know that, other than the computer-generated drum sounds,  there are no keyboards or synthesisers: all of the sounds were created with electric and bass guitars!

*** VIDEO NOW ON YOUTUBE ***
https://youtu.be/9hQ8DbjOXzw

Rise  (Instrumental)

Rise - (INSTRUMENTAL)

Pianist, composer & arranger. https://juandiegofidalgo.com/
I completed higher studies in classical piano at the  “Conservatori Superior de Música del Liceu" in Barcelona.  My background encompasses many different styles, and has allowed me to develop my own talent as arranger and composer.  I have worked as an accompanist in the classes of prestigious musicians and I regularly perform in recitals for voice or for piano and choir,  I have been part of several chamber ensembles, performing an extensive catalogue of works and authors from the Renaissance to the 20th Century.  I have combined my work as accompanist and classical pianist with the piano parts / musical direction of numerous musicals and other productions. You may also want to check my YouTube channel and Score Exchange profiles for video scores of most of my compositions and arrangements of other authors' works.

Nocturne In G Sharp Minor

Juan Diego Fidalgo