Follow Baarz on Soundcloud : https://soundcloud.com/baarzx

ElHase - Confusion (Baarz Remix)

Aquí os dejo mi cuarto set de Breakbeat. Espero que os guste tanto como a mí. Viene cargado de temazos de artistas como Urbano, Aggresivnes, Basstyler y muchos más.
Gracias a @Undergrafik por las portadas tan guapas que hace siempre.

Grabada con unos xdj1000mk2 

POWAH - BREAKBEAT SET VOL.4

Aquí os dejo un nuevo set llamado Bongo Bounce, el cual ha sido grabado a tres platos, 2 xdj1000mk2 y 1 xdj700. Espero que os guste y lo disfrutéis tanto como yo al hacerlo. Y si queréis compartirlo me haríais muy feliz.💕✨

POWAH - BONGO BOUNCE

funny L.p. homesession with friendzZ and special guest >Sub-Marin< from >Hypnotic revelation< soundsystem : )
a second mix on this evening wos recorded
chapter2--> https://soundcloud.com/jugiexo/rascal-jam-distorted-perception-mix-chapter2-sub-marin-exilant
Sub-Marin--> https://soundcloud.com/sub-marin-hypnotic-revelation

rascal jam distorted perception mix chapter1  - exilant & Sub-Marin

          austrian Dj s Speckno, Dani23, Minista
           
           ITALY-STAGE-DangerSoundCollektiv
                          
                           on albaniatek 2023

Albaniatek 2023 sunset tekno,tribe set

Arakneed - Nono Marmandmix (1999).mp3

THE 1NCAST nr. 82 - Reflect

TRACKLIST:
1. Luis Ruiz - Draco Sit
2. Christian Morgenstern - Throb
3. Alexander Johansson - Menace
4. Dold - Smile
5. Obscurum - Solut
6. Oxygeno - Run Far Away
7. Schwefelgelb - IO
8. Underground Resistance - Infiltrator
9. Doileir - Zenith
10. Mani Festo - Night Drive
11. Stitch - Screwface
12. Inigo Kenedy - Machine
13. Stephen Mahoney - Stopwatch
14. Andres Gil - Ambiguous
15. Roll Dann - The Mouth
16. CJ Bolland - The Digger (Reflect edit)
17. Endlec - Fortification
18. Lars Huismann - Orbital
19. Secus - Rats!
20. Unwucht - Wasp (Reflect edit)
21. Choose Nervous System
22. Drax - Prosphene
23. Tesox - Go Ahead London
24. Fast Floor - Plight Of The Innovators
25. Q Project - Champion Sound (Alliance Remix)
26. Anmon - Bassfatigue
27. The Dj Producer - The Biggest Rave On Earth
28. Digital & Spirit - Phantom Force (Fracture Astrophonica Edit)

More info Reflect:
@djreflect
https://www.instagram.com/reflectdj/
https://www.instagram.com/rawmaterialtechno/
https://www.instagram.com/rflctrecords/

THE 1NCAST | #82 | Reflect

Epidemia/MATC-vinyl-cutout

THE 1NCAST nr. 83 - Ignite

TRACKLIST:
01 93SOVAGE - Wrong Portal
02 Furfriend - Geck (Perc Remix)
03 Tymon - Godless
04 Inhalt Der Nacht & Echoes Of October - Das Gift
05 Somewhen - Recharge
06 Analect - I Wanna Go Hard
07 DLV - Deimos
08 Hel.IV - Their Guilt
09 GØWTHER - Mirror’s Edge (Rezystor Remix)
10 KSMS - Sunctioned Souls
11 Crystal Geometry - Wildfire
12 Kiki Solvej - Heute Nacht
13 Whøman - Flowers Grow on Graves Too (Drown)
14 Sidephex - War On Demand
15 Dr. Gaertner - Primal
16 Resonance - Purple Mass (Unconformist Remix)
17 Noise Not War & Turro - Vergessen
18 Axciid - Inner Essence

More info Ignite:
@ignite303
https://www.instagram.com/jill_ignite/
https://www.facebook.com/ignite30303

THE 1NCAST | #83 | Ignite

La Vie à 2 - Manu Chao (Laton Raver Remix)

Limited edition 12" blue vinyl available on kkone.bandcamp.com

Atlantik Tribe EP

KK1 - Inviktus (A1 Peur Bleue 19)

The point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against. 

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UNCUT!
only Live recording, so there's N0 stop-and-go process. (older Tracks excluded)

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 -focus without goal-
oldschool Tekno, Hardtek, Tribe, Hardcore, Darkcore, Techstep, Darkstep, drum&bass, 303, melancholic / HardTechno eaven UndergroundTechno. industrial touch!!!


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.....https://www.youtube.com/watch?v=HWSEIwoSeLI.....
.........short lucky successful scratch demo..........

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genre: 	Tekno, Free Tekno, Teknival
scene: 	Techno  (born in Detroit)
Tekno - 	early 90s

Hardtechno is the official music genre of rave culture. about raves - real raves 

The raves in the UK in the early 90s were free, renegade, seasonal, and run by ontological anarchists armed with the philosophical weapons of Hakim Bey and Robert Anton Wilson. In the winter months they broke into empty warehouses and occupied them for the night (rave culture loves recessions -- it means more unused urban spaces). In the summer they organized roaming flash mobs to crash police barricades and set up in farmer's fields. They rarely asked permission. What they were doing was illegal so they had to keep moving, and what developed from this radical hedonism was the concept of the mobile soundsystem.

Often situated on the back of flatbed trucks (what the Brits would call lorries) and caravans, the mobile soundsystem became the key to the rave experience. If the rave got busted or shut down by the cops or an angry farmer with a gun, the soundsystem packed up, moved over to the next field, and unloaded the party again. Repeat all night (or week) as necessary or until the drugs wear off. ^^  There were no cell phones or Internet back then so people were kept in the know via pirate radio stations and secret info-lines (ie: recorded messages on telephone answering machines).

These soundsystems had names like the rave promoters of yore -- Spiral Tribe, Bedlam, DiY, Circus Warp, Adrenaline, Rough Crew -- and it was these soundsystems that became famous in their own right. The people would locate where their favorite soundsystem was playing on a given weekend and then track it down like rock groupies. It's probably a weird concept to fanboys of certain DJs or producers (or even labels or promoters, you corporate whore), but the point of early raves was never personal fame or glory for anyone. No single person mattered. It was the system that mattered. And it was the system they fought against.

The organizers and owners of the soundsystems aimed to reclaim public space and occupy them as Pirate Utopias. Being more political-minded and radicalized, they looked nothing like their friendly Acid House forebears: Skinheads wearing jackboots, camo pants and combat fatigues. They had to look scary -- they were the promoters, owners, drug dealers, DJs, and security of their own parties. Just because these are free parties doesn't mean you are free to do anything.

And the music? The music was mostly produced live on the fly, like jam bands at Grateful Dead festivals. It was cheap, simple, disposable, looping thumping Techno music that went on for hours with no break; (today its different cause many analogue homestudios existing) blistering fast with an abrasive industrial edge, squealing 303s, a sample or two, and terrible sound mixing/mastering. This lo-fi grungy filthy Techno was the punk rock of electronic music. It was never called Hard Techno until years later, before Hardcore got its act together.

The free rave scene finally reached critical mass at the infamous Castlemorton festival from May 22-29, 1992. A rave that lasted seven days with an estimated 100,000 people in attendance. All aforementioned soundsystems were there. It was the rave to end all raves, a worse-organized, more anarchic catastrophic Woodstock. And like Woodstock many old Brit DJs and producers today will tell you that they were there when they probably weren't (and if they were, they're not supposed to remember anything anyway). Even still, everyone who went insists that it was wicked.


Castlemorton (allegedly)
The Authorities had had enough. Thirteen members of Spiral Tribe were arrested and after a long show trial the UK government passed the Criminal Justice Act of 1994, outlawing all raves (or what it called "any party that plays music with repetitive beats") and beefing up law enforcement to take the problem seriously.

Essentially the bill singled out and outlawed certain lifestyles -- specifically the "techno traveler" kind. The leftover members of Spiral Tribe and other soundsystems fled the country in voluntary exile, and they are still around today as the Free Tekno scene, a traveling circus that backpacks around Europe throwing free parties or Teknivals.


What a Teknival might look like. That smoke in the distance might possibly be tear gas. Teknivals get raided a lot. You're not a real participant in this scene until your party gets busted by the Police and you have to outrun the dogs.
Back in the UK the rave scene decided if it wanted to survive it had to go legit and comply with the laws. 1994 is a pivotal year: Everything after this year is safe, boring, and club-friendly, making shitty Eurotrance music for grandmothers and 8-year-olds, the edges completely smoothed out of what was not just a vibrant and revolutionary form of music but a lifestyle and culture.

Finding music of the very early free party scene is actually quite tricky because not a lot of it was recorded or pressed to wax (or, that is, not a lot compared to how much was made live in dozens of raves every weekend for years). And what music I do have was released well after the rave scene was crushed. And it's kind of hard to catalogue music that has no name, no label, no artist, no identification. It is Temporary Autonomous Zone music -- it exists only where it is needed, which is at a free rave. Not a music guide.
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........../'/.../..../......./¨¯\
........('(...´...´.... ¯~/'...')
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..........''...\.......... _.·´
............\..............(
..............\.............\... SysteM
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I started enjoy freepartys 2005. 
Since then I hardly want anything else. its the Tekno family.
The first Tekno artists/systems/labels my brain picked up: 
wako, sp23, ifp, lego, nw23, circus alien, teknambul, 69db, wakuum, mem pamal, heretik, dsp, crystal distortion, metek, teamtrash, matu, fky, msd, okupe, 9mm, banditos, micropoint, turbotek, ben tetrips, x-tech, adam vandal, suburbass, utopeak, desert storm, co2, capsule corp, asystematik, lsdf, infrabass, arobass, foxtanz, aristocrad, hocus-pocus, zone33, alchymist, triphaze, uniko, Acid Anonymous,  jeff23, vinka, hujer maslo, R4G3, labo14....



____________________________
TEK TODAY MAYDAY
____________________________
know how it works
but don't understand it
____________________________
origin unknown
not recognized
____________________________
stand for something
don't know for whom
____________________________
the genuine underground
never recorded as a copy
____________________________

rascal jam distorted perception mix chapter1 - exilant & Sub-Marin

Exilant