Good Morning To The Night - out 16th July
Pre-order the vinyl with Limited Edition Artwork  (& Free MP3 album now): http://bit.ly/KNnIY3
Pre-order the standard album: http://www.eltonjohnversuspnau.com
http://www.youtube.com/user/EltonVersusPnau
Sign up to the mailing list: http://bit.ly/J5dDIA

MIX SETS & ORIGINAL RECORDINGS:
www.damienosborne.com/mixes-2

MUSIC PRODUCERS BLOG (GLOBAL):
https://www.facebook.com/groups/MusicProducersBlogGlobal

GIGS:
www.damienosborne.com/gigs


Damien Osborne has come from old school raver to new school eclectic flavour. Inspired by prolific artists from the 90's rave scene like 2020 soundsystem, Slipmatt and DJ Edge, he has begun melting all those great sounds and memories into his alchemists pot to produce something that closely resembles gold.

"There was a time when all the people would come together as one mind and collective, that's what those rave parties were all about. People would forget all their fear, anger, hate and just dance together and be free.. So let's bring that back!" 

Peace, love, ecstasy

♥♥♥

It was back in 2004 when Miss Connie and Angus McDonald started making beautiful music together. A series of singles at first then, in 2006, their self-titled, 3 x platinum debut album.  Spearheaded by a spectacular salvo of chart topping hits – UFO, PICTURES and I LOVE IT – Sneaky Sound System won ARIA Awards for Breakthrough Artist and Best Dance Release, the first of 14 nominations to-date.

Second long-player and #1 album 2 arrived in 2008 with yet more dancefloor slayers in the form of KANSAS CITY, WHEN WE WERE YOUNG, and the #1 UK club smash IT'S NOT MY PROBLEM. In 2009 I WILL BE HERE, a collaboration with Dutch superstar DJ Tiesto, took Sneaky to the top of both the US dance airplay and UK club charts.

In late 2011 album number three, FROM HERE TO ANYWHERE, arrived, the title referencing its creation in hotel suites, planes, and studios around the world from here (Sydney) to just about everywhere (London, Paris, Ibiza, Moscow). Accolades from critics around the world flowed: MTV called it “an incredible effort” and Sydney’s Daily Telegraph said it’s “a delicious feast of world class dance-pop songs”. A nomination in the prestigious 2012 International DJ Awards in the Live Performance category underscored their escalating international reputation.

In the swirling midst of albums and tours, Connie lent her vocals and lyrics to albums from superstars Jay-Z, Kanye West and Snoop Dogg, and in 2013 she was a guest mentor on Australia’s biggest TV show, The Voice. Later that year, in a News Limited poll of musicians and critics to determine Australia’s greatest all-time singers; Connie came in at no. 18.

And then of course there’s SNEAKY SUNDAYS, the beloved club night they have been running for over 15 years in Sydney and, for four years, at the world renowned Mykonos landmark, Scorpios. It’s a celebration of house music, from slow chugging disco burners to groove laden techno stormers…where you always feel like you’re in the middle of summer. The past few years have seen Sneaky releasing music more akin to the sound of these weekly parties, like SUMMERTIME MADNESS, ALL I NEED IS YOU, and I AIN'T OVER YOU.

2017 saw Sneaky Sound System release underground club tune DO YA THING and, in September, fresh reworks of the mega-smash PICTURES flew into the upper reaches of the ARIA Club Chart, spending four weeks at #2. In March 2018, new remixes of I LOVE IT followed, reaching #3 on the ARIA Club Chart.

In 2018 CAN'T HELP THE WAY THAT I FEEL was released on the venerated UK dance label Cr2.  It reached #1 on both the UK Music Week Club Chart and the Beatport Global House chart, and #2 on the Beatport main (combined) chart. It remained in the top 40 for well over a year and UK national radio, including BBC Radio 1, widely supported the track with over 1900 spins.

The single WE BELONG arrived in mid-2019, followed later in the year by RAISE, a collaboration with hot French DJ/Producer Watermat. Sneaky Sundays became Sneaky Saturdays as Bali hotspot Mrs Sippy became the spectacular location for Sneaky’s much-adored weekly party during July-September.

Angus and Connie are currently back in their Bondi studio - expect more releases during the year - and a return to Mrs Sippy Bali for their weekly parties. And, as always, they’ll be touring extensively, captivating audiences at festivals and clubs around Australia and the world.

SEND ME YOUR MUSIC! Love to play new music :D

DJ Bookings > ali@warmagency.com

Initially established in 2003 at The Eagle in London’s Vauxhall, Horse Meat Disco has evolved into a powerful force in queer and club culture as a whole, while staying local to its original home, each and every Sunday. Co-founded by James Hillard and Jim Stanton, and encompassing residents Severino and Luke Howard, the crew continue to maintain not only the weekly Sunday party, but a number of residencies in cities across the world, alongside a kaleidoscope of club appearances, festival dates and specially curated mixes.

Taking inspiration from a diverse, counter-cultural history of clubs and DJs, as well as from the sprawling, ever-expanding musical collections of it's resident crew, the sound of HMD is impossible to place. Nonetheless their style is undeniable, as is a popper-scented air of sheer authenticity. Rooted in hedonism, rhythm, freedom and emotion, a Horse Meat Disco set reinforces everything invigorating about disco, as comfortable as shattering old-school mirror ball cliches as basking in their light.

A typical HMD set blends classics, italo disco, house, oddities and punk funk, to conjure their initial spirit of “a queer party for everyone”, including, but not limited to, “Homos and Heteros, club kids, bears, fashionistas, naturists, guerilla drag queens and ladies who munch.” They have made appearances on every notable club scene in the modern world, as well as those beyond, and have long been a key fixture at festivals including Glastonbury, Bestival and Festival No.6.

Outside of the club, the Horse Meat Disco train rolls across the airwaves on Rinse FM, where the crew hold down a weekly residency every Sunday afternoon, serving as a pre and post-club Sunday lunch accompaniment, often delving into the more soulful shades of their sublime taste, often encompassing rave groove, gospel and whatever they can’t get away with on the dancefloor (which, as the years have proven, isn’t much). A series of expertly curated and acclaimed compilations for reissue label Strut helped further cement HMD’s formidable but communal reputation as disco masterminds, spreading their sound and many enviable obscurities into front rooms and record bags across the world. Their latest, ‘Meat Me Down the Disco’, was released on Z Records in 2017.

After decades of crate digging, globetrotting and partying, the HMD story continues apace. 2017 also saw the crew record their long-awaited contribution to BBC Radio 1’s ‘Essential Mix’, as well as their first joint foray into production, ‘Waiting For You To Call’, featuring Roy Inc., and released on their own, self-titled imprint. They are currently working on new music to be released with Glitterbox, with the new single ‘Let’s Go Dancing’ released in December 2018.

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