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The Marginalia Review of Books is an international, open access review of literature along the nexus of history, theology, and religion. MRB examines, critiques, and illuminates the traditions, institutions, discourses, and practices of religions and their believers. We aim to connect the academic and public worlds by providing an intellectually rich and broadly accessible conversation that does not merely summarize previous work but contributes new ideas.

23/11/2019 – STAUB ://about blank, BER

28/04/2019 – FluxBau, FluxFM, BER
13/04/2019 – STAUB ://about blank, BER
10/04/2019 - Kunstfabrik Flutgraben, BER
04/04/2019 - LATITUDE #dasoforever, BER
01/03/2019 – secret location, BER
03/11/2018 – Griesmühle, BER
01/11/2018 – DISCO TRAIN, crack bellmer, BER
27/10/2018 – STAUB ://about blank, BER
23/10/2018 - speculative brutalims N4, BER
29/09/2018 – Paloma Bar, BER
02/09/2018 – DATATOPIA, Floating University, BER
04/08/2018 – Coconut Beach, FMO
26/05/2018 – BELVEDERE, Castelfiorentino, ITA
01/05/2018 – Farbfernseher, BER
29/03/2018 – VELT Studios, BER
24/03/2018 – HRD, BER
01/03/2018 – Filterhouse, BER
23/02/2018 – STAY! AZ, CGN
18/02/2018 – Griessmuehle x, BER
19/01/2018 – Schurkenkeller, BER
25/11/2017 – STAUB ://about blank, BER

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Antifascist Breakfast Club


booking: daniel@drosssel.de

Bowls:
Beate Uwe, Bucht der Träumer Festival, Das Werk (A), Entropie Festival, Fusion Festival, Garbicz Festival (PL), Katzensprung Festival, Kauz (CH), Klunkerkranich, Mensch Meier, Ostxxx, osxxnd, Proton Club, Rummels Bucht, Sa Terza Metari (IT), So&So, Tübinger Lichtenstein, Villa Kunterbunt (CH), Zuckerzauber
……………………………………
Spoons: @lasse_lambretta & @lsdaensen

Rooted in Berlin, Britta Arnold channels the city’s boundless creativity and ever-evolving energy into her music, which reflects her surroundings—diverse, grounded, and always forward-thinking.

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