Mood

Classique

Piano Gods & Goddess

Inspiration

Soul Flame 82>>>

classic and piano and more

Written by Blake Ewing
Performed by Blake Ewing with cello performances by Craig Hultgren
Album art by Matthew Salleh and Rose Tucker

Spotify: https://open.spotify.com/album/6pyl44xfQwbJRWeImzhCPj?si=e4aca961eded4a88
Apple: https://music.apple.com/us/album/we-dont-deserve-dogs-original-motion-picture-soundtrack/1566426258

Film, CD, vinyl: https://www.wedontdeservedogs.com

We Don't Deserve Dogs (Original Motion Picture SoundtracK)

We Don't Deserve Dogs

shadow

LAST DAY WITH U (FUTUREGARAGE) ISMANDA YUSUF REMIX

quick guitar-based drone i did the other day :)

i want to forget you

Vladimir Cosma - Concerto De Berlin (La 7 cible)

Philip Glass - Mishima  Closing

Something I recorded at the beginning of the year at home.. warts and all

Disquiet Improv

Piano Solo taken during the filming of the video clip. 
ALL THE NEWS, VIDEOS, MUSIC HERE : 
--->facebook.com/julienmarchalmusic
BUY ALBUM 
---> https://julienmarchal.bandcamp.com/album/insight-2


INSIGHT - VII

Recorded, mixed & produced at Campus Allegro, Jakobstad, Finland in spring 2016.

Dissolving

Federico Albanese - THE BLUE HOUR

'The Blue Hour', released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016

Buy on Itunes - itunes.apple.com/us/album/the-blu…our/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Shadow Land Part 1

INSIGHT III

Julien Marchal - INSIGHT XXXIII

Select your favorite platform: https://ampl.ink/d3Qm4 
'Pianette' consists of a collection of solo piano compositions inspired by dreams and the bucolic fantasy of mechanical toys, the dolls, the essence of the circus and the puppets.
Available on CD, Sheet Music Book & digital.
Analog Mastered by Ian Hawgood · Cover image by Larissa Kulik
Design by Nikki Snow BNBA
www.bruno-sanfilippo.com

DOLL

Select your platform

Doll

NO SWOON 
EP 1

Written, produced and engineered by No Swoon
Mixed by Jorge Elbrecht
Mastered by Heba Kadry
Additional production and engineering by Patrick Canaday

Tasha Abbott - Vocals and Guitar
Zack Nestel-Patt - Synthesizers and Bass
Ricky Petraglia - Drums

Gold He Said

For Willem

Arrangement of Gustavo Santaolalla's epic song from Motorcycle Diaries.

De Ushuaia A La Quiaca - Gustavo Santaolalla

THE FREEMARTIN CALF (an original soundtrack) 
original music by Frédéric D. Oberland with Gaspar Claus
poetry & film by Jayne Amara Ross 

Out on Deluxe LP+DVD & Digital - September 23th 2013 via Gizeh Records
ORDER: https://fredericdoberland.bandcamp.com/album/the-freemartin-calf-ost

FILM TRAILER: https://vimeo.com/14898901

///

“An arresting film narrative and  a provocative stand-alone soundtrack. Moments of beauty are many." Textura

“Delicate and very effecting. A comparison would be the spoken elements of Swans and lyrically it shares much with the film noir cool of Enablers." Nine Hertz

“Shot in stark black and white and imbued with a mesmerising dreamlike fragility, the film’s look brings to mind some of the great Expressionist movies of 1930s Germany as well as Tarkovsky’s Stalker and the work of modern masters such as Béla Tarr”. Decoder Magazine

“Elegant, harrowing, and consistently captivating." A Closer Listen

“Deeply evocative and dangerously sensual.” Fluid Radio

///

The film The Freemartin Calf was shot on super 8, hand-processed and edited at home by Jayne Amara Ross between 2009 and 2010.

The music was composed and recorded at Magnum Diva Studio by Frédéric D. Oberland with Gaspar Claus /// Mixed on an analog console at Le Fresnoy by Maxime Champesme /// Mastered to tape at Durton Studio by Nils Frahm /// Jayne Amara Ross: narration /// Frédéric D. Oberland : electric bowed guitar, fender rhodes, piano, kalimba, harmonium, theremin, bowed glockenspiel, bells, electronics /// Gaspar Claus: cello /// Maxime Champesme: sound design, field recordings

///
www.fredericdoberland.com
www.jayneamaraross.com
www.myspace.com/gasparclaus

ORDER LP+DVD

The End / Credits (feat. Gaspar Claus & Jayne Amara Ross)

🔴 The Red Moon
(Live Record)

Piano and Composition: Shayan Shekarabi
Percussion: Shayan Riyahi
Contrabass: Dariush Azar

Audio Recording: Reza Farhadi 
Mixing and Mastering: Hami Haghighi

Cover Art: Babak Germchi

🔴 ماه سرخ
 (اجرای زنده)
پیانو و آهنگسازی: شایان شکرآبی
سازهای کوبه ای: شایان ریاحی
کنترباس: داریوش آذر

صدا بردار: رضا فرهادی
میکس و مسترینگ: حامی حقیقی

عکس: بابک گرمچی

The Red Moon ماه سرخ

Khedai

Vicious Circle

Wolfgang amadeus mozart - lacrimosa

Left Upon Us

Cedric Vermue - Somewhere Far Away

Within

Calm Before The Storm

3 - Groove With The Groove

در این اتاق تهی پیکر

انسان مه آلود!

نگاهت به حلقه کدام در آویخته؟

درها بسته

و کلیدشان در تاریکی دور شد.

نسیم از دیوارها می‌تراود:

گل‌های قالی می‌لرزد.

ابرها در افق رنگارنگ پرده پر می‌زنند.

باران ستاره اتاقت را پر کرد

و تو در تاریکی گم شده‌ای

انسان مه آلود!

پاهای صندلی کهنه ات در پاشویه فرو رفته.

درخت بید از خاک بسترت روییده

و خود را در حوض کاشی می‌جوید.

تصویری به شاخه بید آویخته:

کودکی که چشمانش خاموشی ترا دارد،

گویی ترا می‌نگرد

و تو از میان هزاران نقش تهی

گویی مرا می‌نگری

انسان مه آلود!

ترا در همه شب‌های تنهایی

توی همه شیشه‌ها دیده‌ام.

مادر مرا می‌ترساند:

لولو پشت شیشه‌هاست!

و من توی شیشه‌ها ترا می‌دیدم.

لولوی سرگردان!

پیش آ،

بیا در سایه‌هامان بخزیم .

درها بسته

و کلیدشان در تاریکی دور شد.

بگذار پنجره را به رویت بگشایم.

انسان مه آلود از روی حوض کاشی گذشت

و گریان سویم پرید.

شیشه پنجره شکست و فرو ریخت:

لولوی شیشه‌ها

شیشه عمرش شکسته بود.

#سهراب_سپهری
هشت کتاب/زندگی خواب‌ها/لولوی شیشه‌ها

Foggy River

4 - Bastet Lotus

5 - Aeon

So pleased to share Promise / Sleepy Meadows, a new double single for solo piano by Finnish composer @julia_andersson

You can give this reflective pair of pieces a listen wherever you stream music: orcd.co/promise
 
"...like the winds of reassuring words, whispered in your ear by someone waiting patiently at your side..."

Calm Before The Storm

Julia Andersson