R E S T E S I M P L E w/ 
@MAUVAISESINFLUENCES
@DIZZIDIAZ 
@COLDSPRINGWOLF

Danny Brown is a true rap original. His songs are as profane as they are profound, mixing heartfelt personal narratives and razor-sharp social commentary with hedonistic party beats and hysterical, pitch-black punchlines. His personal style is as unique as his music, an inspiration to high fashion designers and legions of devoted fans alike. Danny's Fool's Gold debut XXX
was a free release that snowballed into the year's most critically-lauded rap album, landing the Detroit hero on the covers of The Fader, XXL and Wax Poetics, and follow-up single "Grown Up" was a viral video smash that brought Danny an mtvU Woodie Award and millions of YouTube views.

Now, after two solid years of universal acclaim and non-stop touring around the globe, Danny jumps from "artist to watch" to undeniable icon with his magnum opus, Old. This emotionally-charged concept album is an intoxicating mix of Danny at his most experimental AND most accessible, balancing hip-hop grit with electronic club sonics and much, much more. Featuring guest appearances from A$AP Rocky, Schoolboy Q, Freddie Gibbs, Purity Ring, Charli XCX, and more over production from the likes of A-Trak and Rustie, Old is a psychedelic portrait of rap's most vital and exciting new star.


(Guardian, 2014) Prada Mane took the grievous emotionalism of Little Pain, Yung Lean, Lil Ugly Mane et al to the nth degree on debut project, Blue Prada. And the title track was some kind of apotheosis. Over a detailed dirge (slow-motion explosions, Satie-esque piano) courtesy of producer Yung Gud, Mane moans about “getting rejected” and lists some of the possible reasons why: “Raps not good enough/ voice not good enough/ my face not good enough.” With said visage metaphorically upturned towards the heavens, he asks: “What’s wrong with me?” Then again, this time a (sung) howl of pain: “What’s wrong with me?” He spends the rest of the track “crying awake”, wondering “how can I sleep?” with “so many tears on my cheek”

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Watch FUCK, THAT'S DELICIOUS on my YOUTUBE channel every week!

Paris, Salle Pleyel - 21.03.2026
https://www.superpoze-music.com/

management : superpoze@grand-musique-mgmt.com

Isaiah Rashad doesn’t look back. Instead, he never stops moving forward. That’s why the internet has tried so hard to keep up since the Chattanooga, TN-born and Los Angeles-based artist emerged in 2012. After one seismic appearance after another throughout 2013, he formally introduced himself with 2014’s Cilvia Demo. XXL named him among its prestigious “Freshman Class,” while the project earned a rare score of 8.2 from Pitchfork. Just two years later, his full-length debut, The Sun’s Tirade, bowed in the Top 20 of the Billboard Top 200 and closed out 2016 on over a dozen year-end lists, including UPROXX, L.A. Weekly, Inverse, Stereogum, Pop Matters, Pigeons & Planes, Pitchfork, and more. In between sold out shows coast-to-coast and racking up nearly 500 million total streams, he quietly stared down his demons out of the spotlight. By the time he dove back into music, life had changed. The process switched up, so he realigned and linked up with new collaborators such as Kenny Beats. Ready to break a five-year creative silence, he returns with his second full-length album The House Is Burning[Top Dawg Entertainment], including the single “Lay Wit Ya” [feat. Duke Deuce]. While the house is burning, Isaiah’s running forward at full steam once again. Try to catch up.

send beats to : itslacasa@gmail.com

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