Wow Julian! captivating piece, wonderful story telling here

Wonderful orchestral instruments! Great composition

I can't imitate the beauty of the harmony, but I can appreciate the great talent and enjoy this song. my ears are happy

Admirable composition and a beautiful fantasy !! ❤️🕊️🙏

From the Bandcamp EP My Skin’s Blazin’ Thru: https://martinhoogeboom.bandcamp.com/album/my-skins-blazin-thru 

Trampelfad https://soundcloud.com/trampelfad : electronics
Paul Mimlitsch https://soundcloud.com/r369improv : electronics/clarinet
Ulrich Langenbach https://www.ulrich-langenbach.de/ : guitar/violin/cello/piano
Martin Hoogeboom https://martinhoogeboom.wordpress.com/ : objects/electronics/guitar

Mixed by Martin Hoogeboom
Mastered by Rupert Clervaux http://www.rupertclervaux.com/

My Skin’s Blazin’ Thru

My Skin’s Blazin’ Thru II

My Skin’s Blazin’ Thru II (Trampelfad/Mimlitsch/Langenbach/Hoogeboom)

Majesty

A bittersweet love song for former girlfriends and former buddies, who have canceled me… all is good, just love the simple riff… my wife gave me that haircut, during the Covid era, ha!😎🙏👍

Only A Fool

YOUTUBE CHANNEL: www.youtube.com/user/WrittenForGuitar
BANDCAMP: georgewanat.bandcamp.com/

In The Fullness Of Time

Open Highway (Free Download)

Deep In The Woods

This track was created in response to someone's inquiry about what our sonic interpretation would be of Robert Frost's poem, The Road Not Taken. We felt this tied into our planned topic for our upcoming release of Acceptance, perfectly.
We all "find ourselves" at the proverbial "fork in the road," throughout our lives. We can choose to sit there and "drown" or become "paralyzed" in worries about which fork will be "the right one," while trying to "sift through the evidence" of what's worked well for others... or we can do what simply feels right for us, radical Acceptance of Self. 
Additional choices will have to be made by us, upon reaching each impending upcoming fork, and we can become more "in tune" with the wisdom we've gained in life... looking at everything we know, everything we thought we knew, everything we want to learn, experience, feel, express, etc. and realize maybe the purpose of C19 "on a grander scale" was to help us realize the brevity of life, what's truly important to us underneath everything... all the judgments, fears, facades, aka... the absolute BS... and help hopefully more people figure out it's up to each of us to set boundaries we want and deserve for healthier living. 
If we want all people within our life purview to respect and honor us with honesty, loving, and fully supportive relationships, etc. then, we need to set the boundaries of intention to not be treated as a game, as an option, etc. no matter the relationship type. It's up to us to make our wants and needs of support known to those within our circles and make the necessary changes when we are shown anything "less than" what we know and have stated in clear, (not uncertain or "disguised" terms or methodologies,) we need. Stating what we want or need and honor those who have the forthright energy and awareness to tell us exactly what they want and need and whether they are in alignment with our wants, needs, goals in living healthily... and make the best decision for us. 
The frequent misinterpretation of Robert Frost's poem is The Road Not Taken has changed to The Road Less Travelled, whereby folks believe in one fork or path is better than the other. Evidently, that was not Mr. Frost's intention, as this poem was a sort of mockery at a friend's indecisiveness and choosing military service; and where because of his indecisiveness, in part, it caused his friend's swift demise. Therefore... for me/us, our interpretation is to simply not stand "forever" at the forks in the road. Don't be dwelling upon every shoulda, coulda, woulda... but, know who we are, stand firm in all we are, know what and who it is we want in our life, and be bold and brave enough to clearly and decisively tell them... not play games or "try to protect ourselves" from potentially being turned away, having our feelings hurt by being "rejected" which is never truly about us anyway... it's about each of us being who we are and feeling and living fully into ourselves being who we are called to BE and HOW we are called to BE. So much of life can be spent in riddles and going in circles; but, if we'd stop "spinning our wheels" and simply choose the fork that we are drawn towards... it is ALWAYS the right one, at the right time, going the direction for the life lessons we need in that timeframe. The roads are similar and may often go towards the same destination. It's all about the different lessons and scenery we'll see along the way. Some may have more waterside, some more rocky cliffs or terrain; but, it doesn't make one any less beautiful or worth taking. Our forks are the forks that spoke to us in each moment, new forks always arise... and one may eventually traverse towards the same path or road we chose not to initially take, if and when the timing is right for us. Until then, follow the fork or road of our heart's whisper... it doesn't ever steer us wrong. Even in the potholes along the way... there can BE BEautiful reflections in the puddles from any rain.

Road Not Taken

Fantasy in three Movements for small Orchestra

This suite of pieces holds to the fast-slow-fast traditional pattern of the Classical period .

The three movements are: 

Allegro Vivace in 4/4

Slowly in 5/4

Andante Con Moto in 6/8

The indivual movements will be published separately to Soundcloud.

I used sound cloud mastering service on the three movements separately 

as the duration of the suite is eleven minutes, longer than the

ten minute upper limit for Soundcloud mastering.

Tripartite Fantasy

Heyo! This is a very light take on a kind of a compact-built, melodic composition. Hope you like it. :) Cheers!

.
.
And um, because maybe you don't know - Soundcloud searches completely omit regular hashtags, so i'll just type them here, because Soundcloud searches only scan the inside of this description box, but not hashtags... (it's a confirmed info) 

Ps: If you want to really search for a specific hashtag, the only solution is to click on it yourself (if you find it). 

_ _ _ _ _ _ _ _ _ _
Possible Hashtags: Ambient, Minimal, Sunny, Winter, Instrumental, Joy, Nice, Calm, Lovely, Electronic, Synth, Positive, Uplifting, Melodies, Cool, Chilly, Melting A Bit

Sun and Snow

Identity

Bonus track from the new album: Blink Twice - Other Locations [Expanded Edition]

https://moodexhibit.bandcamp.com/album/blink-twice-other-locations-expanded-edition

Other Locations was originally released in 1996 on the German record label Broken Seal. It was the first CD release from Blink Twice and the label's second release.
At the time there was a zine culture in electronic music, where artists would send their cassettes through the mail to different underground music zines for review across the globe. It was really the only way to get one's music heard.
After putting out numerous cassettes in the early to mid 1990s, Blink Twice had earned a reputation as a unique dark ambient artist in America.
www.discogs.com/artist/48238-Blink-Twice

The dark mysterious sound of Blink Twice resonated in European countries, with favorable reviews in the Slovakian zine Crewzine, the Belgian leading electronic magazine Side-Line, Phosphor, and Wounded magazine from Lithuania. Blink Twice was also featured in American industrial magazines Outburn and Industrial Nation, as well as sonic-boom
sonic-boom.com/review/blink.twice-1.html

The sound of Blink Twice earned comparisons to artists like early Delerium, Dead Can Dance, Nightmare Lodge, SPK, and some of the Cold Meat Industry roster from Sweden such as Raison d'etre, Morthound, and Deustch Nepal. Although generally classified under the genre of "dark ambient", Blink Twice utilized much more melody and percussion than most ambient. Many tracks display the melodic layering and tribal percussion that are showcased in some current Mood Exhibit material.

"Other Locations" is finally available here on the Mood Exhibit Bandcamp page, Robert Salchak's official distribution for all his music.
It includes a large selection of bonus material from the era (1993-1996) that was either never released or only available on cassette.

Hidden as the last track is an epic nearly 15 minute tribal ambient excursion that can only be described as Dead Can Dance era Spiritchaser" (1996) meets Delerium era "Spheres I"(1994)

It is an essential historic document for followers of Mood Exhibit, as well as any fan of dark ambient/neoclassical/tribal/cinematic sounds.

Album

Blink Twice - The Brighter The Moon, The Darker The Shadows

Original song created and recorded with the Bertiewolf Band. Lyrics and melody by Blanche, Bass guitar and production by Dan Perfect, Drums by Mike.

Tripartite Fantasy

Julian Cafarella Composer

Recent comments

Pier WILL

No Mates Ensemble

Amekaze Hanako-syokudo

Negative Headphone

Related tracks