December 2017

JULIAN JAVIER LOPEZ 1 - COLLECTION

Julian Javier Lopez

Smooth Guitars

Classic Rock

Easy Listening

Blues

A selection of songs  and covers from one of the most versatile guitar players I know here on Soundcloud.

Julian Javier Lopez - Mr. Guitar

Jazz & Blues

Many Things Should Improve in Our World, in Our Lifes & We Deeply Expect to see Some Positive Changes Coming in the Near Future. Let's Keep Up Faith & Do Our Part for Betterment... May Good Overcome  Bad...
Hope Springs Eternal... Imagine a Rebirth like that of the Mystic Phoenix Bird...
Here is a Selection  of  Various  Amazing Music & Songs around this Topic.
Will be great if Many SC members will click on the tracks Hearts &  maybe write some comments. Will be specially Cool that Artists  in the Playlist Big Up One Another :) Thanks for All Support. One Musical <3
Another Playlist will Soon follow... & There is yet  2 others Playlists for the season > https://soundcloud.com/specialceciliaplaylists/sets/wish-for-wonders-1
&
https://soundcloud.com/specialceciliaplaylists/sets/chill-celebrate

HoPe FoR CHaNGes...

Glad to introduce to you our latest Twerk tune!!

[↻ Repost] if you like the tune!!!

Like share and comment as much as possible please we need your support!!!

<3

https://soundcloud.com/8ers

www.facebook.com/8ersofficial

twitter.com/8Er2



Dancefloor

8Er$ - Dancefloor (Original Mix)

Straight Emotional

Lonely Nights

Creep (Radiohead cover)

NJ15 - Boogie

turkish hip-hop with the music from "walk this way"

jump (feat. MC Orhan & Bushdakkta)

Bad To The Bone (remixed)

Office Jobs by Amy Fear. My Fault Music 2016.

Office Jobs

And I Love Her / The Beatles
https://youtu.be/Nm4YlZ3oYsQ

This work was supported by many people in the winter of 2019. The listeners were mainly in various area of the United States. I am very grateful for that. I decided * WINTER 2019/2020 * for this work. I wish you a good Christmas and a good year.

This classic Beatles song is designed to raise the key by a semitone at the stage of the guitar interlude. Some people do not realize that it has been changed the key because it is so natural. I think it's a really attractive and mysterious melody. I developed it and experimented with this recording to see what would happen if I continued to raise the performance of the song by a semitone for each theme. For those who are practicing the guitar, I think it can be used as a basic lesson to aim at playing in any key, whether it is chord stroke practice or melody line practice. 
However,  I know that some people who are practicing guitar can only play the same melody line with different pitches, because the chords are different. If the songs are different, other instruments will perform quite differently. Therefore, even if your performance while practicing guitar is always doing almost the same thing, it is often the case that the listener hears it playing a different performance. What is unfortunate is the fact that you can't grow at all during that time. The problem is that you stay there for years. If you later realize that you were wasting a terrible time, you can't get it back.It's a serious wall for beginners to overcome. Even if you are a skilled top professional guitar player, if you don't pay attention to your condition, it is said that you will be playing only the usual phrases. It is the same that we should always be aware of.If you can't get out of the symptom that the melody you play is almost the same, even if you use different titles for each recording, you first need to realize that you are always playing almost the same phrase.
Such people terribly often don't know or ignore the difference between the Western scale and the Blue note scale. For example, if you add an E-flat sound to the C major scale or A minor scale, and you think it is a blue note scale, it won't cause a catastrophic failure if you are a keyboard player. However, if you are a guitar player, it will be fatal.They are even suspicious of whether they have found a usable scale from the chord progression and are starting to play.Often they do not seem to be fulfilling the important mission of matching rhythm and melody.What's more, it's impossible for a sensitive listener to allow someone to pretend to be a blues player while making a sound unrelated to the blue note scale.To make matters worse, such people do not even master the Western scale enough,many good listeners will gradually move away from the artists who release or spread the works that cannot be called works. We will need to be very careful about that.You may struggle and find someone to pass on responsibility. But that attempt will fail. We all pay laziness and self-satisfaction by ourselves.
Alternatively, some beginners can imitate the performance of a great guitar player, but cannot freely improvise. In general, it is until the early teens that a boy or a girl who is crazy about guitar playing is expected to see the future from the audience by imitating the performance of a genius guitar player.As is well known, copying and covering are completely different acts.That is also a serious wall. In order to overcome this, there is no choice but to accumulate a lot of issues from basics to applications over a long period of time. I would like the recordings shown here to be used as the first step before getting into there in earnest.
December 2019

The chord progression from the 11bars.
F#m7|E6  |F#m7|E6  |
F#m7|E6  |A       |B7     |E6     |E     |

And I Love Her ～slide To End（Instrumental cover,The Beatles）--- * WINTER 2019/2020 *

Just The Way You Are / Billy Joel
https://youtu.be/vBZnGk1nAjw

Just The Way You Are（Instrumental cover Version,Billy Joel）

The Boogie Man. "The Transatlantic Electric Jug Band" with Stig Jones-Electric Guitars, Drum Sequence, Lead Voice, Video; Steve Pierce-Bass, Banjo, Ukulele, Dobro, Backing Voice. Words and Music by Stig Jones. Arranged, Performed and Recorded by The TEJB 2017. From Stig's YouTube Channel.

The Transatlantic Electric Jug Band

The Boogie Man

From the album "Everything is numbered" (2017)

Going to the Doctor

No More A Midsummers Night's Dream

sometime  - by j.l. - (C.G.S)

la barca (cover bolero mexicano)

Mexico - by j.l. -

Fighty Pegbogoh ( by j.l.)

Hombre Al Agua -cover  Soda Stereo-

Rezo Por Vos - Cover Charly Garcia-

Cosmical - by j.l. -

Hate Reigns

Credits -

Song Writing: Linnon, Bonetender, Tainted Icarus
Art: Linnon

Vocals & Keys: Linnon ( https://soundcloud.com/linnon )
Lead Guitar: Bonetender ( https://soundcloud.com/bonetender )
Rhythm, Bass & Beat: Tainted Icarus ( https://soundcloud.com/taintedicarus )

Mix & Master: Tainted Icarus

Lyrics - 

Go and tell your master, that I've arrived
And never you mind the deep red stains

And do as your told as the story slowly unfolds and
its really best if you don't complain

Hate Reigns
Hate Reigns

Oh its plain to see, why it is you needed me
something about a lack of spine

Oh but you seem a little dense, running low on the common sense
I'll bet its all gonna work out fine


Hate Reigns
Hate Reigns

Open doors, invite me in, every situation sink or swim
and really let your hate run free

I'm every thing you need to know I'm with you where ever you go
Blind you to the things you need to see

I'm every thing you need to know I'm with you where ever you go
Blind you to the things you need to see

Hate Reigns
Hate Reigns
Hate Reigns
Hate Reigns

Notes:
Welcome to the conclusion of project 812 an Alt Rock/EDM fusion attempt.  Arguably one of the most challenging projects I have run to date.  A wonderfully talented crew to run with and everyone slotted into a strong suit.  

I think we found something cool at the end of the path here.  If you get a chance stop by and check out some of their other works.  Bonetender, Linnon just wanted to send a thank you out into the ether for a job well done!

Hate Reigns

Hate Reigns (Linnon, Bonetender)

La Cupula - Cover Soda Stereo-

High wire of life

'LET YOU GO'
Written, Performed & Produced 
by Andrew Borderick, copyright 2017/2020
Mastered by Andrew Borderick 24/08/2020
(The World Tour video link)
https://youtu.be/0pd4btXoM_4?si=hRhSQH4HaALnJ5J6

I MADE UP THIS SONG, EVERYTHING COME'S FROM YOU
NOW THAT YOUR GONE, THERE'S NOTHING TO HOLD ON TO
AND ALL THE REASON'S, THEY ALL TURN TO ASH
NOW ALL THE SEASON'S, ALL COME IN ONE DAY

I MESSED UP OUR LOVE, MESSED UP MY WORLD WITH YOU
IT'S TAKEN SO LONG, TO HOLD ON TO SOMETHING NEW
THERE'S ALL THE FEELING'S, AND ALL THE BURNING CASH
NOW ALL THE SEASON'S, ALL COME IN ONE DAY
AND ALL THE REASON'S TO SAY, I HAD TO LET YOU GO

(BREAK)

I LOOK BACK ON LIFE, I HAD NO CONTROL OF YOU
NOW FEELING ALIVE AND NOTHING TO HOLD ON TO
AND ALL THE REASON'S, THEY ALL TURN TO ASH
NOW ALL THE SEASON'S, ALL COME IN ONE DAY

IF I HAD MY TIME AGAIN
I WOULD NOT SURLY BE CALLING YOU MY FRIEND,  NO

THERE'S ALL THE FEELING'S, AND ALL THE BURNING CASH
NOW ALL THE SEASON'S, ALL COME IN ONE DAY
AND ALL THE REASON'S TO SAY, I HAD TO LET YOU GO

Timeline

LET YOU GO

LET YOU GO (see info for 'The World Tour' video)

Guitars by: Andrew Fitzsimmons  https://soundcloud.com/afitzsimmons
Texas Swamp Guitars by Jon Lock at https://soundcloud.com/jon-lock-5
Bad to the bone Drums, Bass and guitars by  https://soundcloud.com/keitonie
Ultra Sax by : @joerxworx
Shredding the Hammond C3 organ and Piano by https://soundcloud.com/tobbenv
Vocals and Mix by conover
Loose salute cover of the Electric Flag song Texas.


This documentary blog link below joins hand-in-hand perfectly with the music that we attempted to cover above. BC

 Leonard Cohen took years  to craft a song. Rufus, can cover one in an afternoon. Hallelujah. God only needed 3 days for Texas. This tune plows the terra firma of such great bluesmen afore with a great Leon Russell dust bowl homage  sewn in..... David Conover

http://revisionisthistory.com/episodes/07-hallelujah

photo art info:
The Electric Flag onstage at the Fillmore Auditorium, August 29, 1967. From left, Barry Goldberg (hidden), Nick Gravenites, Michael Bloomfield, Buddy Miles (behind drums), Harvey Brooks, unknown and Peter Strazza. Photo courtesy of Richard Lewis
AT THE END OF February 1967, the Paul Butterfield Blues Band returned to Boston for the second time in just over a month. The band had been on the road constantly since returning from its first trip abroad, a 30-day whirlwind tour of 28 different venues in England and Scotland in November. Since their arrival back in the States, the Butterfield Band had played New York, San Francisco, Los Angeles and numerous places in between. Now they were back in Boston.
They were scheduled to play three colleges in one day – a chilly Saturday, February 25. The shows were to begin at noon with an appearance at the Massachusetts Institute of Technology in Cambridge, and the guys had to unload the van and set up the equipment first. Butterfield’s star guitarist, Michael Bloomfield, lost it.
In a state of agitation, the exhausted Bloomfield had been suffering from insomnia for weeks. His was a hyperactive personality under the best of circumstances, and now the band’s non-stop gigging had thrown his system into disarray. He could no longer stand the demands of performing night after night.
He decided he had to quit the band that day.

And Michael Bloomfield was suddenly without a gig.
Bloomfield retreated to his Christopher Street apartment in New York’s Greenwich Village to rest up and think things over.
It wasn’t long before he began to think he should have his own band.
 
Forgotten Flag

Few today recall that there was another rock/horn band – a band that started it all. Or, if they do recall, they don’t recall much about it.
The Electric Flag deserves a better fate.
The creation of Mike Bloomfield, America’s first electric guitar hero, the Electric Flag was a ground-breaker in a numerous ways. In addition to being pop music’s first rock band to include a horn section, it pioneered the use of electronic instruments, blended a variety of musical genres, experimented with sound sampling and was one of the early racially-mixed pop bands. It also had the dubious distinction of being rock’s first “supergroup.”
Because the Flag has been largely ignored by critics since its dissolution in 1968, its story has never really been told in detail. A rock ’n roll rags-to-riches-to-rags tale, the history of Michael Bloomfield’s experiment in American music makes for interesting reading. But it also foreshadows the growth of American pop music away from the narrow confines of its segregated genres and toward an open confluence of styles and cultures. For that reason alone, music lovers – especially American music lovers – should know about the Electric Flag.

On The 8th Day God Created Texas

Faut Que Je Me Tire Ailleurs - Bill Deraime - Live Almaty

Composed and Performed by Jussi Welin https://soundcloud.com/juswel
Orchestration by Roman Czerny    https://soundcloud.com/gotchi
Flute performed by Jörg Stohwasser  https://soundcloud.com/joerxworx
vocals, production and mix by conover
mastered at Abbey Road by Alex Gordon
www.abbeyroad.com/engineer/alex-gordon
© 2017 Conover/Welin

Breathe deep the gathering gloom
Watch lights fade from every room
Bedsitter people look back and lament
Another day's useless energy spent
Impassioned lovers wrestle as one;
Lonely man cries for love and has none
New mother picks up and suckles her son
Senior citizens wish they were young
Cold-hearted orb that rules the night
Removes the colours from our sight
Red is grey is yellow white
But we decide which is right
And which is an illusion\\

Spoken word penned by Graeme Edge of the Moody Blues
Voiced by conover
Artwork by https://soundcloud.com/dominiquefrench and conover
Photograph c) 2014 Nicolas McComber
https://mccomberphoto.wordpress.com

B r e a t h e D e e p.   (The Conover/ Welin Adventure)

This was an experiment to have no previous exposure of the song for the guitar player before the countdown of the recording. 1 take only
It's called winging it.
This was the outcome with Mr. Matt Warnick handling the AX.

PS: my rule was that I could use the first take only to edit a somewhat focused solo together.

BC

Careful With That Ax Mr. Warnick

Music bed by Alex of https://soundcloud.com/the-dark-afterglow
Lyrics, Vocals, 1954 Hammond B3, Wurlitzer piano and mix by Conover  https://soundcloud.com/bruce-conover
© 2018 Conover/Dark Afterglow
I could fall back into those big brown eyes 
I could fall back into your arms
I could trust a woman with hands as soft as yours
I could hold on
I could hold on

I could be calling you from the phone booth just outside of town
I'm sure I'm the worst thing for you now
If you would take me back and let me go on living
I'll show I could hold on
I'm sure I could hold on
I'll show I could hold on
I'm sure I could......

Hang up the phone and follow your heart....


https://youtu.be/98oxrn6sx1g
Try this: 10 seconds into this music track click the link just above and turn the sound down on the YouTube video while going fullscreen.

Fall Back Fall Forward (Conover/The Dark Afterglow))

Xmas Blues

Procrastination

Hey! Here we are: 2018. Last year was rough. Not just for me, but for several friends and family members. This year's going to be better, especially if Soundcloud stops trying to get me to listen to seriously popular pop music. That's not what I'm here for. 

School has started and I'm presently lost in a new and overly complicated work/school/life schedule, but it's okay because I like waking up at 5 in the morning. That's a lie. Was it convincing? 

Last weekend - or the weekend before maybe - was the quarterly GM48 game jam. Vinnie and Bacon and I came up with a game that was based on the idea of using paper as a tool. We had the idea that the paper being modified would make different noises, and that the noises would all need to work with an underlying track. Confusing, yeah? I was happy, because this is a piece I wouldn't have written under different circumstances. It's patient, and it fights all my tendencies to get bored easily. I actually really like it. 

I won't lie...I haven't yet downloaded the game and tried it. My PC is having some screen issues presently. If you want to try it, it's gm48.net, and the game is called "The Papier Experience." 

I'm making progress - slow progress - on the Letterpress Mighty project, and am hopeful to have a few more tracks done shortly for that. I'm kinda easing in to my new year's resolutions to be more productive in music and stuff. It's gonna be okay. 

I gotta go read some stuff for school now. Hope everyone's well!

Papermusik

all Music by j.l. ( México)
all vocals  by @Ultrawest ( España)
Original song " BABASONICOS"  Argentina

Sharon Tate Collaboration Voice @Ultrawest -cover Babasonicos-

I ain’t gonna lie
I don’t wanna die
Dying ain’t my scene
I don’t like limousines

Don’t know how and don’t where or when
All I know is all good things must end
I would give me life to live again
But Jesus don’t never bend

Won’t cha cut me some slack
I don’t look good in black
I’m too full of pride
For formaldehyde 

Don’t know how and don’t where or when
All I know is all good things must end
I would give me life just to live again
But Jesus don’t never bend

You gotta hold that pose
As you decompose
It seems like half this town
Is livin’ underground

Don’t know how and don’t where or when
All I know is all good things must end
I would give me life just to live again
But Jesus don’t never bend

Jesus Don't Never Bend

This is a further track based on an a capella from Special Cecilia, which I immediately liked, when I first heard it. The lovely message and the statements fitting to today's realities and phantasies inspired me to this ... how should I call it ... Symphony? Opera? Please listen and decide yourself, I promise you will not be bored :-)
Vocals: @specialececilia
Composition: @specialececilia @nobsmeyer
Guitar, Bass, Keyboards & Production: @nobsmeyer

Collaborations

Mysteries Part I

Mysteries Pt. I | Special Cecilia & N.o.b.S.

G min @ 114 bpm

Follow artists
https://soundcloud.com/philwa
https://soundcloud.com/spaceschneider

Jabision with friends

LastExitBeforeHeaven01 (Spaceschneider Remix)

Philwa - LastExitBeforeHeaven01 (Spaceschneider Remix)

All Kinds of vibes along the way take a ride on this wave!!!

Remanence (Prod. AudiOFlame)

We WaNT BReaTH PuRe FReSH AiR&Be OuRSeLVeS... 
A Song for the Earth & about Nature to Which We Belong...
Lyrics & Vocals >Special Cecilia https://soundcloud.com/specialececilia : Spaceyy https://soundcloud.com/spaceyyvibess  & Buxx Bandacoot https://soundcloud.com/realassbro
Instrumental "Back in the Days"  Mix > Spacial Cecilia :)

sometime - by j.l. - (C.G.S)

Julian Javier Lopez 1