wonderful work Julie, another lovely piece

This track released for the open remix project by :zoviet*france about his new soundwork "Hidden-by-the-Wall" commissioned by Green Croft Arts as part of its Collision and Conflict project.

More on :zoviet*france:
https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix?fbclid=IwAR23eVCF-8yRxJ3BPAw3kh5poKlArMhxfqr8chJf62vwLgqG1_yf2JoEYXo

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Inside Ice Wind Fence, Oak Leaves Dropped Into Horsetail Ponds At Walltown Sur Rêve

Pantoclast + R.S.Stropharia + A.Schwarzer - Over The Red Line - Live Impro-Set (06.03.2020)

Instalación sonora para cuatro altavoces.

«El oráculo, como modo de decir, ante todo consiste en no dar explicaciones. Explicar es desplegar, y el oráculo es algo plegado»
Jacques-Alain Miller

Instalación sonora inspirada en las practicas oraculares de la Antigua Grecia, en tanto que crean a partir de su propia acción/enunciación; algo que también sucede en un acto performático.
Esta autocreación sempiterna de lo oracular se manifiesta siempre en tiempo presente, dado que tiempo y espacio en el universo oracular son la mismísima cosa.
El presente es la totalidad de todo lo que existe. Y todo lo que existe, existe ahora, existe en este espacio, existe en esta sala donde el sonido se proyecta…

«El pasado no puede recordar el pasado. El futuro no puede generar el futuro. El lado afilado de este instante, de este aquí y ahora, es siempre, ni más ni menos, que la totalidad de todo lo que existe.»


released February 11, 2021
Voices:
Vidente anónima hindú (recorded in New York)
Escritora pakistaní (recorded in Barcelona)
Maia Koenig (recorded by herself in Málaga)

Covert Art: Mariana Gallay

Teatro Oracular, instalación sonora para cuatro altavoces

Obra en colaboración con Juanita Fernández (Uruguay)
Estrenada en formato audiovisual en el Festival EXIT (2021)

Del Em (2021) -Audiovisual-

Miles Remains

Contours

Tout petits humains sur une toute petite planète dans un univers infini. 
Nous sommes la mer et la mer est nous.

Tout se joue dans la mer.

Dans cette diversité, dans ce bouillon de culture est apparue la vie, grâce à un peu d’eau et d’oxygène.

Je vous invite à fermer les yeux et tendre l’oreille : à l’écoute des ces tout petits êtres qui peuplent les océans et opèrent La symphonie du vivant on peut comprendre les enjeux qui doivent nous préoccuper : La fragilité des écosystèmes marins nous révèle surtout notre propre fragilité. Et elle est entre nos propres mains.

Small Beings est une oeuvre créée dans le cadre d’une coproduction du GMEM, GMEA et de la Compagnie KARWAN, dans le cadre du projet La Convocation des Sirènes diffusée dans une balise de mer installée de manière pérenne sur le port de pêche de Port-Vendres. Les sons ont été gracieusement donnés par la bioacousticienne Lucia DI IORIO de l’Institut Chorus.

Plus d'informations : www.julierousse.com/small-beings
Soutenez les artistes, achetez leur musique >> https://julierousse.bandcamp.com/album/small-beings

Small Beings

SMALL BEINGS

achetez ce titre

A LIGHT IN THE NIGHT - tempest

Commissioned and performed by Prague Quiet Music Collective

Part of a project called 'Five Uncertain Situations' with Prague City Gallery. Exhibition and concert at Dům U kamenného zvonu (Stone Bell House), Old Town Square, Prague in December 2022.

Bass clarinet - Anna Paulová
Baritone electric guitar - Ian Mikyska
Violin - Milan Jakeš
Double bass - Luan Goncalves

Mixed by Juraj Mišejka

This piece was written in response to a set of photograms from Aleksandra Vajd’s The Thirty-Six Dramatic Situations, which features two parallel lines, each changing colour halfway. To me this work is about things in flux, things moving toward or away from something else. In my piece, I am interested in how players might focus on periods of instability and change within and between sounds. By leaving the score more open, I hope to provide more space for the players to follow their curiosity and their ears, to be responsive to the sounds and to each other in the moment. - SL

"Sylvia’s piece is a rare occurrence: a simple, relatively undefined score that does not provide instructions for formal development over the entirety of the piece, yet immediately, the first time we rehearsed it, it was clear that the piece had a clear-cut character and a complex web of internal relationships. The simplicity and directness of Vajd’s photograms is here transformed into a focus on all the chaotic and noisy shadows, interferences, and byproducts that appear when players are tasked with exploring well-chosen, fluctuating effects and various transitions between them. Here, instability is always present at multiple levels — perhaps we could even speak of an interaction between instabilities, a dusty sonic layer covering the simple material play of the photograms." - Ian Mikyska

Overlapping Transformations (2022)

2023-02-10

Collaboration avec le talentueux M I F U N E

Orbite Basse 1  (MiX M I F U N E)

We are happy to present two pieces of ambient music, and two artists already seen on our page.

two songs to transport us to all sides of the mountain, day and night, to feel in the place we like.

Artists:
Inner / Yenaldooshi

NAIND AR-31 A2 Yeenaldooshi - Spiritsgrief

JULIE ROUSSE (1979) lives and works in Paris // Sound artist, improviser performer and electroacoustic composer. Her work is diverse and expressed through many different projects : live performances, electroacoustic composition, sound installations, music scores for film, dance and video art.
Before all she is a nomad phonographer and a noise lover.
She has played in many different venues and festivals around the world - from Afghanistan to Chile.

A LIGHT IN THE NIGHT - tempest

Julie Rousse - JlR

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