And with the final blaze, life sparks anew

Anatole – Vinyl Techno Set (Live Recording)
Recorded as part of the Et Al. Records Recast series, featuring guest artists captured live.

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Artist Focus – EN
A child of the Breton electro soil, Anatole first grew within the Brest scene, where he crossed paths with Astropolis and the many free parties orbiting around it.
Armed with his camera for over a decade, he explores every layer of electronic music, training both his eye and his ears.
After landing in Rennes in 2021, he founded RoazClub, an audiovisual and event collective where he imagined STIMUL, a multifaceted video format.
His sets explore a trance-like space where mystical techno, punk, and bass collide — celebrating the eclecticism of club music.

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À propos de l’artiste – FR
Enfant né de la terre electro bretonne, Anatole évolue d’abord dans la scène brestoise où il côtoie Astropolis et les nombreuses teufs qui gravitent autour.
Armé de son appareil photo depuis plus de dix ans, il explore toutes les strates des musiques électroniques.
Débarqué à Rennes en 2021, il fonde le RoazClub, collectif d’événementiel et d’audiovisuel, et y imagine STIMUL.
Puriste assumé, il propose des sets hypnotiques mêlant techno mystique, punk et bass, au service de l’éclectisme de la club music.

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Artist & Project Links
SC: https://soundcloud.com/ant0le
IG: https://www.instagram.com/anatoleanatoleanatole/
Alt IG: https://www.instagram.com/ant0le/
RoazClub: https://linktr.ee/roazclub

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Video version:

https://youtu.be/tPh3EJ__mdc

Et Al. Records
https://soundcloud.com/et-al-records
https://www.instagram.com/etal.records
https://www.youtube.com/@EtAldotRecords

—

🙏 Thanks to everyone who joined us. Special thanks to the combibar, Anatole, and Nino to make it possible :)

Anatole @ Et Al. Party Recast #001 | Vinyl Techno Set

Issyo - Existence Point

OOZING
 
Format: 8-channel sound installation
 
Is an 8-channel sound installation exploring the porous boundaries between body and environment.
 
The work explores feminist and oceanic imaginaries, tracing the sonic paths of fluids and forces that traverse the membranes separating internal from external. 
 
The composition is built from field recordings captured by hydrophonic microphones placed inside the artists’s own body and in bodies of water — rivers, seas, swimming pools, showers, tap water. Tidal in nature, the piece emerges, swells and recedes, emphasising the tension between the intimacy of the body and the vastness of the ocean with the addition of environmental textures and vocal fragments recorded with omnidirectional and shotgun microphones. 
 
Listeners are invited into a visceral, meditative space where sounds leak, bleed, seep, and ooze, blurring the line between self and sea, voice and liquid, water and breath.
 
Special thanks:
Soprano voice: Vida Matičič
Field recordings from: Heike Vester, Félix Blume, Pablo Desirens.

For Mario Merz Prize Edition 5

OOZING

OOZING (2.0 mixdown)

https://mayeulirlinger.bandcamp.com/album/live

Mayeul Irlinger's music revolves around a desire to create textural, organic, and conceptual dimensions. He notably explores the idea of ​​other planes of existence—particularly the astral world, the world of the dead, and the world of memory—those invisible spaces that profoundly influence human psychology.
In this live performance, Mayeul seeks to make the waves of the afterlife tangible. To achieve this, he uses almost exclusively acoustic sources: contact microphones, analog cassette tapes, field recordings, aquatic sounds captured by hydrophones, and other elements from nature. Everything is fused together using a unique delay-looper-pitcher, a central tool for spatializing and altering sound.

In this approach, electromagnetic interference, hiss, and other parasitic noises are not erased. On the contrary, they are deliberately preserved as traces of the electrical and electronic world in which we live. These sounds, often perceived as undesirable, then become essential markers of the distinction and/or permeability of planes.

Ｙｏｍｉ ｎｏ ｋｕｎｉ

Shaped by several years spent in India during his adolescence, and influenced by Asian esoteric cultures, Mayeul Irlinger develops a dreamlike universe where the boundaries between the material and spirit planes become porous. He evokes the astral world, the planes of death, but also the vital forces of nature—telluric energies.

In one section of the live performance, Japan, due to its deep connection to the spirit world through Shinto culture, occupies a special place. Elements of traditional instruments recorded on cassette coexist with controlled feedback, digital robotic voices, and string fretting, weaving a soundscape that is both ancient and futuristic.

Ｐｒｏｏｆ Ｏｆ Ｌｉｆｅ

In this piece, the emphasis is placed on the telluric aspect of these dimensions: it aims to illustrate the spirits of nature, the gurgling of living things, and more diffuse energies such as those of water or wind. Voices appear—these are the vocalizations of artist Delphine Dora, recorded on "loop cassettes" played simultaneously, generating an ethereal polyphony. These voices recall the human, but in a form closer to the spirit than to its earthly density, like echoes of a vibrant memory.

"After a man's death, his organism dissolves, the water and earth become his corpse, but the soul flies away with its wind and fire." The souls of the Japanese—when they die—remain eternally in Japan in the realm of the dead governed by O-Kuni-Nushi. This realm is not located in a particular place in the visible world, but in a deep and mysterious place that cannot be seen. People's actions can be perceived from the realm of the dead […] they [the souls of the dead] become kami, differing in their degree of excellence, virtue, and strength according to the individual."
Hirata Atsutane

Proof of life (feat. Delphine dora)

By mixing natural sounds and electronic music, I found the right balance between emptiness and fullness, silence and vibration. It's as if time stopped, allowing you to enjoy a precious moment of respite to focus on what’s truly important.

💬 Enjoy listening! Feel free to leave a comment and share your thoughts.
📌 If you liked this piece, follow me to discover new and longer soundscapes.
🎧 Best experienced with headphones or quality speakers, to fully appreciate every spatial and binaural detail.


#1 Waves & Dreams (5min)

A sequence of electronic chords, alternating with silence to form slow-moving sound waves. Each cycle lasts about five minutes and ends with a longer pause, before returning in a new key... 

If you liked this piece, follow this channel to discover new and longer tracks

In the background, a field recording brings authenticity and warmth: made years ago during a dinner with friends in the Tuscan hills, the ambiance features constant nighttime crickets, an occasional barking dog, soft and indistinct voices, table sounds, birdsong, and the whisper of leaves in the breeze.

#3 Night in the Countryside (5min)

[drip.log_ø12:lichen-interface]

An hour of droney blissful ambience and field recordings to gently end your weekend and recharge for the week ahead




Encarta 98 - 16/06/2025 - [Voices Radio]

nearer to thee ♡

"Whispers of the Soil" is a ~4-minute instrumental track as a concise sonic offering to the Earth. Sparse field recordings meet subtle handpan/kalimba/pan‑flute motifs in modal scales, a gentle sub‑bass heartbeat, and light percussion. Structure: 0:00–0:45 awakening, 0:45–2:30 development, 2:30–3:30 peak, 3:30–4:00 return. Loopable for meditation or a brief pause. Headphones recommended. Produced with ecological awareness. See below for full concept.

▶️ Length: ~4 minutes, loopable.
▶️ Sound Palette: Field recordings, acoustic motifs (handpan/kalimba/pan flute), subtle sub‑bass, sparse pads/reverb, light percussion, optional vocal textures.
▶️ Structure: 0:00–0:45 awakening; 0:45–2:30 build; 2:30–3:30 peak; 3:30–4:00 return.
▶️ Listening Tips: 4 min uninterrupted attention; headphones recommended; can repeat for meditation.
▶️ Sustainability: reuse recordings; minimal energy; invite listener contributions.
▶️ Message: A short gesture of gratitude and connection to Earth - a reminder that small moments matter.
▶️ Call to Action: Like/repost if moved; share where you listened or a short nature clip for remix ideas.

— Full concept & production notes below —

Full Concept & Production Notes (optional, for those who read on):
This instrumental piece envisions Earth as a conscious being, and treats sound as a gift of recognition. Although concise, each element is deliberately chosen:

Inspiration:

The idea: Earth breathes, feels, communicates. A short sonic offering can serve as a “thank you” or mindfulness trigger.

The form: a micro-journey - awakening, gentle build, intimate peak, return to stillness - mirrors natural cycles in compressed time.

Field Recordings Integration:

Selected very brief, evocative samples (e.g., one wave crest, a single bird call, a drop of rain). These act like punctuation marks rather than continuous beds.

Light processing: minor time-stretch or filtering to blend with the track but preserve authenticity.

Acoustic Instrument Motifs:

Instruments: handpan, kalimba, pan flute (or similar).

Modal approach: pentatonic or dorian scales for a timeless, cross-cultural feel. Motifs are simple and unfolding, suggesting openness rather than elaborate melodies.

Sub‑bass Heartbeat:

A short, warm low-frequency pulse around the development section. It feels like a heartbeat but is brief - enough to signal presence without dominating the mix.

Ambient Pads & Reverb:

Sparse pad usage: barely perceptible, creating a sense of space.

Reverbs modeled on natural acoustic spaces (small cave, canyon) to impart depth and connection to Earth’s forms.

Percussion:

Single gentle pattern: perhaps a hand drum or frame drum hit, lightly irregular, signifying organic rhythm without a strict meter focus.

Whispers of the Soil

Blanket Swimming • Soul Light 

Album preview for •Soul Light• by Blanket Swimming 🤍

Out now on bandcamp and all streaming platforms 🎶

https://atlantearecords.bandcamp.com/album/soul-light

All songs written by Nicholas Maloney
Mastered by Tom Lievens
Cover art by Anthony Asher - Yates


Soul Light

Soul Light [AR40] Album Preview

https://cryxuss.bandcamp.com/album/every-leaf-a-possibility

every leaf a possibility

Listening out of the windows of my flat I can hear birds, airplanes, some construction work and the occasional grass trimmer. Beautiful sounds and not. Added a drone for mood enhancement.

Neighbors

250517 CAPI5CAPI

A powerful thunderstorm unfolding beneath the alpine peaks. Captured  inside a small abandoned mountain hut.
Several extremely close lightning strikes shake the wooden structure, creating an intense and immersive soundscape.
For best experience, listen with headphones.

Microphones: Sennheiser MKH40
recorder: Zoom F3

All rights reserved © [Vida Sounds Gregor Vida]. Unauthorized use, reproduction, or distribution of this recording is prohibited.

Alpine Thunderstorm - Intense Mountain Lightning Strikes

Yo Pepenador (sound installation)

Contact | studio@nataliadominguezrangel.com
Visit : http://www.nataliadominguezrangel.com/

Et Al. Records takes its name from "et al.," reflecting our academic roots and the (inclusive) rationale of "and/with others."

It has been co-founded by Arnakzone (@arnaud-jooris) and Binaryman (@dj_binaryman).

Connect with us at et[dot]al[dot]records[at]gmail[dot]com for any collaborations, ranging from bed-djing together to mounting festivals, whatever really !

My name comes after the book "Full bleed - New York City Skateboard Photography". It is about everyday surroundings, a culture, artistic expression, and so much more. I like house, noise, dub, ambient, minimal and the fields inbetween.

Mayeul Irlinger develops a musical practice based on improvisation. Since 2021, he has been exploring new formats through experimental, ambient, atmospheric, and cinematic devices, sharing the results in an online journal launched on Bandcamp in 2024. He works primarily with atypical concrete and electronic sounds, derived from contact microphones, magnetic tapes, or raw instruments that he makes himself. His approach, essentially plastic and poetic, seeks to make invisible materials vibrate, playing on the textures, dimensions, and narrative potential of sound.

Mayeul Irlinger développe une pratique musicale fondée sur l’improvisation. Depuis 2021, il explore de nouveaux formats à travers des dispositifs expérimentaux, ambient, atmosphériques et cinématographiques, dont il partage les résultats dans un journal en ligne sur Bandcamp 
lancé en 2024. Il travaille principalement avec des sons concrets et électroniques atypiques, issus de micros contacts, bandes magnétiques ou instruments bruts qu’il fabrique lui-même. Sa démarche, essentiellement plastique et poétique, cherche à faire vibrer des matières invisibles, en jouant sur les textures, les dimensions et le potentiel narratif du son.

House Glitch Techno Ethno
Juke/Footwork Singeli
Tahitian Drumming Jazz

Then@NUMM
A HOUSE@AiiRO CAFE
旹（TOKI)@NUMM
PRIMARY@KOARA

https://www.instagram.com/djissyo_/
https://www.mixcloud.com/Issyo/

Soundrecordist from small town under alps in Slovenia
Current project is recording sounds and design soundtories for agency I feel Slovenia
Project Sounds Like Slovenia - journey trough sound stories
https://open.spotify.com/artist/6RwhXSI9qlAlKxUT0hUEar

Instagram: https://www.instagram.com/vida_sounds_bygregorvida/

YouTube: https://www.youtube.com/channel/UCXJShm7wdmdq70_2_iq3yWQ

You are the present and time and space
  Expanding through the universe, full of emptiness
    Embracing the beauty of existence, its almighty
 You are the awareness, where never meant to stop
       Nor tricked into endless horizons forever lost
     There my dearest friend is the present of being

Your Favourite DJ's Mom's Favourite Station.

Broadcasting live from Coal Drops Yard, London Tues-Sun 11-11

Independent record label specializing in ambient music.

New tracks tagged #fieldrecordings