Lead guitars: Marco Pisu @marco-pisu-511634437
Rhythm guitars: myself
Synth percussions (modular analogue): @houseofthejanas

Photo by Milada Vigerova on Unsplash https://unsplash.com/@milada_vigerova?utm_source=unsplash&utm_medium=referral&utm_content=creditCopyText

Percussivo 187

Here's a collaboration I did with a cool thunderstorm passing by.
I put a bucket, a metal tin can and a glass jar to make the rhythm and I accompanied on the flute.
After my enthusiasm got carried away ^^
Artwork made with the #nightcafe IA

With The Laugh Wood

Inspired by the use of silence as a powerful musical tool used by Nadir. I took some scary musical risks at 2.5 minutes. Trying to be comfortable playing some uncomfortable notes that are normally harmonically musical enemies of each other.
Check out Nadìr on #SoundCloud
https://on.soundcloud.com/zHRVZ


Windowsill

Consider the cover image! Maximized...
--------------------------------------------------------------------------------------------
Infinity has no definite beginning, but is circular beginningless [...]. 

Time and space are called the siblings of the infinity.

The Edge Of Infinity

Statum

white noise

SPECTRAL  DELIRIUM     3

More on this 612th weekly Disquiet Junto project, Drum Vector (The Assignment: Walk the listener through variations on the same percussive instrument), at: https://disquiet.com/0612/

Thanks to Mahlen Morris for having proposed this project.

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0612-drum-vector/

more halF unusuaL

halF vectoR [disquiet0612]

We Danced Like We Didn’t Have Long

JAMUARY 24 - Day 8

Extract of a live performance of Heinz Holliger's 'Increschantüm' (2014) with Sonar Quartett, recorded by BBC Radio 3 at hcmf// 2019.

Mvts 1 (L'accord) & 2 (Lügl a Romosch) of this six-song cycle setting poems by Luisa Famos.

Increschantüm

HEINZ HOLLIGER Increschantüm (extract)

Soprano Juliet Fraser has a repertoire dominated by the very old and the very new. Specialising in the gnarly edges of contemporary classical music, she is an active commissioner of new music and has worked particularly closely with composers Pascale Criton, Bernhard Lang, Cassandra Miller, Matthew Shlomowitz and Rebecca Saunders. She regularly performs as a guest soloist with ensembles such as Klangforum Wien, Musikfabrik, Ensemble Modern, Plus-Minus and Talea, and has created duo projects with percussionist Maxime Echardour, double bassist Florentin Ginot and pianist Mark Knoop. Juliet is founder and artistic director of the eavesdropping festival in London, co-director of all that dust, a new label for new music, and co-founder and a core member of EXAUDI vocal ensemble.

HEINZ HOLLIGER Increschantüm (extract)

julietfraser

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