Carlos Ruiz Zafón’s posthumous publication La Ciudad de Vapor (The Steam City or City of Steam) is perhaps one of the most eclectic, and representative samples of the author’s inventive, highly descriptive, enveloping style that span several narrative timelines, genres, and worlds. 

The way in which each short story’s narrative is spun in deceptive, unexpected arcs through ephemeral, abstract gestures, and flares, really proved poignant in the composition of this piece, but also in thinking of aesthetics and my musical identity as a whole. 

Performed by Ensemble Dal Niente members:

Katie Schoepflin-Jimoh, clarinets
Matthew Oliphant, horn in F
Ben Melsky, harp
Ammie Brod, viola
Michael Lewanski, conductor

Gannon Concert Hall
DePaul University School of Music
Saturday, July 31, 2021
4:00 PM

This piece was written in the ocassion of Ensemble Dal Niente & DePaul Summer New Music Residency 2021.

La Ciudad De Vapor (2021, performed by Ensemble Dal Niente)

Known for his compelling, expressive and socially aware music, Puerto Rican composer Julio Elvin Quiñones writes works that are imbued with visceral gestures, intuition and represent every aspect of his identity.

His music has been performed by many ensembles like the Conservatory of Music of Puerto Rico’s Symphony Orchestra and Concert Band, the Omnibus Ensemble, the JACK Quartet, loadbang, Ensemble Dal Niente and Talea Ensemble; additionally he’s also been performed by known soloists: Katsyarina Shaposhka, James Alexander, Hakeem Davison and Katherine Needleman. 

Julio is currently pursuing his doctoral studies at the Graduate Center CUNY, having studied with Suzanne Farrin, Jason Eckhardt and Jeff Nichols. He holds a Master's degree from the Peabody Conservatory with Michael Hersch and a Bachelor's Degree from the Conservatorio de Música de Puerto Rico with Alfonso Fuentes.