Fun experimentation...  reminds me of 60's sound effects and early Kraftwerk.

love the bleeps and bloops and all the noodling, great clear sound, totally enjoyable in the headphones, excellent experimenting!

these bubbles are very rhythmic -- and sound like they could only come from JG!!!

Amazing production, that’s so spacious and 3D. Sounds awesome

PLAYING & JAMMING & BURNING QUARTERS

Listen here↓
 https://linkco.re/YummYAza

Sierra Maestra

Liquid Gas

Cancion del gato solitario

All my setting suns

"To strike his living hi and ho,
To tick it, tock it, turn it true,

To bang from it a savage blue,
Jangling the metal of the strings"

The Man With the Blue Guitar is a poem published in 1937 by Wallace Stevens. It is divided into thirty-three brief sections, or cantos. In the poem, an unnamed "they" says, of the titular man, "you do not play things as they are", sparking a prolonged meditation on the nature of art, performance, and imagination.

The Man With the Blue Guitar - savage blue

Basic track mix - straight off my Zoom R24. Leaving it alone for a while..(earworm!) 
Synth bass with multi-clarinet riffs / alto flutes/oboe sections with tenor sax on bass pedal. Flute solos with synth middle sections.
Final mix:
https://soundcloud.com/windscaleblues/vanessa-atalanta-red-admiral-final-mix?si=ca265eebd9c240529c76df65d8ce284a&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Picture by Cathy Alexandre (c/o Pinterest)

RED ADMIRAL [CLA158M2 early mix]

Exclusively for the celebrations of the twentieth page of our colleague Noxpox.
https://soundcloud.com/noxpox20

Padang Noxpox | Zwakkus Remix

knotnoodle

Silence By Zitou Itou & Albert Paule

Four Quarters 92 BPM

Play it. X ( 1992 ) Eddy Mango ( Eddy )

JAMMING INFINITE

Burnin Daylight (from the half-life project on bandcamp)

Conga and Bass brothers

Cast of characters:
Surfers Like Us– @user-411502040 –Artur–composition, arrangement, and Fender Jaguar foundational rhythm guitar
J.J. Terrell– @j-j-terrell – organ, envelope synth, and vocals
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums 
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –four string fretless bass and vocals
Llanpsych– @llanpsych –Tez– Fender Stratocaster electric guitar
TexMex Shaman– @texmex-shaman –Stephen–Fender Nashville Telecaster electric guitar, sitar, mix, master, and production

This song began its life in Poland, where our resident surf rock specialist, Artur, composed it on his giutar. He is a brilliant composer and expert player, so we're always glad to receive music from him. 
  Artur gave it to JJ to start the project, so JJ was first to the trough here, adding his breathy, moving organ throughout, as well as some slick envelope synth. Ken came along shorly after to give the song its heartbeat, adding his triumphant drums. As soon as he had a beat to play to, Josh added his four string fretless bass to the mix, completing the rhythm section. 
  Now it was the other guitarists turn to take a whack at it. Tez was first up, adding the magical the first and third solos, in the verse sections. He also lit up the intro and outro sections with some dynamic guitar solos, as well. Stephen went last, filling in the second and fourth solo sections in the choruses, as well as a textural guitar that you hear throught most of the song. He also added the exotic sitar you hear in about the middle. After all the music was laid down, Artur had the idea to add the vocal chorus towards the end, which Josh and JJ sung in four part harmony.
 Once we had it in the bag, we asked Stephen to produce it for us, which he did in his always trained, professional manner. 
  This is the eighth song we've done with Artur over the past about year and a half. We adore his music and him as a person, too. If you dig this song, you should hop over to his page and have a listen in case you're not already familiar. He loves surf music, and wanted to note the passing of surf rock legend, Brian Wilson this week. Wilson was more than just Pet Sounds, although that album is top class. He was a surf rock pioneer, who influenced a whole genre of music; a genre that's near and dear to Artur's heart. 
  We hope you enjoy listening to this song as much as we enjoyed creating it.
Original lyrics by Surfers Like Us:
We all live between Sun and Moon
Love and Peace
That's all what we do

Between Sun and Moon (Eclectic Collective with Surfers Like Us)

Songster version was a little ‘copla’ about not being able to be with, nor without, a loved person.  As usual, I’ve ‘upgraded’ it, process from which you only get the final result, normally. 

But, following lyrics’ contradictions, I not only serve parts with different levels of (dis)order in heavy rock - flamenco sauce, but raw vs very cooked parts as well, starting with the improvised phone recording of the very first idea I had to develop the song, so please excuse my failures and noises.

Letra  /  Translated lyrics:

Te veo venir (No te vuelvas a ir)  /  I know where you're coming from (Don’t you leave again)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pena,        /  when you come with that sweet sad face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes llorando sin que te duela,     /  when you come crying without any pain,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando dices que quieres hablar conmigo,  /  when you say that you want to talk to me,
te veo venir,                                                  /  I know where you're coming from,
cuando quieres estar al lado mío,                /  when you want to be by my side,

te veo venir (x3)                                           /  I know where you're coming from, (x3)

Te veo venir,                                                 /  I know where you're coming from,
cuando vienes con esa carita de pilla,          /  when you come with that sweet sly face,
te veo venir,                                                  /  I know where you're coming from,
cuando vienes con esa sonrisa, chiquilla,    /  when you come with that smile, little girl,

te veo venir (x3)                                            /  I know where you're coming from, (x3)

ER33FI03 RUIZZO©1996 – FRANCÉS RECORDS®2016


Factor Integrante

Te veo venir (No te vuelvas a ir)

Julius Granell , born in july. It has been 13 years that he lives on the Island of El Hierro, Canary Islands.origen Barcelona
There, his life and music is inspired by nature, people and animals of this region. In his home studio he works on sounds , develops and records them.
His musical evolution is based on strings and their fascinating behaviour.
After having played in several bands in Barcelona, he nowadays creates his sounds, primarily ambient, in solitary. 
contact: roskotrosko@gmail.com
https://juliusgranell1.bandcamp.com/
artwork of profile head image by stella hagemann 
https://www.instagram.com/stellahagemannn/?locale=us&hl=am-et
https://www.flickr.com/photos/132613441@N02/

(Don't follow me here, best on my main page ;)

knotnoodle

Julius Granell

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