👅

Middle eastern / world

ر•س

Música por Glue Trip.

Voz, arranjos e clima viajoso por Lucas Moura e Gouveia Phill
gravada e mixada no AP 307
masterizada por Pepeu Guzman (Mardito Discos)

letra:

Searching new places to go
Darling you’ll find me
Darling I’ll find you

Turning pages way too fast
Honey, I’ll try to
Slow my hands

Sleeping longer makes me tired
Sun is shining 
But not for me

They say it’s not right to see you.
They say it but I won’t leave you soon

Anymore

Lucid Dream

© 2021 BLTNM Records, Palestine.

Daboor - El Gad3ana EP ضبــور - الجدعنة 
Stream here: https://ampl.ink/LQ4Np

Lyrics
https://genius.com/albums/Daboor/El-gad3ana-ep

WWW.BLTNM.COM

Instagram: https://www.instagram.com/bltnm_fam/​
Facebook: https://www.facebook.com/bltnmbltnm/​
Support us: https://bltnm.bandcamp.com/​

Songwriter: Daboor
Music producer: The Chief
Mixing: Zai'
Mastering: Al Nather
Artwork by Mooni Studio

Follow The Chief:
Instagram: https://www.instagram.com/thechief_yh/

Contact تواصل: 
Info@bltnm.com

Daboor - Dolab (Prod. The Chief) ضبــور - دولاب

[00:18.82]كنت فين لما ضاقت الحيطان دي عليّ
[00:23.62]كنت فين وأنا بلم الحطام ده بإيديّ
[00:28.17]كنت فين لما كنت عايز أموت
[00:32.67]متجيش دلوقتي تفتكريني أنا مبسوط
[00:37.17]إيه اللي فكرك بيّ
[00:41.87]مش كنت مستاهل كيش عارف إن إنت مادية بس مش للدرجة دي
[00:48.92]فما تغيريش كلامك كل واحد من الطريق
[00:54.11]المهم تبقى عرفتي إنك ما تستاهلينيش
[00:59.15]أنا سوبرمان أنا بطل
[01:00.75]محدش هيغير القدر
[01:03.40]قاطع معاكوا إنتوا قطر
[01:05.90]بدعي عليكوا في المطر
[01:08.65]كمية حاجات لازم أنجزها
[01:10.65]واكل الجو ده غذا، غذا
[01:14.05]إذا من الثعابين بعمل جزم
[01:15.84]بضحك عشان كل الناس ديه ما تنرفزة
[01:18.09]بسرق الأضواء أنا حرامي
[01:20.29]بكتب السياق الدرامي
[01:22.59]دايما عينك على أرقامي
[01:25.09]فبيخش فيك إجوان زي إكرامي
[01:27.04]أغطس والهوا ما يجيش وأبقى شايف إن ده يحير
[01:31.88]أغرق نفسي بس ما يقولوش كان نفسه قصير
[01:36.62]مين بقى ثلج ومين مش قادر يفهم ليه الثاني بيتغير
[01:41.67]وقت الجد كل ده بيتبخر وبتبان المية
[01:46.82]كنت فين لما ضاقت الحيطان ديه عليّ
[01:51.77]كنت فين وأنا بلم الحطام ده بإيديّ
[01:56.52]كنت فين لما كنت عايز أموت
[02:01.02]ما تجيش دلوقتي تفتكريني أنا بفوق
[02:06.32]إيه اللي فكرك بيّ
[02:09.82]مش كنت ما ستاهلكيش
[02:12.42]عارف إن إنت مادية بس مش للدرجة ديه
[02:17.14]فما تغيريش كلامك
[02:19.64]كل واحد من طريق
[02:22.21]المهم تبقى عرفتي إنك ما تستهلينيش
[02:26.69]ميت من جوة خلاص والريحة فاحت، فاحت
[02:30.59]قبر أدفن فيه ذكرى ونفس عمرها ما إرتاحت كاحت
[02:35.49]خط في قلب صخر تحت كلمتين تناحة جاحد
[02:40.24]خذوا عيني شوفوا بيها هوريكوا واحد، واحد
[02:45.39]ميت من جوة خلاص والريحة فاحت، فاحت
[02:50.19]قبر أدفن فيه ذكرى ونفس عمرها ما إرتاحت كاحت
[02:54.89]خط في قلب صخر تحت كلمتين تناحة جاحد
[02:59.63]خذوا عيني شوفوا بيها هوريكوا واحد، واحد
[03:04.73]أغطس والهوا ما يجيش وأبقى شايف إن ده يحير
[03:09.39]أغرق نفسي بس ما يقولوش كان نفسه قصير
[03:14.34]مين بقى ثلج ومين مش قادر يفهم ليه الثاني بيتغير
[03:19.09]وقت الجد كل ده بيتبخر وبتبان المية
[03:24.09]كنت فين لما ضاقت الحيطان ديه عليّ
[03:29.09]كنت فين وأنا بلم الحطام ده بإيديّ
[03:33.84]كنت فين لما كنت عايز أموت
[03:38.19]ما تجيش دلوقتي تفتكريني أنا بفوق
[03:43.48]إيه اللي فكرك بيّ
[03:47.84]مش كنت ما ستاهلكيش
[03:50.04]عارف إن إنت مادية بس مش للدرجة ديه
[03:54.79]فما تغيريش كلامك كل واحد من طريق
[03:59.64]المهم تبقى عرفتي إنك ما تستهلينيش

أبيوسف - واحد واحد | Abyusif - Wa7ed Wa7ed

art work by :  Fel dera



Fel Dera ig : https://instagram.com/logical.da9ud?utm_medium=copy_link

مدشمل

MARWAN PABLO EL HOB FEIN _  مروان بابلو الحب فين

Ta9chira Clash Psycho M 7000

Tuqoos, Julmuds debut album release is a 15 track project rooted in heavy beats that bend space and time to subvert forms of enclosure. The sounds have an almost granular detailed texture while maintaining a gripping rhythmic flow via dense bass lines and a bitter sweetness in the melodies, blurring the lines between hanging on a street corner, at a protest or in a club. Produced in Ramallah - Palestine, Tuqoos pushes up against otherwise inaccessible space, resisting the conditions of a body in capture through sounds that morph, slip through and create breaks in times and spaces that remain occupied.


All tracks produced and recorded by Julmud
Artwork by Ruanne Abou-Rahme & Basel Abbas
Typography + CGI by @moonistudio
Mastered by Kelly Hibbert (Almachrome)
Bilna’es, 2022

Follow Julmud:
https://www.instagram.com/julmud_1/

Follow Bilna'es:
https://www.instagram.com/bilnaes_/

Buy limited edition vinyl + digital on bilnaes.bandcamp.com

Juwway جوّاي

savestate

Forteana

SAFFWIZZ, 4LFA - Majhoodie (prod. GAL3Y).mp3

كان في صورة - أبيوسف
إنتاج موسيقى اسماعيل نصرت

Abyusif - Kan Fi Sora | ابيوسف - كان في صورة

Ethereal - That's Hot Vol. 1 ---->  2/3/2023

https://eezyworld.bandcamp.com/music

Waitin4u

[اللازمة ]
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا

[المقطع الأول]
عايزة  تسيبيني وتمشي
عايزاني أعملك إيه؟
ما إنتِ بتسيبي وتمشي
وفي صدري مواويل
عايزة تسيبيني إمشي (إمشي)
ماتختبريش قلبي الحزين (الحزين)
ليه بنضطر نمسك؟ (نمسك)
في عيون بتحب تسيب (تسيب)

[اللازمة ]
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا
بتختار، بس لسه مستاء
بينك تار، بس ماينفعش تغتال

[جسر]
سيبني سيبني أقول كل إللي في قلبي (ألو)
سيبني أعمل إللي أعمله يا معلم (إيه؟)
سيبني أعمل خميرة لأجل إبني
ماتقعدش تزن وتأنبني

[المقطع الثاني]
مالي مالي زي لو هتحبي
بس بس ماظنش إني أنفعلك
رد فعلي مش هتحبيه
ده ده الشيء إللي ورا جابني
بحاول بحاول أعلي في مراتبي
هل هل هينفع تبقي زيي؟ هل
فاكره لما في ثانوي عرفتك
ماكنش نفس الحد بتاع دلوقتي

[اللازمة ]
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا

[المقطع الثالث]
كنتي فين لما كنت عايزك
كنتي فين لما كنت آه
كنتي فين لما كنت أغيب (ألو)
وإنتِ كنتي فين لما كنتي تبقي تغيبي
شوفي أنا كنت إيه ودلوقتي ببقى إيه
ماتحاوليش تغريني، أنا عرفت إللي فيها
خلي إللي فيا فيا ماتحاوليش تشوفي
أنا لو تهت في قديمك مش هبصلك يا عيني
وأرجع تاني أقول

[اللازمة ]
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا
تا تا تاتا تاتا تا تا

[اللازمة ]
دا دا دادا دادا دا دا
دا دا دادا دادا دا دا
دا دا دادا دادا دا دا
دا دا دادا دادا دا دا
(بتختار، بس لسه مستاء)
(بينك تار، بس ماينفعش تغتال)

ZIAD ZAZA - EMSHI |  زياد ظاظا - إمشي

Koli Vibe

DJ Gawad, the self-proclaimed “best producer in the Middle East”, is anonymous for reasons of honor and religion. Leading up to his debut album ‘DJ GAWAD Presents: Volume 1’ on Drowned By Locals, DJG selects verbally dexterous Jordanian rapper Shbash as a collaborator for his first single KOMSTER. Reporting on hide-and-seek street-life narratives, KOMSTER is now up on Bandcamp and streaming on all platforms—https://drownedbylocals.bandcamp.com/track/komster

SHBASH is a Palestinian-Jordanian rapper, producer and committed nightcrawler of the city of Amman, from which he draws inspiration, crafting a signature rap style as a hyperbolic form of social commentary.

Produced by DJ Gawad
Vocals and Lyrics by Shbash
Mastered by Rupert Clervaux
Artwork by 67pcg

DBL22DL
released September 29, 2023

KOMSTER

DJ GAWAD & SHBASH - KOMSTER

Don't Kill This Thing [2009]

Produced by Muqata'a
إنتاج مقاطعة

http://soundcloud.com/khottaba
http://soundcloud.com/dakn-1
http://soundcloud.com/riyadiyat-1

Artwork by http://soundcloud.com/mothanna

Muqata'a, Khotta BA, Dakn, Riyadiyat - Mas-houq il ajab  مقاطعة، خطة ب، داكن، رياضيات - مسحوق العجب

Listen to the original release with @el-far3i on the following link --> https://soundcloud.com/el-far3i/el-far3i-ya-wela-prod-hello-psychaleppo

Artwork by Sedki Al Imam

El Far3i - Ya Wela (Instrumental)Prod. Hello Psychaleppo

Trio Ternura (Compacto 1973)

Last Tango In Paris

Celebrating its 25th anniversary, Far Out Recordings proudly presents two albums of previously unheard Azymuth demo recordings from 1973-75

Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock ‘n’ roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature ‘Samba Doido’ (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, psychedelic, samba jazz-funk hybrid.
But before they became Azymuth, Jose Roberto Bertrami (keyboards), Ivan ‘Mamão’ Conti (drums), Alex Malheiros (bass) and Ariovaldo Contesini (percussion) played backing band to just about every major artist in Brazil.

Bertrami was also contracted as an arranger and songwriter at some the biggest labels of the era: Polydor, Philips, Som Livre, and EMI being just a few. Azymuth’s name can be found on record sleeves by the likes of Jorge Ben, Elis Regina, Marcos Valle, Ana Mazzotti and countless others. But at the dawn of the seventies, fascinated by developments in improvisational music - from jazz in the US, to progressive rock in the UK and of course samba, bossa and tropicália on home turf - the energetic young group were inspired and ready to move forward.Any spare moment in which they weren’t in sessions and writing music for other artists, they would be carving out their own sound.

These previously unheard recordings took place between 1973-75 at Bertrami’s home studio in the Laranjeiras district of Rio de Janeiro. At the time of recording, there was nothing in Brazil, less the world that sounded anything like them, so perhaps it’s unsurprising that when Bertrami presented his demos to the record companies he had been working for, he was turned away, and told in effect that the music was ‘wrong’.

One of the demos ‘Manhã’ would be picked up by Som Livre and Azymuth released their seminal debut album in 1975. Throughout the late seventies and eighties, the group released a series of now classic albums for Milestone Records, before taking an indefinite hiatus to pursue their individual careers.
When English producers Joe Davis and Roc Hunter arrived in Brazil in 1994 to record the first Azymuth album in over a decade, Bertrami dug out the demos which had sat virtually untouched for over twenty years. Joe recalls how he was “blown away by the freedom and intensity of the music, as well as the genius of the ideas musically.” Beginning a long and fruitful relationship, ‘Prefacio’ would be the first track Azymuth recorded for Far Out Recordings and was released on the Carnival album (1996).

Along with ‘Manhã’ and ‘Prefacio’, only a handful of these demos were ever professionally recorded and released, making this the first opportunity to hear many of these early Azymuth compositions in their raw, original form.

On every track the frenetic energy in the studio is palpable, giving the recordings a beautifully personal feel and a sense of the phenomenally creative vision Bertrami, Malheiros and Conti were realising at the time. Fifty years on, Azymuth’s earliest recorded music retains an ineffable, futuristic quality, standing amongst their most captivating and moving work.

Vinyl / CD / Digi

Azymuth - Manha

Azymuth - Morning (Manha)

ｈｏｒａｎｉｗａｖｅ シリアの波 | حوراني ويڤ

Natural Wonders Of The World

Great Barrier Reef

Issam Hajali might be most known for being the singer and main composer of the Lebanese band Ferkat Al Ard. While they recorded 3 albums only their classic „Oghneya“ release saw a vinyl release and is probably the most in demand record in the Lebanese record collector scene (A copy changed hands in Beirut this year for 5000$). Before the band came together Issam recorded a debut album under his own name called "Mouasalat Ila Jacad El Ard" in 1977 in exile in Paris. It was originally released in a run of less than 100 copies.

Issam Hajali - Ana Damir El Motakallim

-1魂

Musician based in Ramallah,Palestine

contact: jundjalmud@gmail.com

Juwway جوّاي

Julmud جُلْمود