I compose my music in real time. Every piece begins as a single vocal take where I sketch the full shape of the composition, the harmony, rhythm, dynamics and instrumentation, using my voice as the first orchestra. From that one moment, I expand the lines into full arrangements, shaping the textures, colours and movement until the piece finds its form. 
This approach lets me catch the energy of a first idea before it slips away. Some pieces reveal themselves instantly; others stay mysterious to me, but I release them anyway. Over the years I’ve learnt that what feels unresolved to me can resonate powerfully with someone else. 
My work moves between orchestral writing, jazz-leaning harmony and more experimental sketches, but it all comes from the same place: one take, full expression, and the instinct to follow where the idea leads.

I write lyrics the same way, free-styled in the moment, written down after, then shaped into a story without losing the instinct that sparked them.

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