Low Bird

no sleep.

👩🏼‍🦳👨🏼‍🦳🥱😣😫⁂©All Rights Reserved 12-2025
©Mixer, Mastering, Creator & Pro License: Lady ElectroTrek
***

Wishing You Never Grew Old

Melancholia

Music: Ivana Traboulsi / Christian Silvosa

Credits: from "Blood Moon Eclipse" EP
Piano: Christian Silvosa 
Mix / Mastering: Francisco Rodriguez Amenabar

Photo: Florencia Pages

Christian Silvosa - Lubona

Euphoria

Fear Culture

A piece of cinematic music representing an exit. 
--
Photo by Jacques Le Gall on Unsplash

Exit

Exit – Ambient & Cinematic Music

A song about becoming a parent

LYRICS:

When she arrived, fixed me with purple eyes
Life changed in a moment
knew I've got to keep her alive

I get scared for the future, when my time is mine again
no knowing who I’m gonna be
I don’t care for this

There’s something about this that I’m supposed to hide away
It three-word silence so loud it is deafening me

After we launch you, are you gonna come back home?

Launch

I have been getting more into the synth wave style lately, i hop you guys like it.

Synthwave

Synth Space

The title track for my upcoming album "Civilization Soundscape," which is featured in the epic teaser trailer here: https://www.youtube.com/watch?v=WwwH8h91FUU

Artifex (noun - Latin): practitioner of an art, craftsman, creator

This track acts as a small case study, epitomizing both my sound and what I try to achieve with my music. I start with a blank canvas and employ the simplest of motifs, a pulse on a single tone. With each subsequent layer I try to add intrigue and detail, giving a direction to the piece and painting a picture for the listener. Each layer is treated analogously to how an engineer would make use of a fundamental principle in their trade, ultimately arriving at something comprised of much greater complexity.  Finally, a simple harmonic structure is introduced, rich and vibrant in tonality, which I attempt to complement through the continued use of driving percussive elements. I intended the final product to feel built from the ground up like a group of architects beginning construction on a monument, only with the brick and mortar and mathematical axioms substituted by sonic motifs.

I hope you enjoy :) please comment with your thoughts and any critiques!

Artifex

Eating Variations
for Baritone Voice and Chamber Quintet (Baritone Voice,  Flute, B-flat Clarinet, Violin, Cello, Percussion)
Duration: 9' 
Text by Ron Singer
Performers: American Modern Ensemble; Robert Gardner, Baritone
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1109
Online Perusal Score: https://issuu.com/robertpaterson/docs/eating_variations-fs-bound_perusal
For More Information: https://robertpaterson.com/eating-variations

PROGRAM NOTES
Eating Variations is based on a series of witty poems with the same title by Ron Singer. The work as a whole is essentially a satire on food faddism and depicts different aspects of eating. The way I chose to set these poems is light-hearted, perhaps lighter in spirit than Singer originally intended, but with a serious, dark side.

The first movement, My Body, a Temple, incorporates the sounds of Tibetan Singing Bowls (also called Temple Bowls or Cup Gongs) and is loosely, harmonically inspired by Khöömei, or Tuvan Throat Singing and David Hykes’s Harmonic Choir recordings; both of whom use a style in which the singer produces overtones on top of the fundamental notes. Perhaps mercifully, I do not require the baritone to use this technique, but instead, use the flute to produce false overtones in a couple of spots.

In the second movement, The Hog, the instruments mimic pig sounds with scratchy, grunting noises from the violin and cello and clarinet multiphonics. A round-sounding whole-tone scale is used and there is a Polka-like accompaniment in the percussion.

The third movement, Even the Dyspeptic Must Eat, uses upward and downward runs in the bass clarinet to impart a roller coaster-like sense of Gastroesophageal Reflux Disease, a condition in which there is recurrent return of stomach contents back up the esophagus. This is reinforced with a slow, background groove in the drums.

The cello part in the fourth movement, The Dietary Moralist, is inspired by Dave Eggar, a cellist who can play his instrument like a guitar and sing at the same time. In this movement, I ask the cellist to play in a somewhat folksy style and sing out of tune back-up vocals—to me, reminiscent of a 1960s musical Hippie Sit-in. The main vocalist is backed by the well meaning but out of tune "band." To paraphrase an interesting email exchange with Singer, we agreed that in this context, the vocalist might represent a contemporary version of a certain species of 60's hippie—say, a particularly zealous fair trade coffee purveyor, and that this Malvolio type is singing along with a group of kindred spirits. This movement is not a literal portrayal of the text, which is quite serious in tone, and stretches the meaning more than the other movements. Perhaps my interpretation may instead be viewed more as commentary on the text.

In each passing decade, people are sure of their eating habits, and the carefree, assured, commercial America of the 1950s was no different. In the last movement, The Happy Medium, I envision a father-like doctor figure squarely explaining to a patient how to eat. The perky background music is meant to evoke a 1950s TV commercial, or perhaps a short, black and white educational grade school film.

Winter Songs

Eating Variations - III. Even The Dyspeptic Music Eat

Junefe25 (Joo-nae-fae-25: 주네페25), a multi-instrumentalist and multi-genre composer & producer.
 
This channel exhibits the "music diary" reflecting on daily life matters such as people's emotions, insights, enlightenments, life issues, etc. 
 
Junefe25 is very interested in producing cinema/drama music and is willing to work with any commercial group/company to produce quality workpieces.
 
Junefe25 does have all the copyright of the details (100%). In case anyone wants to use any music piece from his work, please send him a message.
 
Thank you for your interest and time on his music here. Please feel free to explore this channel and enjoy the musical empathy contributed.

주네페25 (Junefe25)입니다. 연극/드라마/영화음악 제작을 지향합니다. 협력을 원하시는 분들은 메시지를 통해 알려주시면 연락드리겠습니다.

이곳의 모든 곡의 저작권은 저, ‘주네페25’에게 있습니다. 곡을 사용하시고 싶은 분들 또한 메시지를 통해서 알려주시면 고맙겠습니다.