aurea

satanwave - Crash /w Stella Perish

Concept score made for the Last Cloudia RPG. I do not own the rights to this music score.

Newfound Civilization Act II

Full album: https://soundcloud.com/bloomstaxonomy/sets/foley-age

www.bloomstaxonomymusic.com

Foley Age

Elephant Park

The vibe of ancient and incredible when you walk into a Vimana Temple on beautiful India.

12 - Bonus Track VIMANA TEMPLES 2019 REMIX

This is a special track, made from a native american indian flute that a friend made and gave to me. This is the beautiful gift.
You can listen to the whole album on spotify: https://open.spotify.com/album/27IcsF5sz7RH1eRlwoWWzU?si=RbphJRv2TIi73AaIWCCjgg

A BEAUTIFUL GIFT. ANCESTRAL VISION MIX

A piece of cinematic music representing an exit. 
--
Photo by Jacques Le Gall on Unsplash

Exit

Exit – Ambient & Cinematic Music

Scorpion Tales for Two Harps
Duration: 15’
Publisher: Bill Holab  Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1126
For More Information: https://robertpaterson.com/scorpion-tales

PROGRAM NOTES
Gruesome creatures have always fascinated me, so when Duo Scorpio asked me if I would be interested in writing them a new piece, and their only request was that I incorporate the scorpion as a theme, I was happy to oblige.

The first movement, Trinidad Scorpion, is inspired by a fiery red pepper called the Trinidad Scorpion "Butch T", currently the hottest pepper in the world. It measures a blistering 1,463,700 Scoville Heat Units (SHU). (A typical jalapeno pepper measures around 5,000 SHU, while a habanero pepper measures up to 350,000 SHU.) The tempo is appropriately marked con fuoco, and the contrapuntal middle section is subtly infused with Calypso rhythms.

Promenade à deux is the title of the second movement, borrowed from a colorful description of the scorpion's complex courting and mating ritual. This begins when the male and female locate and identify each other using a mixture of pheromones and vibrational communication. The courtship starts with the male grasping the female's pedipalps with his own; the pair then perform a "dance" called the promenade à deux. The courtship ritual can involve several other behaviours such as juddering and a cheliceral kiss, in which the male's claw-like mouthparts grasp the female's. In some cases, the male will inject her with a small amount of venom, perhaps as a means of pacifying her. Once mating is complete, they separate. The male generally retreats quickly, most likely to avoid being cannibalised by the female, although sexual cannibalism is infrequent with scorpions. Scorpions glow fluorescent under black lights, so I imagine the scorpions basking in a fluorescent afterglow after completing their courtship.

The third movement, The Tale of Orion, is inspired by an ancient Greek myth. According to legend, Orion boasted to goddess Artemis and her mother, Leto, that he would kill every animal on earth. Although Artemis was known to be a hunter herself, she offered protection to all creatures. Artemis and her mother sent a scorpion to deal with Orion. The pair battled and the scorpion killed Orion. The contest was apparently lively enough to catch Zeus's attention, so he raised the scorpion to heaven and afterwards, at the request of Artemis, did the same for Orion. This served as a reminder for mortals to curb their excessive pride. A second version describes Orion and Artemis growing fond of each other. Learning of this development, Apollo, Artemis's twin brother, grew angry and sent a scorpion to attack Orion. After Orion was killed, Artemis asked Zeus to put Orion up in the sky. So every winter Orion hunts in the sky, but every summer he flees as the constellation of the scorpion approaches.

Scorpion Tales was commissioned by harpists Kathryn Andrews and Kristi Shade of Duo Scorpio through a grant from the American Harp Society.

Scorpion Tales

Scorpion Tales - III. The Tale of Orion

Wind Quintet
Duration: 18'
Commissioned by Quintet of the Americas; Underwritten by the American Composers Forum with funds provided by the Jerome Foundation
Publisher: Bill Holab Music: www.billholabmusic.com/store/index.p…oducts_id=909

PROGRAM NOTES
All of the movements of this wind quintet are connected and inspired in some way by American icons, surrealism, collage, post-1950s imagery and suburbia.

The first movement, Andante, begins with the ending and ends at the beginning. Some instruments mimic others and just when you think an idea might go in one direction, it goes in another. I gleaned many of my ideas from studying cinematic character development and the unusual forms used in many modern films such as the 1994 film Pulp Fiction by Quentin Tarantino.

The second movement, Suburban waltz-fantasy, contains quotes from 1960s-70s TV show themes: The Jetsons, All in the Family, Green Acres, The Dick Van Dyke Show, The Brady Bunch and Leave It To Beaver. The movement begins with a waltz-like feel and two of the players mimicking “suburban chicken lady housewives cackle-gossiping across a backyard fence.” An obnoxious stray dog interjects with loud barking and then the movement takes off in a different direction. Some of the quotes are re-composed to sound like bird songs, others are textural and a few are so subtle that they are not easy to discern. Some of the parts even sound like they are mocking each other. This movement is a strange, surrealist collage.

The most immediate and obvious reference in the title of the third movement, Melting Clocks, is to Salvador Dali’s famous 1931 painting The Persistence of Memory in which there are images of melting or limp watches. I imagine a room full of clocks all ticking away, yet slightly inaccurately, the “baby clocks” a little faster than the “old grandfather clocks.” The middle section contains a few brief quotes form the first movement, and the “slightly melted” end of the movement brings back the cuckoo, but this time it melts as if it is in a house consumed by fire.

The fourth movement, Klezmeshugeh, derives its title from my combining the words ‘klezmer’—which is a combination of the two Hebrew words, kley and zemer, meaning ‘instrument of song’—and meshugeh, which is a Yiddish word meaning ‘crazy’. Essentially, this made-up title means “crazy instrument song.” In this movement, there are a few “wrong notes” that allude to the players pretending to sight-read. The end also concludes with a few thematic fragments from the second movement.

Wind Quintet was commissioned by Quintet of the Americas and underwritten by the American Composers Forum with funds provided by the Jerome Foundation.

Wind Quintet - III. Melting Clocks

The Likes of This Have Never Been Seen Before ...yet Here We Are Again

Calypso (No Reason to Stay) Pt. 3

O Renascer de um Sonho

Junefe25 (Joo-nae-fae-25: 주네페25), a multi-instrumentalist and multi-genre composer & producer.
 
This channel exhibits the "music diary" reflecting on daily life matters such as people's emotions, insights, enlightenments, life issues, etc. 
 
Junefe25 is very interested in producing cinema/drama music and is willing to work with any commercial group/company to produce quality workpieces.
 
Junefe25 does have all the copyright of the details (100%). In case anyone wants to use any music piece from his work, please send him a message.
 
Thank you for your interest and time on his music here. Please feel free to explore this channel and enjoy the musical empathy contributed.

주네페25 (Junefe25)입니다. 연극/드라마/영화음악 제작을 지향합니다. 협력을 원하시는 분들은 메시지를 통해 알려주시면 연락드리겠습니다.

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