landing

The "one sentence that in some manner describes your artistic practice", step two of this week's Disquiet Junto brief, is as follows:

I make music to explore sound and the boundary of what is considered ‘music’ … and I use chance so that, in turn, sound can explore me through the process, as well as, at best, anyone else who listens. 

Perhaps ironically, the SoundCloud algorithm doesn't consider this track 'music' enough to recommend to potentially interested listeners ... so it might actually be worth a listen! 😁😜

Great to be contributing to Musikfestival Bern again with this exploration!

More on the 707th weekly Disquiet Junto project, Chain of Practice — The Assignment: Make music from how you make music — at https://disquiet.com/0707/.

more halF unusuaL

halF practicE [disquiet0707]

another piece for Disquiet Junto https://llllllll.co/t/disquiet-junto-project-0707-chain-of-practice/72525

[disquiet0707] computational systems

insect tremolo
soberingly cools the heat
of farmland roads

Kogetsu Eguchi (1825-1867) was a Japanese poet active in the late Edo period. Together with Kazan Watanabe, he authored the haiku book Tōke shunchō.

Haiku by Kogetsu Eguchi

Picture by Luca Ercolani

Mutable cicada4_Naviarhaiku603

naviarhaiku603 – insect tremolo
July 23, 2025
insect tremolo
soberingly cools the heat
of farmland roads

by: Kogetsu Eguchi

Music made with Korrel Grain Player. 7 tracks. Free Samples by  Pixabay  (https://pixabay.com/)

insect tremolo (naviarhaiku603)

Faint yet clear (naviarhaiku606)

Roland JX 3P and acoustic guitar.
Mooer Ocean Machine

Made for the haiku challenge n. 606 https://www.naviarrecords.com/naviarhaiku606-slightly-faint/

hi-res download

slightly faint, yet clear (naviarhaiku606)

This is my submission to this week's Disquiet Junto assignment.

More on the 712th weekly Disquiet Junto project, Zebra Code — The Assignment: What rhythm do you hear in a bar code? — at https://disquiet.com/0712/

250822 [disquiet0712]

This track was inspired by this week's Disquiet Junto project: The barcode of the softcover Penguin edition of Daniel Kahneman's "Thinking, Fast and Slow" was used as the timeline for the rhythm, and the track was created with this beat as inspiration.
The other elements followed, found through intuition or happy accidents.
The result is a far groovier track than I initially assumed.

More on the 712th weekly Disquiet Junto project, Zebra Code — The Assignment: What rhythm do you hear in a bar code? — at https://disquiet.com/0712/

Thinking Fast and Slow (Disquiet0712)

Response to Disquiet Assignment: What rhythm do you hear in a barcode? The first :30 of the piece consists of the barcode: vocal sounds to represent each size of the lines, and one sounds for the biggest space - followed by improvisational vocal sounds repeats of the barcode. More on the 712th weekly Disquiet Junto project, Zebra Code — — at https://disquiet.com/0712/.



disquiet0712 Al Dente

made for the naviar haiku challenge #608: https://www.naviarrecords.com/naviarhaiku608-young-grasses/

hi res download

young grasses (naviarhaiku608)






Update: All my music is now Creative Commons licensed. This means if you want to use it in a video or an app then go for it. All I ask is that you credit me and link back here to my soundcloud (http://soundcloud.com/junklight). It would also be cool if you could let me know you've used it. 


I love listening to music. I love making music 

I love technology, but only as a means to an end when it comes to music making. 

I'm after music that has life not music that is perfectly constructed 

Here is my music 