Justin Hurwitz[1] is an American film composer and a television writer. He is best known for his longtime collaboration with director Damien Chazelle, scoring each of his films: Guy and Madeline on a Park Bench (2009), Whiplash (2014), La La Land (2016), First Man (2018), and Babylon (2022)

For La La Land, Hurwitz won two Academy Awards, Best Original Score and Best Original Song (for "City of Stars"), as well as the Golden Globe Awards for Best Original Score and Best Original Song and the BAFTA Award for Best Film Music.[6] He won two more Golden Globes for Best Original Score for First Man and Babylon.

Justin Hurwitz - Planetarium - LA LA LAND

Made by sample set of real non digital instruments and Vinyl records player (Scratches and SFX drops)

2-30 A Storm Rages in My Soul

The Oak road

The Beach Huts

The Dreamers Walk Backwards

“Final Voyage, Home” is a quiet, cinematic farewell — a gentle piece about arriving at the end of life and finding, improbably and beautifully, that home has been waiting for you all along. The track follows one last walk along a familiar shoreline; as the tide whispers and the light shifts, Wilf — a tuxedo cat who has gone before — pads up and sits at my side. There’s a small, wordless recognition: it’s time. Looking up, a great cruise ship appears on the horizon, bathed in warm, otherworldly light. Onboard are the faces of everyone I’ve loved and lost, and those I’ve loved and kept: a congregation of ordinary saints waiting to welcome me on my final journey.

Musically, the arrangement mirrors that slow step toward acceptance — spare piano and low strings and horns carry the weight, The track is less about drama and more about arrival: a calm, reverent goodbye that feels like a hand being taken. It’s intimate, hopeful and, at its core, grateful.

Final Voyage, Home

IdW84U

So We Meet is a symphonic journey of opposites — fire against water, danger against serenity. At its heart, though, it’s not just about elements but about people, the clashes and harmonies we carry within.

The music opens with lush cinematic strings and haunting piano motifs, slowly unfolding into a grand, operatic soundscape. Ethereal choirs rise like waves, while ambient guitars and shimmering synths weave around them. Drums strike with purpose, building momentum toward a towering climax — where passion, fear, and resilience collide in a storm of sound.

Epic yet intimate, So We Meet is both a duel and a dance — reminding us that in every confrontation lies the chance for balance, and in every struggle, a reflection of ourselves.

#symphonic #cinematicmusic #epicmusic #operatic #grandiose #soweemeet #neoclassical #orchestral #ethereal #choir #epicbattle #emotionalmusic #soundtrackvibes #newmusic

Finally We Meet

My recording of Piano Sonata No. 14 in C-sharp minor “Quasi una fantasia”, Op. 27, No. 2, 1st movement (Moonlight Sonata), composed by Beethoven in his early 30’s.

In my original recording I had hit some incorrect notes and even omitted a note in the bass.  In this recording I have corrected all mistakes.

I also took the photo of the moon.

Moonlight Sonata (1st Movement)

Rimsky-Korsakov's Flight of the Bumblebee | Violin & Piano

Violin: Lelie Cristea
Piano Accompaniment: Tamilla Guliyeva
Sound Recording by Arthur Jogerst

Hummelflug - Rimsky-Korsakov / J. Heifetz | Flight of the Bumblebee for Violin & Piano

Beethoven - Moonlight Sonata 1st Movement

Volant Records is an independent label dedicated to bold, genre-spanning sounds and timeless artistry. Jupiter Morrow's music always tries to find truth in the pain, with eyes wide and with a heart that is open.

© Volant Records | All Worlds Reserved.

The Dreamers Walk Backwards

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