Name: "Psalms" for 8 bass flutes (vers. 2014) by Juste Janulyte
Duration: 11 min 6 s
Description: perf. Manuel Zurria (IT). More info: http://www.janulyte.info/en/works/psalms/

not easy finding music written today so enjoyable! so full with subtleties and delicacy, great... thank you for sharing

part 2/13 on my project gathering Hildegarde Von Bingen & Pauline Oliveros

Atomic Imagery - Rotating Molecules - Particles Dancing - Instantly Vanishing / O Rubor Sanguinis

Preview from upcoming EP. This track is about the mythical Piasa bird coming to attack a tribe in the Illinois Mississippi River Valley.

Attack Along the Mississippi

Raw sonic explorations of the tools I am designing at INA grm. No external input, no post-processing, live capture with minor editing.

Today, a(nother) lullaby for sines.

GRM Development Diary 6

Recording of the recital by Samuel Vriezen (Erard piano) at the Amsterdam Wandelweiserfestival 2022, Orgelpark, Amsterdam.

Five pieces, played attacca:

0'00":
Chop. (Samuel Vriezen, 2019)

ca. 5'30":
2. Stück 2004-1 (Manfred Werder, 2004)

ca. 13'55":
3. Ballade nr. 4 in f minor (Frédéric Chopin, 1842)

ca. 25'50"
4. Stück 2004-2 (Manfred Werder, 2004)

32'22":
5. Frédéric Chopin (Samuel Vriezen, 2019. First performance)

Recital 30 Oktober 11.00

RIOT Ensemble, cond. Aaron Holloway-Nahum 

Distat Terra Festival 2022

Tränen und Ozeane (2022)

Multlayer performance by Jeff Gburek and Karolina Ossowska. Compositional framework generated by JG -- process derived from feeding a fire place while playing frame drum, cymbals and singing bowls so that the sounds of kindling, shovelling ash and other actions blend with the playful dance or organizing the burn. Karolina Ossowska improvised 3 violin tracks to accompany the stem sounds. These violin sounds (col legno battuto, flageolets, pressurized bow-drags) were reconfigured, splintered with various time-line offsets but remain organic and never subjected to any granular convolutions. Sounds from shortwave radio SDR create a kind of cantus firmus reflecting yet again the ionosopheric morphing layers of the planet in geomagnetic warped transitions as expressed by signals bounced into open radios tuned between stations on the floor. Work in progress/regress, clearly. I am reminded of a recent conversation whereine I paid homage to the nature mystic and great Romanian-born architect of chaos theory music, Iannis Xenakis.

Witch Hazel Gathering

perf. Manuel Zurria (IT). More info: http://www.janulyte.info/en/works/psalms/

"Psalms" for 8 bass flutes (vers. 2014)

free improvisation, processed cornet/electric guitar/electronics.

cutoff

Wander Steps for two microtonals accordions played by the duo XAMP Fanny Vicens and Jean-Etienne Sotty (festival Messiaen au Pays de la Meije, commission 2018)

Wander Steps (2018)for two microtonals accordions

http://www.justejanulyte.com/en/works/now-im-nowhere/

commissioned by and written for the Estonian National male choir for their 75-years celebration

"Now I'm nowhere, but wish
I could live in the North, where days
And nights, where sounds and colours
Snow and rain is one and all;
Where nature is not ours,
But we are of the nature; where everything, even the death
Is just one, continuous birth."

Alfonsas Nyka-Niliūnas (1919-2015)

"Dabar aš esu niekur, bet norėčiau
Gyventi šiaurėje, kur dienos
Ir naktys, kur garsai ir spalvos,
Sniegas ir lietus yra viena ir visa;
Kur gamta yra ne mūsų,
Bet mes gamtos; kur viskas, net mirtis,
Tik vienas, nenutrūkstamas gimimas."

16 November 2019, Estonia Concert Hall, Tallinn (EE)

kuulamiskoopia - listening copy

"Now I'm Nowhere" for male choir (2019)

Originally composed for the 2020 edition of the Australasian Computer Music Conference, 'City Circles' is a 28 minute piece that furthers my research on loops as a main musical currency, as well as the exploration of urban sounds and scenery, also present in 2018's "A deafening silence". 

Available from chemical imbalance in CDR and digital: https://chemical-imbalance.bandcamp.com/album/subespai-city-circles

Composed by Subespai (Mauri Edo).
Artwork & layout by Josh Paton.
Recorded, mixed & mastered by Matthew Syres.
Performed @ Alpha House Gallery in Erskineville, Gadigal Land. Sovereignty was never ceded.

City Circles (excerpt)

The works of Justė Janulytė claim to build a "monochrome music" collection: they explore time-space perception through large-scale multilayered textures and extremely gradual metamorphoses. Justė Janulytė's catalogue, balancing between the aesthetics of minimalism, spectralism and acoustic electronica, has become one of the most fascinating focal points in the contemporary musical world. (Universal Music Publishing Classical) 

More on www.justejanulyte.com

"Psalms" for 8 bass flutes (vers. 2014)

Juste Janulyte

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